Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 من الصفحات Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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الصفحة 62
... speech , enumerating the causes of his anguish , that Rowe and other modern tragic writers would certainly have put into his mouth . But Nature , Sophocles , and Shakespeare , represent the feel- ings of the heart in a different manner ...
... speech , enumerating the causes of his anguish , that Rowe and other modern tragic writers would certainly have put into his mouth . But Nature , Sophocles , and Shakespeare , represent the feel- ings of the heart in a different manner ...
الصفحة 267
... speech : - Virtue ? a fig ! ' tis in ourselves , that we are thus , or thus , & c . This speech comprises the passionless character of Iago . It is all will in intellect ; and therefore he OTHELLO 267.
... speech : - Virtue ? a fig ! ' tis in ourselves , that we are thus , or thus , & c . This speech comprises the passionless character of Iago . It is all will in intellect ; and therefore he OTHELLO 267.
الصفحة 308
... speech , his two old schoolfellows from Wittenberg had been really standing by , and he had seen them smiling by stealth , at the idea of the players crossing their minds . It is not a combination and a form ' of words , a set speech or ...
... speech , his two old schoolfellows from Wittenberg had been really standing by , and he had seen them smiling by stealth , at the idea of the players crossing their minds . It is not a combination and a form ' of words , a set speech or ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
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عبارات ومصطلحات مألوفة
action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers