Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 من الصفحات Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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الصفحة 217
... poetry if thus conveyed : Yon row of bleak and visionary pines , By twilight glimpse discerned , mark ! how they ... poets . It is by this , that he still gives a dignity and a passion to the objects which he presents . Unaided by any ...
... poetry if thus conveyed : Yon row of bleak and visionary pines , By twilight glimpse discerned , mark ! how they ... poets . It is by this , that he still gives a dignity and a passion to the objects which he presents . Unaided by any ...
الصفحة 314
... poetry and epic in their perfection , indeed , approximate to and strengthen one another . Dramatic poetry borrows aid from the dignity of persons and things , as the heroic does from human passion , but in theory they are distinct ...
... poetry and epic in their perfection , indeed , approximate to and strengthen one another . Dramatic poetry borrows aid from the dignity of persons and things , as the heroic does from human passion , but in theory they are distinct ...
الصفحة 319
... poetry . As to the unities , he was right in setting them at defiance . He was fonder of puns than became so great a ... Poets , ' On Shake- speare and Milton , ' 1818 ( with corrections from the second edition , 1819 ) . THE poet of ...
... poetry . As to the unities , he was right in setting them at defiance . He was fonder of puns than became so great a ... Poets , ' On Shake- speare and Milton , ' 1818 ( with corrections from the second edition , 1819 ) . THE poet of ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers