Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 من الصفحات Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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الصفحة x
... Rules . There was much talk about the ' rules ' at this time , and for many years to come ; but the importance attached to them can easily be overstated . The greater critics never laid stress on the rules : neglect of text - book ...
... Rules . There was much talk about the ' rules ' at this time , and for many years to come ; but the importance attached to them can easily be overstated . The greater critics never laid stress on the rules : neglect of text - book ...
الصفحة 41
... Rule of the Stage observed , than any Production of a modern Critick , where there is not one of them violated ? Shakespear was indeed born with all the Seeds of ... Rules . ALEXANDER POPE It is not my design to enter into THE SPECTATOR 4I.
... Rule of the Stage observed , than any Production of a modern Critick , where there is not one of them violated ? Shakespear was indeed born with all the Seeds of ... Rules . ALEXANDER POPE It is not my design to enter into THE SPECTATOR 4I.
الصفحة 97
... rules merely positive , become the comprehensive genius of Shakespeare , and such censures are suitable to the minute and slender criticism of Voltaire : Non usque adeo permiscuit imis Longus summa dies , ut non , si voce Metelli ...
... rules merely positive , become the comprehensive genius of Shakespeare , and such censures are suitable to the minute and slender criticism of Voltaire : Non usque adeo permiscuit imis Longus summa dies , ut non , si voce Metelli ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers