Shakespeare's Poetic Styles: Verse into DramaRoutledge, 11/10/2013 - 272 من الصفحات First published in 1980. At their most successful, Shakespeare's styles are strategies to make plain the limits of thought and feeling which define the significance of human actions. John Baxter analyses the way in which these limits are reached, and also provides a strong argument for the idea that the power of Shakespearean drama depends upon the co-operation of poetic style and dramatic form. Three plays are examined in detail in the text: The Tragedy of Mustapha by Fulke Greville and Richard II and Macbeth by Shakespeare. |
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الصفحة 2
... suggests that the drama- tist must always start with whatever poetic styles are avail- able and then make what he can out of them . It seems to assign an unwarranted priority to style or language . In a related way , the question ...
... suggests that the drama- tist must always start with whatever poetic styles are avail- able and then make what he can out of them . It seems to assign an unwarranted priority to style or language . In a related way , the question ...
الصفحة 9
... suggests . Finally , though one must sympathize with Hardison on this point , it may not be true that ' the contradictions of attitude and precept ' in the two voices are so fundamental as to prohibit reconciliation . Curiously ...
... suggests . Finally , though one must sympathize with Hardison on this point , it may not be true that ' the contradictions of attitude and precept ' in the two voices are so fundamental as to prohibit reconciliation . Curiously ...
الصفحة 12
... suggests , was sometimes regarded as a species of fear ( CE , p . 16 ) . As emotional effects , admiration and commiseration obviously carry certain implications for the style and struc- ture of tragic drama , so that , while Sidney ...
... suggests , was sometimes regarded as a species of fear ( CE , p . 16 ) . As emotional effects , admiration and commiseration obviously carry certain implications for the style and struc- ture of tragic drama , so that , while Sidney ...
الصفحة 27
... suggest that their female sexuality is somehow an extraneous and expendable part of their essential being . Rossa's address to Avernus sets up a horrifying resonance with her reference to her ' barren womb ' because together they suggest ...
... suggest that their female sexuality is somehow an extraneous and expendable part of their essential being . Rossa's address to Avernus sets up a horrifying resonance with her reference to her ' barren womb ' because together they suggest ...
الصفحة 40
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المحتوى
7 | |
Tragedy and history in Richard II | 46 |
the moral and the golden | 56 |
the metaphysical and | 77 |
style and the character | 106 |
style and the character | 114 |
Tragic doings political order | 144 |
bombast and wonder | 168 |
style and form | 196 |
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achieve action analysis appear appropriate attempt beginning Bolingbroke calls cause character claims clear clearly close couplet critical death despite drama earth effect Elizabethan emotional England English especially essentially example experience expression fact fear feeling figure finally Gaunt give golden style Greville hand human idea imagery images imagination imitation important individual intention John kind king language least less live London Macbeth matter means metaphysical mind moral murder Mustapha nature offers once opening passage plain style play poem poetic poetry political possible present problem question reality reason reference remarks represented rhetoric Richard Richard II scene seems sense Shakespeare simply soliloquy speak speech suggests things thou thought tion traditional tragedy tragic true truth understanding University Press verse whole Winters wonder York