Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 من الصفحات Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
من داخل الكتاب
النتائج 1-3 من 41
الصفحة 201
... speak indifferently of the Gamester and of Macbeth as fine stage performances , and praise the Mrs. Beverley in the same way as the Lady Macbeth of Mrs. S. ? Belvidera , and Calista , and Isabella , and Euphrasia , are they less liked ...
... speak indifferently of the Gamester and of Macbeth as fine stage performances , and praise the Mrs. Beverley in the same way as the Lady Macbeth of Mrs. S. ? Belvidera , and Calista , and Isabella , and Euphrasia , are they less liked ...
الصفحة 321
... and of a single play of his ( Venice Preserved ) , there is nobody in tragedy and dramatic poetry ( I do not here speak of comedy ) to be compared to the great men of the age of Shakespear 212 M HIS CONTEMPORARIES 321.
... and of a single play of his ( Venice Preserved ) , there is nobody in tragedy and dramatic poetry ( I do not here speak of comedy ) to be compared to the great men of the age of Shakespear 212 M HIS CONTEMPORARIES 321.
الصفحة 362
... speak , I am aware , in that way , if we are to speak at all . But words ought not to harden into things for us . It seems to me , our apprehension of this matter is , for most part , radically falsified thereby . We ought to know ...
... speak , I am aware , in that way , if we are to speak at all . But words ought not to harden into things for us . It seems to me , our apprehension of this matter is , for most part , radically falsified thereby . We ought to know ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
13 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers