Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 من الصفحات Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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الصفحة 95
... imitations of successive actions , and why may not the second imitation represent an action that happened years after the first ; if it be so connected with it , that nothing but time can be supposed to inter- vene . Time is , of all ...
... imitations of successive actions , and why may not the second imitation represent an action that happened years after the first ; if it be so connected with it , that nothing but time can be supposed to inter- vene . Time is , of all ...
الصفحة 150
... imitation is very different from that of description , and far superior.1 No writer has hitherto appeared who possesses in a more eminent degree than Shakespeare , the power of imitating the passions . All of them seem familiar to him ...
... imitation is very different from that of description , and far superior.1 No writer has hitherto appeared who possesses in a more eminent degree than Shakespeare , the power of imitating the passions . All of them seem familiar to him ...
الصفحة 209
... imitation , in plays which appeal to the higher faculties , positively destroys the illusion which it is in- troduced to aid . A parlour or a drawing - room , - library opening into a garden , -a garden with an alcove in it , a street ...
... imitation , in plays which appeal to the higher faculties , positively destroys the illusion which it is in- troduced to aid . A parlour or a drawing - room , - library opening into a garden , -a garden with an alcove in it , a street ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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عبارات ومصطلحات مألوفة
action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers