Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 من الصفحات Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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الصفحة 48
... particular pas- sages : and the speeches copy'd from Plutarch in Corio- lanus may , I think , as well be made an instance of his learning , as those copy'd from Cicero in Catiline , of Ben Johnson's . The manners of other nations in ...
... particular pas- sages : and the speeches copy'd from Plutarch in Corio- lanus may , I think , as well be made an instance of his learning , as those copy'd from Cicero in Catiline , of Ben Johnson's . The manners of other nations in ...
الصفحة 121
... particular applica- tion . He is knowing in retrospect , and ignorant in fore- sight . While he depends upon his memory , and can draw from his repositories of knowledge , he utters weighty sentences , and gives useful counsel ; but as ...
... particular applica- tion . He is knowing in retrospect , and ignorant in fore- sight . While he depends upon his memory , and can draw from his repositories of knowledge , he utters weighty sentences , and gives useful counsel ; but as ...
الصفحة 180
... particular part a relish of the whole , and of the whole to every particular part ; -alike the same incongruous , identical Falstaff , whether to the grave Chief Justice he vainly talks of his youth , and offers to caper for a thousand ...
... particular part a relish of the whole , and of the whole to every particular part ; -alike the same incongruous , identical Falstaff , whether to the grave Chief Justice he vainly talks of his youth , and offers to caper for a thousand ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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عبارات ومصطلحات مألوفة
action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers