Shakespeare's Poetic Styles: Verse into DramaRoutledge, 11/10/2013 - 272 من الصفحات First published in 1980. At their most successful, Shakespeare's styles are strategies to make plain the limits of thought and feeling which define the significance of human actions. John Baxter analyses the way in which these limits are reached, and also provides a strong argument for the idea that the power of Shakespearean drama depends upon the co-operation of poetic style and dramatic form. Three plays are examined in detail in the text: The Tragedy of Mustapha by Fulke Greville and Richard II and Macbeth by Shakespeare. |
من داخل الكتاب
النتائج 1-5 من 54
الصفحة 14
... death . He first enters alone . Nourisht in Court , where no Thoughts peace is nourisht , Vs'd to behold the Tragedies of ruine , Brought up with feares that follow Princes fortunes ; Yet am I like him that hath lost his knowledge , Or ...
... death . He first enters alone . Nourisht in Court , where no Thoughts peace is nourisht , Vs'd to behold the Tragedies of ruine , Brought up with feares that follow Princes fortunes ; Yet am I like him that hath lost his knowledge , Or ...
الصفحة 22
... death ' ) . 18 The unprosperity of vice , then , is not any external punishment that vice brings down upon itself , but simply the elimination of the grounds of moral action . Greville is un- questionably interested in the drama of ...
... death ' ) . 18 The unprosperity of vice , then , is not any external punishment that vice brings down upon itself , but simply the elimination of the grounds of moral action . Greville is un- questionably interested in the drama of ...
الصفحة 27
... death can Mothers stay From ends , whereon a Womans heart is fixt , Weighs harmelesse Nature , without passion mixt . ( III , ii , 39-44 ) The first three lines of this passage achieve a remarkable fury of intensity similar to Lady ...
... death can Mothers stay From ends , whereon a Womans heart is fixt , Weighs harmelesse Nature , without passion mixt . ( III , ii , 39-44 ) The first three lines of this passage achieve a remarkable fury of intensity similar to Lady ...
الصفحة 29
لقد وصلت إلى حد العرض المسموح لهذا الكتاب.
لقد وصلت إلى حد العرض المسموح لهذا الكتاب.
الصفحة 53
لقد وصلت إلى حد العرض المسموح لهذا الكتاب.
لقد وصلت إلى حد العرض المسموح لهذا الكتاب.
المحتوى
7 | |
Tragedy and history in Richard II | 46 |
the moral and the golden | 56 |
the metaphysical and | 77 |
style and the character | 106 |
style and the character | 114 |
Tragic doings political order | 144 |
bombast and wonder | 168 |
style and form | 196 |
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
achieve action analysis appear appropriate attempt beginning Bolingbroke calls cause character claims clear clearly close couplet critical death despite drama earth effect Elizabethan emotional England English especially essentially example experience expression fact fear feeling figure finally Gaunt give golden style Greville hand human idea imagery images imagination imitation important individual intention John kind king language least less live London Macbeth matter means metaphysical mind moral murder Mustapha nature offers once opening passage plain style play poem poetic poetry political possible present problem question reality reason reference remarks represented rhetoric Richard Richard II scene seems sense Shakespeare simply soliloquy speak speech suggests things thou thought tion traditional tragedy tragic true truth understanding University Press verse whole Winters wonder York