Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 من الصفحات Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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الصفحة 130
... effect imply that he has a natural propensity to evil ; crimes are his delight : but Macbeth is always in an agony when he thinks of them . He is sensible , before he proceeds , of the heat - oppressed brain . He feels the present ...
... effect imply that he has a natural propensity to evil ; crimes are his delight : but Macbeth is always in an agony when he thinks of them . He is sensible , before he proceeds , of the heat - oppressed brain . He feels the present ...
الصفحة 176
... effects : But Poetry delights in surprize , conceals her steps , seizes at once upon the heart , and obtains the Sublime of things without betraying the rounds of her ascent : True Poesy is magic , not nature ; an effect from causes ...
... effects : But Poetry delights in surprize , conceals her steps , seizes at once upon the heart , and obtains the Sublime of things without betraying the rounds of her ascent : True Poesy is magic , not nature ; an effect from causes ...
الصفحة 332
... effect every day of his life . The reason is - that he allows his understanding to overrule his eyes . His understanding , which includes no intuitive knowledge of the laws of vision , can furnish him with no reason why a line which is ...
... effect every day of his life . The reason is - that he allows his understanding to overrule his eyes . His understanding , which includes no intuitive knowledge of the laws of vision , can furnish him with no reason why a line which is ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers