Movers and Shapers: Irish Art Since 1960Collins, 2003 - 311 من الصفحات This book, comprised of interviews with Irish individuals significant in the world of Irish art between 1960 and 2000, is an oral history of the visual arts in late twentieth-century Ireland. The interviewees - writers, administrators, curators, politicians and collectors - range from C.J. Haughey to Michael D. Higgins, the first Minister for Arts and Culture in Ireland. These penetrating interviews offer a fascinating combination of serious insight and anecdote valuable to both specialist and general readers. |
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الصفحة 28
... painting . He had a ' three stage rocket ' theory of painting . First comes a ' lumber burning ' to get lift . But you are not there yet . You've got to find a second gear in the knowledge that everything might blow up , but maybe you ...
... painting . He had a ' three stage rocket ' theory of painting . First comes a ' lumber burning ' to get lift . But you are not there yet . You've got to find a second gear in the knowledge that everything might blow up , but maybe you ...
الصفحة 137
... painting Protestants . VR : So much Irish art left Ireland , over the years . AC : Just six weeks ago a drawing book , called the Cries of Dublin - scenes of everyday life - by Hugh Douglas Hamilton turned up in Australia . It was done ...
... painting Protestants . VR : So much Irish art left Ireland , over the years . AC : Just six weeks ago a drawing book , called the Cries of Dublin - scenes of everyday life - by Hugh Douglas Hamilton turned up in Australia . It was done ...
الصفحة 243
... painting of Patrick Kavanagh is a master- piece as a painting , but it's a considerable psychological docu- ment . Edward had a following . But he was a fractious person . The Academy diehards regarded him with great suspicion . Edward ...
... painting of Patrick Kavanagh is a master- piece as a painting , but it's a considerable psychological docu- ment . Edward had a following . But he was a fractious person . The Academy diehards regarded him with great suspicion . Edward ...
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