Shakespeare's Poetic Styles: Verse into DramaRoutledge, 11/10/2013 - 272 من الصفحات First published in 1980. At their most successful, Shakespeare's styles are strategies to make plain the limits of thought and feeling which define the significance of human actions. John Baxter analyses the way in which these limits are reached, and also provides a strong argument for the idea that the power of Shakespearean drama depends upon the co-operation of poetic style and dramatic form. Three plays are examined in detail in the text: The Tragedy of Mustapha by Fulke Greville and Richard II and Macbeth by Shakespeare. |
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الصفحة 10
... despite of himself , withdrew himself from hearkening to that which might mollify his hard- ened heart . ( p . 45 ) The most important remark of this paragraph deals with the 10 Sidney's Defence and Greville's Mustapha.
... despite of himself , withdrew himself from hearkening to that which might mollify his hard- ened heart . ( p . 45 ) The most important remark of this paragraph deals with the 10 Sidney's Defence and Greville's Mustapha.
الصفحة 14
... despite his sympathy with the public indignation , decides that he must try to restrain it in the interest of preserving the state . The tragedy emphasizes the cost of loyalty to a sovereign who undermines the ground of loyalty . The ...
... despite his sympathy with the public indignation , decides that he must try to restrain it in the interest of preserving the state . The tragedy emphasizes the cost of loyalty to a sovereign who undermines the ground of loyalty . The ...
الصفحة 15
Verse into Drama John Baxter. Despite great familiarity with actual tragedy and with the stories of tragedy , and therefore supposedly inured to its effects , Zanger , none the less , feels his emotions rising . To have lost one's ...
Verse into Drama John Baxter. Despite great familiarity with actual tragedy and with the stories of tragedy , and therefore supposedly inured to its effects , Zanger , none the less , feels his emotions rising . To have lost one's ...
الصفحة 30
لقد وصلت إلى حد العرض المسموح لهذا الكتاب.
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الصفحة 33
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المحتوى
7 | |
Tragedy and history in Richard II | 46 |
the moral and the golden | 56 |
the metaphysical and | 77 |
style and the character | 106 |
style and the character | 114 |
Tragic doings political order | 144 |
bombast and wonder | 168 |
style and form | 196 |
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عبارات ومصطلحات مألوفة
achieve action analysis appear appropriate attempt beginning Bolingbroke calls cause character claims clear clearly close couplet critical death despite drama earth effect Elizabethan emotional England English especially essentially example experience expression fact fear feeling figure finally Gaunt give golden style Greville hand human idea imagery images imagination imitation important individual intention John kind king language least less live London Macbeth matter means metaphysical mind moral murder Mustapha nature offers once opening passage plain style play poem poetic poetry political possible present problem question reality reason reference remarks represented rhetoric Richard Richard II scene seems sense Shakespeare simply soliloquy speak speech suggests things thou thought tion traditional tragedy tragic true truth understanding University Press verse whole Winters wonder York