Shakespeare's Poetic Styles: Verse into DramaRoutledge, 11/10/2013 - 272 من الصفحات First published in 1980. At their most successful, Shakespeare's styles are strategies to make plain the limits of thought and feeling which define the significance of human actions. John Baxter analyses the way in which these limits are reached, and also provides a strong argument for the idea that the power of Shakespearean drama depends upon the co-operation of poetic style and dramatic form. Three plays are examined in detail in the text: The Tragedy of Mustapha by Fulke Greville and Richard II and Macbeth by Shakespeare. |
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الصفحة 6
... tion of the style Shakespeare brought to maturity in a play such as Macbeth . In the study of Macbeth , the analysis of verse serves finally to answer Winters's criticisms of drama . In Mustapha , Richard II , and Macbeth it is possible ...
... tion of the style Shakespeare brought to maturity in a play such as Macbeth . In the study of Macbeth , the analysis of verse serves finally to answer Winters's criticisms of drama . In Mustapha , Richard II , and Macbeth it is possible ...
الصفحة 13
... tion . What we read , then , did not appear in print until more than five decades after the writing of Sidney's Defence . There are , nevertheless , compelling reasons proving that the play is directly influenced by Sidney's ideas . The ...
... tion . What we read , then , did not appear in print until more than five decades after the writing of Sidney's Defence . There are , nevertheless , compelling reasons proving that the play is directly influenced by Sidney's ideas . The ...
الصفحة 15
... tion and admiration . Also , like Hamlet , Mustapha facilitates the transfer of the appropriate emotional effects by providing , within the play , a group of silent actors whose function is to convey the proper emotional attitude ...
... tion and admiration . Also , like Hamlet , Mustapha facilitates the transfer of the appropriate emotional effects by providing , within the play , a group of silent actors whose function is to convey the proper emotional attitude ...
الصفحة 18
... tion , and a poetry that aims primarily to enrich the memory and the judgment , is closely akin to the contrast between the golden and the moral style . Such an interpretation of the contrast is reinforced by the opposition , at the ...
... tion , and a poetry that aims primarily to enrich the memory and the judgment , is closely akin to the contrast between the golden and the moral style . Such an interpretation of the contrast is reinforced by the opposition , at the ...
الصفحة 19
... tion . Having already looked at what sort of appeal he makes to the affections , we can also say that in the fourth paragraph of the passage above he appeals emphatically to the imagina- tion of his reader or auditor . In fact , without ...
... tion . Having already looked at what sort of appeal he makes to the affections , we can also say that in the fourth paragraph of the passage above he appeals emphatically to the imagina- tion of his reader or auditor . In fact , without ...
المحتوى
7 | |
Tragedy and history in Richard II | 46 |
the moral and the golden | 56 |
the metaphysical and | 77 |
style and the character | 106 |
style and the character | 114 |
Tragic doings political order | 144 |
bombast and wonder | 168 |
style and form | 196 |
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عبارات ومصطلحات مألوفة
achieve action analysis appear appropriate attempt beginning Bolingbroke calls cause character claims clear clearly close couplet critical death despite drama earth effect Elizabethan emotional England English especially essentially example experience expression fact fear feeling figure finally Gaunt give golden style Greville hand human idea imagery images imagination imitation important individual intention John kind king language least less live London Macbeth matter means metaphysical mind moral murder Mustapha nature offers once opening passage plain style play poem poetic poetry political possible present problem question reality reason reference remarks represented rhetoric Richard Richard II scene seems sense Shakespeare simply soliloquy speak speech suggests things thou thought tion traditional tragedy tragic true truth understanding University Press verse whole Winters wonder York