Shakespeare Criticism: A SelectionDavid Nichol Smith Oxford University Press, 1946 - 371 من الصفحات Commentary and literary criticism ranging from the preface by John Heminge and Henry Condell, originally 'prefixed to the First Folio' in 1623, to Thomas Carlyle's lecture 'The Hero as Poet, ' delivered 12th May, 1840 as the third lecture of his 'On heroes, hero-worship, and the heroic in history.' |
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الصفحة 130
... true which I have heard , Thou cam❜st into the world with thy legs forward . Which violent invective does not affect Richard as a re- proach ; it serves him only for a pretence to commit the murther he came resolved on ; and his answer ...
... true which I have heard , Thou cam❜st into the world with thy legs forward . Which violent invective does not affect Richard as a re- proach ; it serves him only for a pretence to commit the murther he came resolved on ; and his answer ...
الصفحة 229
... true critic can no more be such without placing himself on some central point , from which he may command the whole ... true tolerance , in the critic . He will , indeed , require , as the spirit and substance of a work , something true ...
... true critic can no more be such without placing himself on some central point , from which he may command the whole ... true tolerance , in the critic . He will , indeed , require , as the spirit and substance of a work , something true ...
الصفحة 360
... true beginning , the true sequence and ending ? To find out this , you task the whole force of insight that is in the man . He must understand the thing ; according to the depth of his understanding , will the fitness of his answer be ...
... true beginning , the true sequence and ending ? To find out this , you task the whole force of insight that is in the man . He must understand the thing ; according to the depth of his understanding , will the fitness of his answer be ...
المحتوى
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
Letter CXXIII 1664 | 15 |
13 من الأقسام الأخرى غير ظاهرة
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عبارات ومصطلحات مألوفة
action admiration appear audience Banquo beauty Ben Johnson Caliban character circumstances comedy courage criticism daughters delight dialogue drama effect English equal Euripides excellence expressed faculties Falstaff fancy faults feelings force genius ghost give Hamlet hath heart HENRY HOME honour human humour Iago images imagination imitation impression judgment kind King King Lear Lady Macbeth Landor language Lear learning look Macbeth Maurice Morgann ment Milton mind moral murder nature never numbers object observation Othello passages passion perfect perhaps persons play poet poetical poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare shew shewn Sir John Falstaff Sophocles soul speak speare speare's speech spirit stage sweet thee thing thou thought thro tion tragedy true truth Venus and Adonis whole William Shakespear words writers