Contexts for CriticismDonald Keesey Mayfield Publishing Company, 1998 - 594 من الصفحات In this introduction to literary criticism, the major critical theories of literary interpretation-- historical, formal, reader-response, mimetic, intertextual, poststructural, and new historical-- are presented in separate chapters that include detailed introductions, theoretical essays that explain and argue the value of each theory, and applications essays in which the theories are applied to the same three literary works: William Shakespeare' s The Tempest, Kate Chopin' s The Awakening, and William Wordsworth' s Ode: Intimations of Immortality. Wordsworth' s and Chopin' s works are included in the book. |
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الصفحة 95
... called both indi- vidual and universal . Among all recorded " poems , " this class is of a relative rarity , and further this class will be found in an impressive way to coincide with those poems which have by some body of critics ...
... called both indi- vidual and universal . Among all recorded " poems , " this class is of a relative rarity , and further this class will be found in an impressive way to coincide with those poems which have by some body of critics ...
الصفحة 209
... called heightenings and intensifications of reality . And by such arguments the so - called realistic devices and modes of literature lose their special standing . If forms such as " realistic " drama or " naturalistic " fiction achieve ...
... called heightenings and intensifications of reality . And by such arguments the so - called realistic devices and modes of literature lose their special standing . If forms such as " realistic " drama or " naturalistic " fiction achieve ...
الصفحة 534
... called " Victor ! " She waved a handkerchief and called again . The young fellow below got into the vehicle and started the horse off at a gallop . Madame Lebrun went back to the machine , crim- son with annoyance . Victor was the ...
... called " Victor ! " She waved a handkerchief and called again . The young fellow below got into the vehicle and started the horse off at a gallop . Madame Lebrun went back to the machine , crim- son with annoyance . Victor was the ...
المحتوى
General Introduction | 1 |
Author as Context | 9 |
Hirsch Jr Objective Interpretation 725 | 17 |
حقوق النشر | |
44 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
Adèle aesthetic answer Aphrodite argue Arobin audience Awakening become Caliban called character Chopin claim coherence complex concept context conventions cultural deconstruction defined discourse Edna Edna's essay example experience fact feel feminist fiction formal formalist genre Grand Isle human ideology interpretation interpretive community intertextual Kate Chopin Kenneth Burke kind language Lebrun linguistic literary criticism literature look Madame Ratignolle Mademoiselle Reisz meaning ment metaphor metonymy mimetic mind moral narrative nature never Northrop Frye novel object particular perspective play poem poem's poet poetic poetry political Pontellier poststructural poststructuralist Press problem Prospero question reader reader-response reader-response critics reading reality relation response rhetorical Robert seems self-ownership sense Shakespeare simply social speak stanza structuralist structure suggests symbolic Tempest textual theme theory things thought tion truth ture University W. K. Wimsatt woman women words Wordsworth writing