Shakespeare's Poetic Styles: Verse into DramaRoutledge, 11/10/2013 - 272 من الصفحات First published in 1980. At their most successful, Shakespeare's styles are strategies to make plain the limits of thought and feeling which define the significance of human actions. John Baxter analyses the way in which these limits are reached, and also provides a strong argument for the idea that the power of Shakespearean drama depends upon the co-operation of poetic style and dramatic form. Three plays are examined in detail in the text: The Tragedy of Mustapha by Fulke Greville and Richard II and Macbeth by Shakespeare. |
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الصفحة 3
... sense of the meaning and form of the whole . The relationship of style and form in drama is a question that can be most sharply defined by referring again to the criticism of Yvor Winters . Though he celebrates repeatedly the ...
... sense of the meaning and form of the whole . The relationship of style and form in drama is a question that can be most sharply defined by referring again to the criticism of Yvor Winters . Though he celebrates repeatedly the ...
الصفحة 14
... senses , the character in a position to be most affected by the mur- der , and , as well , he has not appeared in the play until this point . Both of these facts lend the keenest interest to his initial remarks and to his reaction to ...
... senses , the character in a position to be most affected by the mur- der , and , as well , he has not appeared in the play until this point . Both of these facts lend the keenest interest to his initial remarks and to his reaction to ...
الصفحة 21
... sense of the term ' drama ' . Geoffrey Bullough , for example , misled perhaps by Greville's disclaimers , like the one about not being ' an exact artisan ' , remarks that : 17 The ethical subject is more to him than the dramatic form ...
... sense of the term ' drama ' . Geoffrey Bullough , for example , misled perhaps by Greville's disclaimers , like the one about not being ' an exact artisan ' , remarks that : 17 The ethical subject is more to him than the dramatic form ...
الصفحة 22
... sense is that which makes moral choices possible ( one thinks of Prospero in The Tempest , or , conversely , from Richard III , ' So now prosper- ity begins to mellow / And drop into the rotten mouth of death ' ) . 18 The unprosperity ...
... sense is that which makes moral choices possible ( one thinks of Prospero in The Tempest , or , conversely , from Richard III , ' So now prosper- ity begins to mellow / And drop into the rotten mouth of death ' ) . 18 The unprosperity ...
الصفحة 26
... sense of love and family connections . Greville and Sidney , in their lyric poetry , show a persistent interest in working out the relationship between love and the Aristotelian faculties . The Petrarchan lover is represented not ...
... sense of love and family connections . Greville and Sidney , in their lyric poetry , show a persistent interest in working out the relationship between love and the Aristotelian faculties . The Petrarchan lover is represented not ...
المحتوى
7 | |
Tragedy and history in Richard II | 46 |
the moral and the golden | 56 |
the metaphysical and | 77 |
style and the character | 106 |
style and the character | 114 |
Tragic doings political order | 144 |
bombast and wonder | 168 |
style and form | 196 |
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achieve action analysis appear appropriate attempt beginning Bolingbroke calls cause character claims clear clearly close couplet critical death despite drama earth effect Elizabethan emotional England English especially essentially example experience expression fact fear feeling figure finally Gaunt give golden style Greville hand human idea imagery images imagination imitation important individual intention John kind king language least less live London Macbeth matter means metaphysical mind moral murder Mustapha nature offers once opening passage plain style play poem poetic poetry political possible present problem question reality reason reference remarks represented rhetoric Richard Richard II scene seems sense Shakespeare simply soliloquy speak speech suggests things thou thought tion traditional tragedy tragic true truth understanding University Press verse whole Winters wonder York