Beyond Tragedy: Structure & Experience in Shakespeare's Romances
University Press of Kentucky, 01/01/1981 - 150 من الصفحات
In this compact, yet comprehensive exploration of Shakespeare's romances, Robert W. Uphaus suggests that the romances bring us to a realm of human and dramatic experience that is "beyond tragedy". The inexorable movement of tragedy toward death and a final close is absorbed in romance by a further movement in which death can lead to renewed life.
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
Tragedy and the Intimations of Romance
Pericles and the Conventions of Romance
CymMine and the Parody of Romance
Prosperos Art and the Descent of Romance
طبعات أخرى - عرض جميع المقتطفات
absorption action Antony appears argues associated attempts audience awareness become beginning believe Caesar called characteristic characters Cleopatra close comedy continually conventions court Cranmer critics Cymbeline death defines diverse dramatic earlier enacts eternal example expectations experience experience of romance fact faith fall Ferdinand finally heaven Henry VIII Hermione human Imogen important individual internal interpretation issue kind King language later Lear Leontes less lines look Macbeth mance meaning Miranda Moreover move movement nature observed occurs once parody past pastoral patience Paulina Perdita performs Pericles play play's plot Posthumus present Press Prospero Prospero's art providential realm refers represents response reversible romance says scene seems seen sense separation Shakespeare's Shakespeare's romances speaks speech storm structure suggests symbolic tells Tempest things thou three acts tion tragedy tragic truth understanding vision Winter's Tale Wolsey