Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 من الصفحات Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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الصفحة 158
... principles of character , which seem wholly out of the reach of the Understanding . We can- not indeed do otherwise than admit that there must be distinct principles of character in every distinct indivi- dual : The manifest variety ...
... principles of character , which seem wholly out of the reach of the Understanding . We can- not indeed do otherwise than admit that there must be distinct principles of character in every distinct indivi- dual : The manifest variety ...
الصفحة 167
... principle , or rather a principle indepen- dent of Courage , which will sometimes operate in spite of nature ; a principle , which prefers death to shame , but which always refers itself , in conformity to its own nature , to the ...
... principle , or rather a principle indepen- dent of Courage , which will sometimes operate in spite of nature ; a principle , which prefers death to shame , but which always refers itself , in conformity to its own nature , to the ...
الصفحة 184
... principles of human nature , to discover the hidden causes of such effects . - Now this is a very different matter - The former considerations respected the Im- pression only , without regard to the Understanding ; but this question ...
... principles of human nature , to discover the hidden causes of such effects . - Now this is a very different matter - The former considerations respected the Im- pression only , without regard to the Understanding ; but this question ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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عبارات ومصطلحات مألوفة
action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers