Latin Hymns: With English Notes for Use in Schools and CollegesHarper, 1883 - 333 من الصفحات |
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الصفحة ix
... same seminary , for aid in finding the best works for my purpose , and for procuring me the use of rare old books from the libra- of the seminary . ry Almost all the hymns here given may , however , be found in Daniel , Mone , or ...
... same seminary , for aid in finding the best works for my purpose , and for procuring me the use of rare old books from the libra- of the seminary . ry Almost all the hymns here given may , however , be found in Daniel , Mone , or ...
الصفحة 231
... same Psalm : Fiat misericordia , etc. — 31 . Verbatim , Psalm xxxi . , 1 . HYMN II . In Daniel's Thesaurus , 1 , 81 ; Mone , 1 , 99 ; Wackernagel , 1 , 53. It is early , but there is no special evidence which connects it with Ambrose ...
... same Psalm : Fiat misericordia , etc. — 31 . Verbatim , Psalm xxxi . , 1 . HYMN II . In Daniel's Thesaurus , 1 , 81 ; Mone , 1 , 99 ; Wackernagel , 1 , 53. It is early , but there is no special evidence which connects it with Ambrose ...
الصفحة 241
... same class , and been a controlling power in creeds and over human thought . Passion , imagination , and reason were all at their best in him ; but the painters ' symbol for him is a flaming heart . Of his many works , " The Confessions ...
... same class , and been a controlling power in creeds and over human thought . Passion , imagination , and reason were all at their best in him ; but the painters ' symbol for him is a flaming heart . Of his many works , " The Confessions ...
الصفحة 243
... same subject by a later and weaker and more fanciful poet . It presents no difficulties . HYMN III . From Königsfeld , Lat . Hymnen und Gesänge , 1 , 36. Like Hymn II . , it is late , and Augustinian only by turning on a thought of ...
... same subject by a later and weaker and more fanciful poet . It presents no difficulties . HYMN III . From Königsfeld , Lat . Hymnen und Gesänge , 1 , 36. Like Hymn II . , it is late , and Augustinian only by turning on a thought of ...
الصفحة 251
... same way , “ among the last of the Latin verse - writers , or among the first of the troubadours . " On the invasion of the Lombards he left Italy , and wandered from castle to cloister in Gaul . Queen Rhadegunda induced him to settle ...
... same way , “ among the last of the Latin verse - writers , or among the first of the troubadours . " On the invasion of the Lombards he left Italy , and wandered from castle to cloister in Gaul . Queen Rhadegunda induced him to settle ...
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طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
Acts Adam of St Alleluia Ambrose Ambrosiani Anglo-Saxon Augustine author Beda Bernard Bonaventura born Breviarium Romanum called century Charles Christ in Song Christian Life Christus Church coeli common Compare creator crucem cuncta Damasus Daniel death Deus died DOMINI Dulcis early elsewhere English fathers first found gaudia German given gloria great Greek Gregory heathen heaven Holy HYMN Hymnen und Gesänge Iesu Iesus Incertus Isaiah Israel John known Königsfeld last later Life in Song light Line lines Lucifer Luke made Mark Matt Mediaeval Hymns meter Mone mors mortis Neale Neale's note omnibus PASCHALIS Peter poem poems poetry Prudentius Psalm read resurrection same sancta Satan says Schaff Schaff's Christ service sine Stabat Mater stanza Supply thee Theme Thomas Aquinas thou thought tibi translated translation by Mrs Trench Trinitas used verses Vexilla regis vitae Wackernagel word works
مقاطع مشهورة
الصفحة 291 - SWEET Day, so cool, so calm, so bright, The bridal of the earth and sky, The dew shall weep thy fall to-night ; For thou must die. Sweet Rose, whose hue angry and brave Bids the rash gazer wipe his eye, Thy root is ever in its grave, And thou must die. Sweet Spring, full of sweet days and roses, A box where sweets compacted lie, My Music shows ye have your closes, And all must die. Only a...
الصفحة 219 - The first creature of God, in the works of the days, was the light of the sense; the last was the light of reason; and his sabbath work ever since is the illumination of his Spirit.
الصفحة 304 - Yet even in the Old Testament, if you listen to David's harp, you shall hear as many hearse-like airs as carols; and the pencil of the Holy Ghost hath laboured more in describing the afflictions of Job than the felicities of Solomon.
الصفحة 272 - He sang of love, with quiet blending, Slow to begin, and never ending ; Of serious faith, and inward glee ; That was the song, the song for me...
الصفحة 155 - Recordare, Jesu pie, Quod sum causa tuae viae, Ne me perdas illa die. Quaerens me, sedisti lassus ; Redemisti, crucem passus : Tantus labor non sit cassus.
الصفحة 21 - Dignare, Domine, die isto sine peccato nos custodire. Miserere nostri, Domine, miserere nostri. Fiat misericordia tua, Domine, super nos quemadmodum speravimus in te. In te, Domine, speravi ; non confundar in aeternum.
الصفحة 126 - Hora novissima, tempora pessima sunt, vigilemus, Ecce minaciter imminet arbiter ille supremus Imminet, imminet ut mala terminet, aequa coronet, Recta remuneret, anxia liberet, aethera donet, Auferat aspera duraque pondera mentis onustae, Sobria muniat, improba puniat, utraque juste.
الصفحة 20 - Te Deum laudamus, te Dominum confitemur. Te aeternum Patrem omnis terra veneratur. Tibi omnes Angeli, tibi coeli et universae Potestates, Tibi Cherubim, et Seraphim incessabili voce proclamant: Sanctus, Sanctus, Sanctus Dominus Deus Sabaoth, Pleni sunt coeli et terra majestatis gloriae tuae.
الصفحة 225 - Then I slept, and woke up again, and found my grief not a little softened; and as I was alone in my bed, I remembered those true verses of Thy Ambrose. For Thou art the " Maker of all, the Lord, And Ruler of the height. Who, robing day in light, hast poured Soft slumbers o'er the night, That to our limbs the power Of toil may be renew'd. And hearts be rais'd that sink and cower, And sorrows be subdu'd.
الصفحة 283 - Bernard, — the exquisite art and variety with which for the most part his verse is managed and his rhymes disposed— their rich melody multiplying and ever deepening at the close — the strength which often he concentrates into a single line...