Samuel JohnsonOxford University Press, 1984 - 840 من الصفحات |
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الصفحة 237
... action or propriety of exhibition . An act is only the representation of such a part of the business of the play as proceeds in an unbroken tenor , or without any intermediate pause . Nothing is more evident than that of every real ...
... action or propriety of exhibition . An act is only the representation of such a part of the business of the play as proceeds in an unbroken tenor , or without any intermediate pause . Nothing is more evident than that of every real ...
الصفحة 464
... action , and scarce a line which does not conduce to the progress of the scene . So powerful is the current of the poet's imagination that the mind which once ventures within it is hurried irresistibly along . On the seeming ...
... action , and scarce a line which does not conduce to the progress of the scene . So powerful is the current of the poet's imagination that the mind which once ventures within it is hurried irresistibly along . On the seeming ...
الصفحة 537
... actions that must stamp their value . So far as the general practice of any action tends to produce good , and introduce happiness into the world , so far we may pronounce it virtuous ; so much evil as it occasions , such is the degree ...
... actions that must stamp their value . So far as the general practice of any action tends to produce good , and introduce happiness into the world , so far we may pronounce it virtuous ; so much evil as it occasions , such is the degree ...
المحتوى
Translation of Horace Odes ii 20 1726 12 | 1 |
Prologue to Garricks Lethe 1740 | 8 |
Irene Act 11 Scene vii 1749 | 24 |
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Abyssinia Addison ancient appears beauty blank verse Catiline censure character common considered Cowley criticism curiosity danger death delight desire dignity diligence discovered Dryden easily elegance endeavoured English English language equally evil expected eyes fall favour fear folly frequently friends Gabriel Piozzi genius give happiness Harleian library honour hope human Idler ignorance Iliad imagination Imlac inhabitants Johnson justly kind King Lear knowledge labour ladies language learning less likewise live mankind marriage means mind misery nation nature necessary neglected never observed once opinion Paradise Lost passed passions Pekuah perhaps pleased pleasure poem poet poetry Pope praise present prince produce Raasay Rambler Rasselas reader reason received Savage scarcely scenes Scotland seems seldom sentiments Shakespeare Soame Jenyns sometimes suffered supposed thee things thou thought translation truth vanity verse virtue wish words write