Shakespeare's Poetic Styles: Verse into DramaRoutledge, 11/10/2013 - 272 من الصفحات First published in 1980. At their most successful, Shakespeare's styles are strategies to make plain the limits of thought and feeling which define the significance of human actions. John Baxter analyses the way in which these limits are reached, and also provides a strong argument for the idea that the power of Shakespearean drama depends upon the co-operation of poetic style and dramatic form. Three plays are examined in detail in the text: The Tragedy of Mustapha by Fulke Greville and Richard II and Macbeth by Shakespeare. |
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الصفحة
... essentially Petrarchist, to sift the good poems, regardless of school or of method, from the bad, we shall find that the Petrarchist movement produced nothing worth remembering between Skelton and Sidney, in spite of a tremendous amount ...
... essentially Petrarchist, to sift the good poems, regardless of school or of method, from the bad, we shall find that the Petrarchist movement produced nothing worth remembering between Skelton and Sidney, in spite of a tremendous amount ...
الصفحة 1
... essentially Petrarchist , to sift the good poems , regardless of school or of method , from the bad , we shall find that the Petrarchist movement produced nothing worth re- membering between Skelton and Sidney , in spite of a tremendous ...
... essentially Petrarchist , to sift the good poems , regardless of school or of method , from the bad , we shall find that the Petrarchist movement produced nothing worth re- membering between Skelton and Sidney , in spite of a tremendous ...
الصفحة 2
... essentially , a form of literature and so minimizes its non - linguistic elements . And finally , to the extent that the model for analysing verse derives from the study of short poems , the question might focus attention on isolated ...
... essentially , a form of literature and so minimizes its non - linguistic elements . And finally , to the extent that the model for analysing verse derives from the study of short poems , the question might focus attention on isolated ...
الصفحة 3
... essentially a form of literature because of the central place that language holds in the human world . The imitation of human action can hardly avoid a fact so impor- tant . For a similar reason , the language of a play should bear ...
... essentially a form of literature because of the central place that language holds in the human world . The imitation of human action can hardly avoid a fact so impor- tant . For a similar reason , the language of a play should bear ...
الصفحة 22
... - century lyric is admirably suited to rendering , in its full complexity , the drama of moral choice , essentially a drama of the human mind . IV The purpose of Mustapha is not only to appeal 22 Sidney's Defence and Greville's Mustapha.
... - century lyric is admirably suited to rendering , in its full complexity , the drama of moral choice , essentially a drama of the human mind . IV The purpose of Mustapha is not only to appeal 22 Sidney's Defence and Greville's Mustapha.
المحتوى
7 | |
Tragedy and history in Richard II | 46 |
the moral and the golden | 56 |
the metaphysical and | 77 |
style and the character | 106 |
style and the character | 114 |
Tragic doings political order | 144 |
bombast and wonder | 168 |
style and form | 196 |
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عبارات ومصطلحات مألوفة
achieve action analysis appear appropriate attempt beginning Bolingbroke calls cause character claims clear clearly close couplet critical death despite drama earth effect Elizabethan emotional England English especially essentially example experience expression fact fear feeling figure finally Gaunt give golden style Greville hand human idea imagery images imagination imitation important individual intention John kind king language least less live London Macbeth matter means metaphysical mind moral murder Mustapha nature offers once opening passage plain style play poem poetic poetry political possible present problem question reality reason reference remarks represented rhetoric Richard Richard II scene seems sense Shakespeare simply soliloquy speak speech suggests things thou thought tion traditional tragedy tragic true truth understanding University Press verse whole Winters wonder York