Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 من الصفحات Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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الصفحة 267
... Othello was a Moor , that is , black . Though I think the rivalry of Roderigo sufficient to account for his wilful confusion of Moor and Negro , —yet , even if compelled to give this up , I should think it only adapted for the acting of ...
... Othello was a Moor , that is , black . Though I think the rivalry of Roderigo sufficient to account for his wilful confusion of Moor and Negro , —yet , even if compelled to give this up , I should think it only adapted for the acting of ...
الصفحة 269
... Othello had no life but in Desdemona : - the belief that she , his angel , had fallen from the heaven of her native innocence , wrought a civil war in his heart . She is ... Othello is the union of the two . There is something OTHELLO 269.
... Othello had no life but in Desdemona : - the belief that she , his angel , had fallen from the heaven of her native innocence , wrought a civil war in his heart . She is ... Othello is the union of the two . There is something OTHELLO 269.
الصفحة 285
... Othello , after it has once taken thorough possession of his mind , never quits it , but grows stronger and stronger at every moment of its delay . The nature of the Moor is noble , confiding , tender , and generous ; but his blood is ...
... Othello , after it has once taken thorough possession of his mind , never quits it , but grows stronger and stronger at every moment of its delay . The nature of the Moor is noble , confiding , tender , and generous ; but his blood is ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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عبارات ومصطلحات مألوفة
action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers