Contexts for CriticismDonald Keesey Mayfield Publishing Company, 1998 - 594 من الصفحات In this introduction to literary criticism, the major critical theories of literary interpretation-- historical, formal, reader-response, mimetic, intertextual, poststructural, and new historical-- are presented in separate chapters that include detailed introductions, theoretical essays that explain and argue the value of each theory, and applications essays in which the theories are applied to the same three literary works: William Shakespeare' s The Tempest, Kate Chopin' s The Awakening, and William Wordsworth' s Ode: Intimations of Immortality. Wordsworth' s and Chopin' s works are included in the book. |
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الصفحة 322
... follows Rader's definition of the " realism - plot - judgment form , " as exemplified by Pamela : I will call this ... follow from the observation of fact but necessarily precedes and structures it , so that agreement be- tween ...
... follows Rader's definition of the " realism - plot - judgment form , " as exemplified by Pamela : I will call this ... follow from the observation of fact but necessarily precedes and structures it , so that agreement be- tween ...
الصفحة 407
... follows , then , that when one interpretation wins out over another , it is not because the first has been shown to be in accordance with the facts but because it is from the perspective of its assumptions that the facts are now being ...
... follows , then , that when one interpretation wins out over another , it is not because the first has been shown to be in accordance with the facts but because it is from the perspective of its assumptions that the facts are now being ...
الصفحة 418
... follows from them . Besides an enormously powerful magician - the play begins , of course , with the ship disintegrating in Prospero's tempest - Prospero is an overprotective father and an uneasy , apparently disillusioned ideal- ist ...
... follows from them . Besides an enormously powerful magician - the play begins , of course , with the ship disintegrating in Prospero's tempest - Prospero is an overprotective father and an uneasy , apparently disillusioned ideal- ist ...
المحتوى
General Introduction | 1 |
Author as Context | 9 |
Hirsch Jr Objective Interpretation 725 | 17 |
حقوق النشر | |
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طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
Adèle aesthetic answer Aphrodite argue Arobin audience Awakening become Caliban called character Chopin claim coherence complex concept context conventions cultural deconstruction defined discourse Edna Edna's essay example experience fact feel feminist fiction formal formalist genre Grand Isle human ideology interpretation interpretive community intertextual Kate Chopin Kenneth Burke kind language Lebrun linguistic literary criticism literature look Madame Ratignolle Mademoiselle Reisz meaning ment metaphor metonymy mimetic mind moral narrative nature never Northrop Frye novel object particular perspective play poem poem's poet poetic poetry political Pontellier poststructural poststructuralist Press problem Prospero question reader reader-response reader-response critics reading reality relation response rhetorical Robert seems self-ownership sense Shakespeare simply social speak stanza structuralist structure suggests symbolic Tempest textual theme theory things thought tion truth ture University W. K. Wimsatt woman women words Wordsworth writing