Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 من الصفحات Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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الصفحة 257
... seen a celebrated waterfall without feeling something akin to disappointment : it is only subsequently that the image comes back full into the mind , and brings with it a train of grand or beautiful associations . Hamlet feels this ...
... seen a celebrated waterfall without feeling something akin to disappointment : it is only subsequently that the image comes back full into the mind , and brings with it a train of grand or beautiful associations . Hamlet feels this ...
الصفحة 309
... seen Hamlet , I should think her word ought to be taken against that of any modern authority . Ophelia . My lord , as I was reading in my closet , Prince Hamlet , with his doublet all unbrac'd , No hat upon his head , his stockings ...
... seen Hamlet , I should think her word ought to be taken against that of any modern authority . Ophelia . My lord , as I was reading in my closet , Prince Hamlet , with his doublet all unbrac'd , No hat upon his head , his stockings ...
الصفحة 332
... seen ( and therefore quoad his consciousness has not seen ) that which he has seen every day of his life . But to return from this digression , my understanding could furnish no reason why the knocking at the gate in Macbeth should ...
... seen ( and therefore quoad his consciousness has not seen ) that which he has seen every day of his life . But to return from this digression , my understanding could furnish no reason why the knocking at the gate in Macbeth should ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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عبارات ومصطلحات مألوفة
action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers