Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 من الصفحات Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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الصفحة 108
... perhaps sometimes scenes , which have all the delicacy of Rowe , without his effeminacy . He endeavours indeed commonly to strike by the force and vigour of his dialogue , but he never executes his purpose better , than when he tries to ...
... perhaps sometimes scenes , which have all the delicacy of Rowe , without his effeminacy . He endeavours indeed commonly to strike by the force and vigour of his dialogue , but he never executes his purpose better , than when he tries to ...
الصفحة 162
A Selection David Nichol Smith. perhaps , but not erazed , by time , reasoning , and authority . In the mean while , it may not perhaps be easy for him to resolve how it comes about , that , whilst we look upon Falstaff as a character of ...
A Selection David Nichol Smith. perhaps , but not erazed , by time , reasoning , and authority . In the mean while , it may not perhaps be easy for him to resolve how it comes about , that , whilst we look upon Falstaff as a character of ...
الصفحة 164
... perhaps , his continued debaucheries and dissipations of every kind . He seems , by nature , to have had a mind free of malice or any evil principle ; but he never took the trouble of acquiring any good one . He found himself esteemed ...
... perhaps , his continued debaucheries and dissipations of every kind . He seems , by nature , to have had a mind free of malice or any evil principle ; but he never took the trouble of acquiring any good one . He found himself esteemed ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers