Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 من الصفحات Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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الصفحة 30
... Images are indeed ev'ry where so lively , that the Thing he would represent stands full before you , and you possess ... Image of Patience . Speak- ing of a Maid in Love , he says , -She never told her Love , But let Concealment , like a ...
... Images are indeed ev'ry where so lively , that the Thing he would represent stands full before you , and you possess ... Image of Patience . Speak- ing of a Maid in Love , he says , -She never told her Love , But let Concealment , like a ...
الصفحة 177
... image it had formed . The Grecian theology was mixed of both these kinds of personification . Of the images produced by passion it must be observed that they are the images , for the most part , not of the passions themselves , but of ...
... image it had formed . The Grecian theology was mixed of both these kinds of personification . Of the images produced by passion it must be observed that they are the images , for the most part , not of the passions themselves , but of ...
الصفحة 216
... images , and now beautiful , now fanciful circumstances , which form its dresses and its scenery ; or by diverting our attention from the main subject by those frequent witty or profound reflections , which the poet's ever active mind ...
... images , and now beautiful , now fanciful circumstances , which form its dresses and its scenery ; or by diverting our attention from the main subject by those frequent witty or profound reflections , which the poet's ever active mind ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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عبارات ومصطلحات مألوفة
action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers