Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 من الصفحات Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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الصفحة 52
... sometimes blameable for the con- duct of his fables , which have no unity ; and sometimes for his diction , which is obscure and turgid ; so his characteristical excellencies may possibly be reduced to these three general heads : ' his ...
... sometimes blameable for the con- duct of his fables , which have no unity ; and sometimes for his diction , which is obscure and turgid ; so his characteristical excellencies may possibly be reduced to these three general heads : ' his ...
الصفحة 71
... sometimes deviates into intricate thought and obscure expression : sometimes , to throw his language out of the familiar , he employs rhyme . But may it not in some measure excuse Shakespear , I shall not say his works , that he had no ...
... sometimes deviates into intricate thought and obscure expression : sometimes , to throw his language out of the familiar , he employs rhyme . But may it not in some measure excuse Shakespear , I shall not say his works , that he had no ...
الصفحة 84
... sometimes produce seriousness and sorrow , and sometimes levity and laughter . That this is a practice contrary to the rules of criticism will be readily allowed ; but there is always an appeal open from criticism to nature . The end of ...
... sometimes produce seriousness and sorrow , and sometimes levity and laughter . That this is a practice contrary to the rules of criticism will be readily allowed ; but there is always an appeal open from criticism to nature . The end of ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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عبارات ومصطلحات مألوفة
action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers