Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 من الصفحات Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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الصفحة 47
... Learning proceeded from no better ground . This too might be thought a Praise by some ; and to this his Errors have as injudiciously been ascribed by others . For ' tis certain , were it true , it could concern but a small part of them ...
... Learning proceeded from no better ground . This too might be thought a Praise by some ; and to this his Errors have as injudiciously been ascribed by others . For ' tis certain , were it true , it could concern but a small part of them ...
الصفحة 48
... Learning and Languages . How far he was ignorant of the latter , I cannot determine ; but ' tis plain he had much Reading at least , if they will not call it Learning . Nor is it any great matter , if a man has Know- ledge , whether he ...
... Learning and Languages . How far he was ignorant of the latter , I cannot determine ; but ' tis plain he had much Reading at least , if they will not call it Learning . Nor is it any great matter , if a man has Know- ledge , whether he ...
الصفحة 99
... learning , the whole people is the vulgar . The study of those who then aspired to plebeian learning was laid out upon adventures , giants , dragons , and enchantments . The Death of Arthur was the favourite volume . The mind , which ...
... learning , the whole people is the vulgar . The study of those who then aspired to plebeian learning was laid out upon adventures , giants , dragons , and enchantments . The Death of Arthur was the favourite volume . The mind , which ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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عبارات ومصطلحات مألوفة
action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers