Shakespeare's Poetic Styles: Verse into DramaRoutledge, 11/10/2013 - 272 من الصفحات First published in 1980. At their most successful, Shakespeare's styles are strategies to make plain the limits of thought and feeling which define the significance of human actions. John Baxter analyses the way in which these limits are reached, and also provides a strong argument for the idea that the power of Shakespearean drama depends upon the co-operation of poetic style and dramatic form. Three plays are examined in detail in the text: The Tragedy of Mustapha by Fulke Greville and Richard II and Macbeth by Shakespeare. |
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النتائج 1-5 من 54
الصفحة
... Language of Shakespeare's Plays Evans XV Coleridge on Shakespeare Foakes XVI Shakespeare Foakes XVII Shakespeare's Poetics Fraser XVIII Shakespeare Frye XIX The Shakespeare Claimants Gibson XX Iconoclastes Griffith XXI That ...
... Language of Shakespeare's Plays Evans XV Coleridge on Shakespeare Foakes XVI Shakespeare Foakes XVII Shakespeare's Poetics Fraser XVIII Shakespeare Frye XIX The Shakespeare Claimants Gibson XX Iconoclastes Griffith XXI That ...
الصفحة 2
... language . In a related way , the question insists that drama is primarily , even essentially , a form of literature and so minimizes its non - linguistic elements . And finally , to the extent that the model for analysing verse derives ...
... language . In a related way , the question insists that drama is primarily , even essentially , a form of literature and so minimizes its non - linguistic elements . And finally , to the extent that the model for analysing verse derives ...
الصفحة 3
... language . Even if there are non - verbal kinds of drama , drama , especially Elizabethan drama , is still essentially a form of literature because of the central place that language holds in the human world . The imitation of human ...
... language . Even if there are non - verbal kinds of drama , drama , especially Elizabethan drama , is still essentially a form of literature because of the central place that language holds in the human world . The imitation of human ...
الصفحة 5
... language in drama , and denies the independence of the theatre as an art form in its own right , with its own laws of realization . It is a superficial view of culture that can with such insouci- ance displace language from the centre ...
... language in drama , and denies the independence of the theatre as an art form in its own right , with its own laws of realization . It is a superficial view of culture that can with such insouci- ance displace language from the centre ...
الصفحة 17
... Languages already . And though my Noble Friend had that dexterity , even with the dashes of his pen to make the Arcadian Antiques beautifie the Margents of his works ; yet the honour which ( I beare him record ) he never affected , I ...
... Languages already . And though my Noble Friend had that dexterity , even with the dashes of his pen to make the Arcadian Antiques beautifie the Margents of his works ; yet the honour which ( I beare him record ) he never affected , I ...
المحتوى
7 | |
Tragedy and history in Richard II | 46 |
the moral and the golden | 56 |
the metaphysical and | 77 |
style and the character | 106 |
style and the character | 114 |
Tragic doings political order | 144 |
bombast and wonder | 168 |
style and form | 196 |
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عبارات ومصطلحات مألوفة
achieve action analysis appear appropriate attempt beginning Bolingbroke calls cause character claims clear clearly close couplet critical death despite drama earth effect Elizabethan emotional England English especially essentially example experience expression fact fear feeling figure finally Gaunt give golden style Greville hand human idea imagery images imagination imitation important individual intention John kind king language least less live London Macbeth matter means metaphysical mind moral murder Mustapha nature offers once opening passage plain style play poem poetic poetry political possible present problem question reality reason reference remarks represented rhetoric Richard Richard II scene seems sense Shakespeare simply soliloquy speak speech suggests things thou thought tion traditional tragedy tragic true truth understanding University Press verse whole Winters wonder York