TragediesFrowde, 1912 - 1315 من الصفحات |
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الصفحة 384
... Iago - not merely in his dying word : - : - Some good I mean to do Despite of mine own nature , but even in that other dying word of strange pride in the passion for which he was the centre , Yet Edmund was belov'd . ' The tragedy needs ...
... Iago - not merely in his dying word : - : - Some good I mean to do Despite of mine own nature , but even in that other dying word of strange pride in the passion for which he was the centre , Yet Edmund was belov'd . ' The tragedy needs ...
الصفحة 4
... Iago , but none of the persons , with the exception of the heroine ' Disdemona ' , receives a proper name . In Venice lived a Moor very valiant , and highly esteemed by the Signoria . Moved by his valour a lady of great beauty fell ...
... Iago , but none of the persons , with the exception of the heroine ' Disdemona ' , receives a proper name . In Venice lived a Moor very valiant , and highly esteemed by the Signoria . Moved by his valour a lady of great beauty fell ...
الصفحة 6
... Iago , nor does purity appear anywhere more divine than in the heart of Desdemona . The pain of the tragic story is at times hardly endurable , yet at the close we feel more than appeasement . The human actors are mortal and pass away ...
... Iago , nor does purity appear anywhere more divine than in the heart of Desdemona . The pain of the tragic story is at times hardly endurable , yet at the close we feel more than appeasement . The human actors are mortal and pass away ...
الصفحة 7
... Iago is a Barbary horse , and in befooling Roderigo the same speaker declares that his master goes into Mauretania ” . There is nothing in the play to suggest that he is of the negro type , unless it be his rival's spiteful thick - lips ...
... Iago is a Barbary horse , and in befooling Roderigo the same speaker declares that his master goes into Mauretania ” . There is nothing in the play to suggest that he is of the negro type , unless it be his rival's spiteful thick - lips ...
الصفحة 8
... Iago , passionless , intellectual , an atheist with respect to the divine in man and woman , a votary of mere immoral power , life is a highly interesting game , and human creatures are his pawns . He is , as Hazlitt named him , an ...
... Iago , passionless , intellectual , an atheist with respect to the divine in man and woman , a votary of mere immoral power , life is a highly interesting game , and human creatures are his pawns . He is , as Hazlitt named him , an ...
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AARON ACHILLES AGAMEMNON AJAX ALCIBIADES Andronicus Antony APEMANTUS art thou AUFIDIUS BANQUO BENVOLIO blood BRABANTIO BRUTUS Cæsar CASCA CASSIUS CITIZEN CLOWN COMINIUS CORDELIA CORIOLANUS CRESSIDA daughter dead dear death DESDEMONA DIOMEDES doth EDGAR EDMUND Enter Exeunt Exit eyes fair Farewell father fear FLAVIUS fool FRIAR LAURENCE friends gentleman give GLOUCESTER gods GONERIL GUILDENSTERN HAMLET hand hath hear heart heaven Hector hither honour HORATIO IAGO JULIET KENT king LADY CAPULET LADY MACBETH LAERTES Lavinia LEAR look lord LUCIUS MACDUFF madam Marcius Mark Antony MENENIUS MERCUTIO murder night noble NURSE OPHELIA OTHELLO PANDARUS PARIS PATROCLUS play POLONIUS poor pray prithee QUEEN Re-enter REGAN RODERIGO Roman Rome ROMEO ROSENCRANTZ SATURNINUS SCENE SENATOR SERVANT SERVINGMAN Shakespeare SICINIUS soul speak stand sweet sword TAMORA tell thee there's THERSITES thine thing thou art thou hast TIMON TITUS TROILUS Tybalt ULYSSES villain VOLUMNIA word