Region, Religion and Patronage: Lancastrian Shakespeare

الغلاف الأمامي
Richard Dutton, Alison Gail Findlay, Richard Wilson
Manchester University Press, 2003 - 258 من الصفحات
Region, religion and patronage: Lancastrian Shakespeare explores the network of social, political and spiritual connections in north west England as a site for regional drama, introducing the reader to the non-metropolitan theatre spaces which formed a vital part of early modern dramatic activity. This groundbreaking book uses the possibility that Shakespeare began his theatrical career in Lancashire to open up a range of new contexts for reading his plays and introduces readers to the non-metropolitan theatre spaces which formed a vital part of early modern dramatic activity. The ways in which this rich cultural and theatrical context creates a starting point for innovative readings of Shakespeare's plays are shown in individual essays on Twelfth Night, Romeo and Juliet and A Midsummer Night's Dream. The book will be of interest to postgraduate students working in Shakespearean studies, early modern drama, theatre history, and religious history, as well as local historians.

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patronage theatre
Shakespeare via Bourdieu
modes of temporal
Country house Catholicity and the cryptic
the Simpsons
Suicide at the Elephant and Castle or did the lady vanish?
Shakespeare and Lancaster Richard Dutton
memory and survival in
Lancashire Shakespeare and the construction of cultural
dramatic patronage by the Earls
The playhouse at Prescot and the 159294 plague
Regional performance in Shakespeares time
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عبارات ومصطلحات مألوفة

نبذة عن المؤلف (2003)

Richard Dutton is Humanities Distinguished Professor at Ohio State University

Alison Findlay is Professor of Renaissance Drama at the University of Lancaster

Richard Wilson is Sir Peter Hall Professor of Shakespeare Studies at Kingston University, London

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