Poems Upon Several Occasions: English, Italian, and LatinJ. Dodsley, 1785 - 620 من الصفحات |
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الصفحة xiv
... appears not only from his elegiac but his hexametric poetry . The verfification of our author's hexameters has yet a different structure from that of the Metamorphofes : Milton's is more clear , intel- ligible , and flowing ; lefs ...
... appears not only from his elegiac but his hexametric poetry . The verfification of our author's hexameters has yet a different structure from that of the Metamorphofes : Milton's is more clear , intel- ligible , and flowing ; lefs ...
الصفحة xxii
... bishop- rick of London . But it does not appear in the epifcopal books , nor in the archives of the chapter- houfe of faint Paul's , nor in any registry belong- " ing to the diocefe . For this fearch , ing xxii PREFACE .
... bishop- rick of London . But it does not appear in the epifcopal books , nor in the archives of the chapter- houfe of faint Paul's , nor in any registry belong- " ing to the diocefe . For this fearch , ing xxii PREFACE .
الصفحة xxiv
... under the author's immediate infpection , but by regula- ting the punctuation , of which Milton appears to have been habitually careless . CON- CONTENT S. LYCIDAS . L'ALLEGRO . IL PENSEROSO . ARCADES xxiv PRE F A C E.
... under the author's immediate infpection , but by regula- ting the punctuation , of which Milton appears to have been habitually careless . CON- CONTENT S. LYCIDAS . L'ALLEGRO . IL PENSEROSO . ARCADES xxiv PRE F A C E.
الصفحة 1
... appears to have lived near Saint Chad's church at Litchfield , and to have excelled in painting . Cleveland's copy is very witty . But the two concluding lines are hyperboles of 66 wit . Our teares fhall feem the Irish feas , We ...
... appears to have lived near Saint Chad's church at Litchfield , and to have excelled in painting . Cleveland's copy is very witty . But the two concluding lines are hyperboles of 66 wit . Our teares fhall feem the Irish feas , We ...
الصفحة 4
... appears to have meant a different thing by RHIME here from " RIME in his Preface , where it is fix times mentioned , and always fpelled without an b : whereas in all the Editions , RHIME in this " place of the poem was spelled with an b ...
... appears to have meant a different thing by RHIME here from " RIME in his Preface , where it is fix times mentioned , and always fpelled without an b : whereas in all the Editions , RHIME in this " place of the poem was spelled with an b ...
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عبارات ومصطلحات مألوفة
againſt alfo allufion alſo Amor antient becauſe called COMUS Doctor Newton doth Drayton edit English Euripides expreffion FAERIE QUEENE faid FAITHFUL SHEPHERDESS fame fays fecond feems fenfe fent fhades fhall fhew fhould fide fing firft firſt Fletcher folemn fome fong foon foul ftill ftream ftyle fubject fuch fuppofed fupr fweet hath heaven Henry Lawes HEROID himſelf houſe ibid IL PENSEROSO inchanted inftances ipfe John Milton Jonfon king L'ALLEGRO Lady laft laſt Latin Lond Lord Lord Brackley LYCIDAS manufcript Maſk METAM mihi Milton moft moſt mufic muſt night Note Nymphs obferves Ovid paffage paftoral PARAD PARADISE LOST perhaps pleaſure poem poet poetry praiſe prefent profe PROSE-WORKS publiſhed quæ queen Robin Goodfellow SAMSON AGONISTES Shakespeare ſhall ſhe Shepherd Sonnet ſpeak Spenfer ſtate thee thefe theſe thofe thoſe thou tibi uſed verfe verſe whofe whoſe wood
مقاطع مشهورة
الصفحة 267 - The Lars, and Lemures, moan with midnight plaint ; In urns and altars round, A drear and dying sound Affrights the Flamens at their service quaint ; And the chill marble seems to sweat, While each peculiar power foregoes his wonted seat.
الصفحة 10 - scapes not calumnious strokes : The canker galls the infants of the spring, Too oft before their buttons be disclosed, And in the morn and liquid dew of youth Contagious blastments are most imminent.
الصفحة 31 - Weep no more, woeful shepherds, weep no more, For Lycidas your sorrow is not dead, Sunk though he be beneath the watery floor. So sinks the day-star in the ocean bed. And yet anon repairs his drooping head, And tricks his beams, and with new-spangled ore Flames in the forehead of the morning sky...
الصفحة 92 - As may with sweetness, through mine ear, Dissolve me into ecstasies, And bring all Heaven before mine eyes. And may at last my weary age Find out the peaceful hermitage, The hairy gown and mossy cell, Where I may sit and rightly spell Of every star that heaven doth shew, And every herb that sips the dew, Till old experience do attain To something like prophetic strain.
الصفحة 43 - Come, and trip it as you go On the light fantastic toe; And in thy right hand lead with thee The mountain nymph, sweet Liberty; And if I give thee honour due, Mirth, admit me of thy crew, To live with her, and live with thee In unreprove'd pleasures free...
الصفحة 4 - Bitter constraint, and sad occasion dear, Compels me to disturb your season due : For Lycidas* is dead, dead ere his prime, Young Lycidas, and hath not left his peer : Who would not sing for Lycidas ? He knew Himself to sing, and build the lofty rhyme.
الصفحة 350 - Or man, or woman. Yet I argue not Against Heaven's hand or will, nor bate a jot Of heart or hope, but still bear up and steer Right onward.
الصفحة 34 - Under the opening eye-lids of the morn, We drove a-field, and both together heard What time the gray-fly winds her sultry horn...
الصفحة 63 - Or fill the fixed mind with all your toys ? Dwell in some idle brain, And fancies fond with gaudy shapes possess, As thick and numberless As the gay motes that people the sunbeams ; Or likest hovering dreams, The fickle pensioners of Morpheus
الصفحة 74 - Swinging slow with sullen roar; Or if the air will not permit, Some still removed place will fit, Where glowing embers through the room Teach light to counterfeit a gloom...