Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 من الصفحات Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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الصفحة 45
... common Old Stories or Vulgar Traditions of that kind of people . In Tragedy , nothing was so sure to Surprize and cause Admiration , as the most strange , un- expected , and consequently most unnatural , Events and Incidents ; the most ...
... common Old Stories or Vulgar Traditions of that kind of people . In Tragedy , nothing was so sure to Surprize and cause Admiration , as the most strange , un- expected , and consequently most unnatural , Events and Incidents ; the most ...
الصفحة 99
... common appearances is always welcome to vulgar , as to childish credulity ; and of a country unenlightened by learning , the whole people is the vulgar . The study of those who then aspired to plebeian learning was laid out upon ...
... common appearances is always welcome to vulgar , as to childish credulity ; and of a country unenlightened by learning , the whole people is the vulgar . The study of those who then aspired to plebeian learning was laid out upon ...
الصفحة 107
... common use makes it more proper to gain attention , and more fit for action and dialogue . Such verse we make when we are writing prose ; we make such verse in common con- versation . I know not whether this praise is rigorously just ...
... common use makes it more proper to gain attention , and more fit for action and dialogue . Such verse we make when we are writing prose ; we make such verse in common con- versation . I know not whether this praise is rigorously just ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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عبارات ومصطلحات مألوفة
action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers