Contexts for CriticismDonald Keesey Mayfield Publishing Company, 1998 - 594 من الصفحات In this introduction to literary criticism, the major critical theories of literary interpretation-- historical, formal, reader-response, mimetic, intertextual, poststructural, and new historical-- are presented in separate chapters that include detailed introductions, theoretical essays that explain and argue the value of each theory, and applications essays in which the theories are applied to the same three literary works: William Shakespeare' s The Tempest, Kate Chopin' s The Awakening, and William Wordsworth' s Ode: Intimations of Immortality. Wordsworth' s and Chopin' s works are included in the book. |
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الصفحة 24
... context , and it is helpful to recall our definition of " context " : it is a sense of the whole meaning , constituted of ex- plicit partial meanings plus a horizon of expectations and probabilities . One meaning coheres with another ...
... context , and it is helpful to recall our definition of " context " : it is a sense of the whole meaning , constituted of ex- plicit partial meanings plus a horizon of expectations and probabilities . One meaning coheres with another ...
الصفحة 82
... context ; if they are true , they are equally true in any possible context.1 These statements are properly abstract , and their terms are pure denotations . ( If " two " or " four " actually happened to have connota- tions for the ...
... context ; if they are true , they are equally true in any possible context.1 These statements are properly abstract , and their terms are pure denotations . ( If " two " or " four " actually happened to have connota- tions for the ...
الصفحة 144
... context , a normative standard for measuring the adequacy of any reading ? Some serious conceptual problems , then , face critics who work in this context . Even so , audience response seems to many critics so obviously central to the ...
... context , a normative standard for measuring the adequacy of any reading ? Some serious conceptual problems , then , face critics who work in this context . Even so , audience response seems to many critics so obviously central to the ...
المحتوى
General Introduction | 1 |
Author as Context | 9 |
Hirsch Jr Objective Interpretation 725 | 17 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
Adèle aesthetic answer Aphrodite argue Arobin audience Awakening become Caliban called character Chopin claim coherence complex concept context conventions cultural deconstruction defined discourse Edna Edna's essay example experience fact feel feminist fiction formal formalist genre Grand Isle human ideology interpretation interpretive community intertextual Kate Chopin Kenneth Burke kind language Lebrun linguistic literary criticism literature look Madame Ratignolle Mademoiselle Reisz meaning ment metaphor metonymy mimetic mind moral narrative nature never Northrop Frye novel object particular perspective play poem poem's poet poetic poetry political Pontellier poststructural poststructuralist Press problem Prospero question reader reader-response reader-response critics reading reality relation response rhetorical Robert seems self-ownership sense Shakespeare simply social speak stanza structuralist structure suggests symbolic Tempest textual theme theory things thought tion truth ture University W. K. Wimsatt woman women words Wordsworth writing