Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 من الصفحات Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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الصفحة 70
A Selection David Nichol Smith. HENRY HOME , LORD KAMES1 Dramatic Representation of Passion THIS descriptive manner of representing passion , is a very cold entertainment : our sympathy is not raised by description ; we must first be ...
A Selection David Nichol Smith. HENRY HOME , LORD KAMES1 Dramatic Representation of Passion THIS descriptive manner of representing passion , is a very cold entertainment : our sympathy is not raised by description ; we must first be ...
الصفحة 71
... passion to peculiarity of character , in discovering the sentiments that proceed from various tones of passion , or in expressing properly every different sentiment : he disgusts not his reader with general declamation and unmeaning ...
... passion to peculiarity of character , in discovering the sentiments that proceed from various tones of passion , or in expressing properly every different sentiment : he disgusts not his reader with general declamation and unmeaning ...
الصفحة 191
... passion , as grief , anger , & c . usually has upon the gestures and exterior , can so easily compass . To know the internal workings and movements of a great mind , of an Othello or a Hamlet for instance , the when and the why and the ...
... passion , as grief , anger , & c . usually has upon the gestures and exterior , can so easily compass . To know the internal workings and movements of a great mind , of an Othello or a Hamlet for instance , the when and the why and the ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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عبارات ومصطلحات مألوفة
action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers