Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 من الصفحات Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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الصفحة 174
... interest of his fame . Milton and he will carry the decayed remnants and fripperies of antient mythology into more distant ages than they are by their own force intitled to extend ; and the metamorphoses of Ovid , upheld by them , lay ...
... interest of his fame . Milton and he will carry the decayed remnants and fripperies of antient mythology into more distant ages than they are by their own force intitled to extend ; and the metamorphoses of Ovid , upheld by them , lay ...
الصفحة 242
... interest on itself , but used merely as an induction or tuning for what is to follow . In the second scene , Prospero's speeches , till the en- trance of Ariel , contain the finest example , I remember , of retrospective narration for ...
... interest on itself , but used merely as an induction or tuning for what is to follow . In the second scene , Prospero's speeches , till the en- trance of Ariel , contain the finest example , I remember , of retrospective narration for ...
الصفحة 314
... interest , that is , of any connection with the vicissitudes of human life . For instance , we cannot think of the pyramids of Egypt , of a Gothic ruin , or an old Roman encampment , with- out a certain emotion , a sense of power and ...
... interest , that is , of any connection with the vicissitudes of human life . For instance , we cannot think of the pyramids of Egypt , of a Gothic ruin , or an old Roman encampment , with- out a certain emotion , a sense of power and ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers