John Webster and the Elizabethan DramaJohn Lane Company, 1916 - 276 من الصفحات Describes how certain animals keep warm, how the human body loses and retains its heat, and how various types of clothing and dwellings aid in heat retention. |
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الصفحة 1
... æsthetic foundation ; but I think it will be useful to try and fix the meanings of certain words and phrases , and to give a provisional answer to some of the more important questions . " What is Art ? " is a question which most writers ...
... æsthetic foundation ; but I think it will be useful to try and fix the meanings of certain words and phrases , and to give a provisional answer to some of the more important questions . " What is Art ? " is a question which most writers ...
الصفحة 5
... aesthetic emotion exists . My only comments are that it does not follow that the æsthetic emotion does exist ; and that , as a matter of fact , they are wrong . But the only way to prove them right or wrong is by introspection into our ...
... aesthetic emotion exists . My only comments are that it does not follow that the æsthetic emotion does exist ; and that , as a matter of fact , they are wrong . But the only way to prove them right or wrong is by introspection into our ...
الصفحة 7
... æsthetic " has been used both for questions of Art and , in general and in accord- ance with its derivation , for perception . So he sets out to discover what meaning it can really have , to apply to both . He takes it for the one ...
... æsthetic " has been used both for questions of Art and , in general and in accord- ance with its derivation , for perception . So he sets out to discover what meaning it can really have , to apply to both . He takes it for the one ...
الصفحة 15
... aesthetic emotion " always in the mind of all spectators of plays . I believe that honest introspection of one's states of mind during a play , will show that there is no one quality one can call “ beauty ' in all successful serious ...
... aesthetic emotion " always in the mind of all spectators of plays . I believe that honest introspection of one's states of mind during a play , will show that there is no one quality one can call “ beauty ' in all successful serious ...
الصفحة 21
... æsthetic . It is what we feel when a dramatist breaks or misuses one of the conventions . The artist's business , then , is to make these various conventions , and , within them , to impress the spectator as much as possible with the ...
... æsthetic . It is what we feel when a dramatist breaks or misuses one of the conventions . The artist's business , then , is to make these various conventions , and , within them , to impress the spectator as much as possible with the ...
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æsthetic Appius and Virginia Arcadia artist atmosphere audience authorship beauty beginning Ben Jonson blank verse Bonvile borrowing Bosola Brachiano Chapman characters childish collaboration comedy couplets Cuckold Cure death Dekker Devil's Law-Case Dr Stoll dramatist Duchess of Malfi Dyce edition Elizabethan drama Elizabethan play emotions English especially evidence feel Ferdinand Flamineo Fletcher gives Grumph Heywood Icilius idea imitated important instance John Webster Jonson less Lessingham lines literary literature Lust's Dominion Malcontent Marlowe Marston Massinger mediæval metre metrical mind Montaigne Monticelso Monumental Column moral Northward Northward Ho note-book Parliament of Love passages passion performance period phrases plot poet probably quarto queer Rape of Lucrece rest Romelio Rowley satire scene seems Servants Shakespeare Sir Thomas Wyatt soliloquy speech story style suggested theatre things thought Tourneur tragedy various Vittoria Webster wrote Westward Westward Ho White Devil whole words writing written