Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 من الصفحات Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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الصفحة 157
... feelings or sensations of mind , which do not seem to have passed thro ' the Understanding ; the effects , I suppose , of some secret influences from without , acting upon a certain mental sense , and pro- ducing feelings and passions ...
... feelings or sensations of mind , which do not seem to have passed thro ' the Understanding ; the effects , I suppose , of some secret influences from without , acting upon a certain mental sense , and pro- ducing feelings and passions ...
الصفحة 223
... feelings are here brought to- gether without effort and without discord , in the beauty of Adonis , the rapidity of his flight , the yearning , yet hopelessness , of the enamored gazer , while a shadowy ideal character is thrown over ...
... feelings are here brought to- gether without effort and without discord , in the beauty of Adonis , the rapidity of his flight , the yearning , yet hopelessness , of the enamored gazer , while a shadowy ideal character is thrown over ...
الصفحة 334
... feelings caught chiefly by contagion from her , —yet , as both were finally in- volved in the guilt of murder , the murderous mind of necessity is finally to be presumed in both . This was to be expressed ; and on its own account , as ...
... feelings caught chiefly by contagion from her , —yet , as both were finally in- volved in the guilt of murder , the murderous mind of necessity is finally to be presumed in both . This was to be expressed ; and on its own account , as ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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عبارات ومصطلحات مألوفة
action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers