Shakespeare's Poetic Styles: Verse into DramaRoutledge, 11/10/2013 - 272 من الصفحات First published in 1980. At their most successful, Shakespeare's styles are strategies to make plain the limits of thought and feeling which define the significance of human actions. John Baxter analyses the way in which these limits are reached, and also provides a strong argument for the idea that the power of Shakespearean drama depends upon the co-operation of poetic style and dramatic form. Three plays are examined in detail in the text: The Tragedy of Mustapha by Fulke Greville and Richard II and Macbeth by Shakespeare. |
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الصفحة 13
... Turkey . Fearing Mustapha's increasing popularity and having recently married Rossa , a freed bondwoman , Soliman is moved to this action against his son partly because , as a tyrant , he 13 Sidney's Defence and Greville's Mustapha.
... Turkey . Fearing Mustapha's increasing popularity and having recently married Rossa , a freed bondwoman , Soliman is moved to this action against his son partly because , as a tyrant , he 13 Sidney's Defence and Greville's Mustapha.
الصفحة 14
... Rossa's insinuations about her step - son's ambitions . Rossa plots against Mustapha in order to make her own son , Zanger , Soliman's chief heir ; and she is helped by Rosten , the husband of her daughter , Camena . But her own ...
... Rossa's insinuations about her step - son's ambitions . Rossa plots against Mustapha in order to make her own son , Zanger , Soliman's chief heir ; and she is helped by Rosten , the husband of her daughter , Camena . But her own ...
الصفحة 23
... Rossa , Camena and Achmat whose desires are intense and often turbulent . The aspira- tions of Rossa , in particular , are central to the play . O wearysome Obedience , Wax to Power ! Shall I in vaine be Mustapha's accuser ? Shall any ...
... Rossa , Camena and Achmat whose desires are intense and often turbulent . The aspira- tions of Rossa , in particular , are central to the play . O wearysome Obedience , Wax to Power ! Shall I in vaine be Mustapha's accuser ? Shall any ...
الصفحة 24
... Rossa is addressing qualities within herself , the line expresses an impossibility : obedience can hardly wax to power and remain itself , and if no faculties within the individual remain obedient , power is powerless . In so far as the ...
... Rossa is addressing qualities within herself , the line expresses an impossibility : obedience can hardly wax to power and remain itself , and if no faculties within the individual remain obedient , power is powerless . In so far as the ...
الصفحة 25
... Rossa to countenance , apparently as a rational procedure , the manipu- lation and eventual murder of Camena , her daughter , as well as the manipulation of Soliman and the murder of her step- son , Mustapha . In this play Greville ...
... Rossa to countenance , apparently as a rational procedure , the manipu- lation and eventual murder of Camena , her daughter , as well as the manipulation of Soliman and the murder of her step- son , Mustapha . In this play Greville ...
المحتوى
7 | |
Tragedy and history in Richard II | 46 |
the moral and the golden | 56 |
the metaphysical and | 77 |
style and the character | 106 |
style and the character | 114 |
Tragic doings political order | 144 |
bombast and wonder | 168 |
style and form | 196 |
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عبارات ومصطلحات مألوفة
achieve action analysis appear appropriate attempt beginning Bolingbroke calls cause character claims clear clearly close couplet critical death despite drama earth effect Elizabethan emotional England English especially essentially example experience expression fact fear feeling figure finally Gaunt give golden style Greville hand human idea imagery images imagination imitation important individual intention John kind king language least less live London Macbeth matter means metaphysical mind moral murder Mustapha nature offers once opening passage plain style play poem poetic poetry political possible present problem question reality reason reference remarks represented rhetoric Richard Richard II scene seems sense Shakespeare simply soliloquy speak speech suggests things thou thought tion traditional tragedy tragic true truth understanding University Press verse whole Winters wonder York