Ben JonsonHarold Bloom Chelsea House Publishers, 1987 - 255 من الصفحات A collection of fourteen critical essays on the works of the English dramatist and poet arranged in chronological order of publication. |
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الصفحة 138
... audience ) ; the double illusion of the boy - actor in Epicoene ; the special resilience of Face in his " master's wor- ship's house , here in the friers , " which depends on his ability to be all things to all men , including the audience ...
... audience ) ; the double illusion of the boy - actor in Epicoene ; the special resilience of Face in his " master's wor- ship's house , here in the friers , " which depends on his ability to be all things to all men , including the audience ...
الصفحة 155
... audience is legally separated from the stage , made physically ( if not mentally ) passive , turned into consumers of a commodity rather than participants in a ritual . This is what Bakhtin says carnival cannot allow : In fact ...
... audience is legally separated from the stage , made physically ( if not mentally ) passive , turned into consumers of a commodity rather than participants in a ritual . This is what Bakhtin says carnival cannot allow : In fact ...
الصفحة 158
... audience as defined in the Induction to this most Brechtian of Renaissance plays : a watchful , wakeful audience , with enough personal autonomy to make inde- pendent judgments , and enough aesthetic experience and training to make the ...
... audience as defined in the Induction to this most Brechtian of Renaissance plays : a watchful , wakeful audience , with enough personal autonomy to make inde- pendent judgments , and enough aesthetic experience and training to make the ...
المحتوى
The Allusiveness of Epicoene | 23 |
The Jonsonian Masque and the Limits of Invention | 55 |
The Venter Tripartite in The Alchemist | 79 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
action Alchemist allusions antimasque appears audience Bacon Bartholomew Fair become Ben Jonson Catiline celebration Celia characters circle classical comedy comic court Crites critical Cupid Cynthia's Revels divine Donne dramatic Echo Epicoene epigram festive festive marketplace figure Folio folly fool Geoffrey Hill grace hath heaven humors Hymenaei imitation Inigo Jones Jacobean James Jonathan Dollimore Jonson Jonson's play Jonsonian Masque judgment justice king Lady Would-be language literary lyric marketplace Masque of Blackness masquers master means mind modern moral Morose nature Oberon pattern Peregrine performed phrase play's plot poem poet poetic poetry praise prince Quarlous Renaissance role satire satyrs scene seems Sejanus sense Silent Woman Sir Pol Sir Politic social soul speak spectacle spectators speech stage Stephen Orgel style suggests symbolic theater thee things thou tradition transformation true Truewit University verse vertue virtue Volpone Volpone's Winwife woman word writing