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" They ascribe to impotence, what was the forbearance of judgment. Timanthes felt like a father. He did not hide the face of Agamemnon because it was beyond the power of his art... "
Essays towards the history of painting - الصفحة 131
بواسطة lady Maria (Dundas) Graham Callcott - 1836 - عدد الصفحات: 269
عرض كامل - لمحة عن هذا الكتاب

The life and writings of Henry Fuseli, the former written and the ..., المجلد 2

Johann Heinrich Füssli - 1831 - عدد الصفحات: 420
...as contained in the words, ' decere, pro dignitate, and digne,' in the pasVOL. II. E sages of Tally, Quintilian, and Pliny ;* they ascribe to impotence...of the character and the solemnity of the scene, or * Cicero Oratore, 73. seq.—In alioque ponatur, aliudque totum sit, utrum decere an oportere dicas...

A General View of the Fine Arts, Critical and Historical

Miss Ludlow - 1851 - عدد الصفحات: 486
...like a father. He did not hide the face of Agamemnon because it was beyond the power of his art, nor because it was beyond the possibility, but because...because the inspiring feature of paternal affection at this moment, and the action which, of necessity, must have accompanied it, would either have destroyed...

A General View of the Fine Arts: Critical and Historical, with an Introduction

Daniel Huntington - 1838 - عدد الصفحات: 492
...like a father. He did not hide the face of Agamemnon because it was beyond the power of his art, nor because it was beyond the possibility, but because...because the inspiring feature of paternal affection at this moment, and the action which, of necessity, must havo xccompanied it, would either have destroyed...

Manual of the Fine Arts: Critical and Historical

1875 - عدد الصفحات: 486
...like a father. He did not hide the face of Agamemnon because it was beyond the power of his art, nor because it was beyond the possibility, but because...because the inspiring feature of paternal affection at this moment, and the action which, of necessity, must have accompanied it, would either have destroyed...

Manual of the Fine Arts, Critical and Historical: With an Introduction by D ...

1879 - عدد الصفحات: 512
...like a father. He did not hide the face of Agamemnon because it was beyond the power of his art, nor because it was beyond the possibility, but because...because the inspiring feature of paternal affection at this moment, and the action which, of necessity, must havo accompanied it, would either have destroyed...

Manual of the Fine Arts, Critical and Historical: With an Introduction by D ...

Miss Ludlow - 1879 - عدد الصفحات: 494
...like a father. He did not hide the face of Agamemnon because it was beyond the po\ver of his art, nor because it was beyond the possibility, but because...because the inspiring feature of paternal affection at this moment, and the action which, of necessity, must havo accompanied it, would either have destroyed...

The Archaeological Journal, المجلد 56

1899 - عدد الصفحات: 536
...Ellis, Elgin Marbles, Vol. I, p. 176 sq., 179; slabs Nos. 17, 23. 5 " Tiinanthes felt like a father; Le did not hide the face of Agamemnon, because it was...that moment, and the action which of necessity must hare accompanied it, would either have destroyed thegrande ur of tlie character and the solemnity of...




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