Contexts for CriticismDonald Keesey Mayfield Publishing Company, 1998 - 594 من الصفحات In this introduction to literary criticism, the major critical theories of literary interpretation-- historical, formal, reader-response, mimetic, intertextual, poststructural, and new historical-- are presented in separate chapters that include detailed introductions, theoretical essays that explain and argue the value of each theory, and applications essays in which the theories are applied to the same three literary works: William Shakespeare' s The Tempest, Kate Chopin' s The Awakening, and William Wordsworth' s Ode: Intimations of Immortality. Wordsworth' s and Chopin' s works are included in the book. |
من داخل الكتاب
النتائج 1-3 من 88
الصفحة 153
... interpretation of the text . When the author wrote the text , he “ meant " some- thing by it ; that must be the sole acceptable mean- ing . " For if the meaning of a text is not the author's then no interpretation can possibly ...
... interpretation of the text . When the author wrote the text , he “ meant " some- thing by it ; that must be the sole acceptable mean- ing . " For if the meaning of a text is not the author's then no interpretation can possibly ...
الصفحة 405
... interpretations to be " corrected " according to the rules of that community's strategy . Within such a community , interpretation can be the progressive disci- pline several critics have called for , and almost any liter- ature class ...
... interpretations to be " corrected " according to the rules of that community's strategy . Within such a community , interpretation can be the progressive disci- pline several critics have called for , and almost any liter- ature class ...
الصفحة 407
... interpretation all emerge together , as a consequence of a gesture ( the declaration of belief ) that is irreducibly interpretive . It follows , then , that when one interpretation wins out over another , it is not because the first has ...
... interpretation all emerge together , as a consequence of a gesture ( the declaration of belief ) that is irreducibly interpretive . It follows , then , that when one interpretation wins out over another , it is not because the first has ...
المحتوى
General Introduction | 1 |
Author as Context | 9 |
Hirsch Jr Objective Interpretation 725 | 17 |
حقوق النشر | |
44 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
Adèle aesthetic answer Aphrodite argue Arobin audience Awakening become Caliban called character Chopin claim coherence complex concept context conventions cultural deconstruction defined discourse Edna Edna's essay example experience fact feel feminist fiction formal formalist genre Grand Isle human ideology interpretation interpretive community intertextual Kate Chopin Kenneth Burke kind language Lebrun linguistic literary criticism literature look Madame Ratignolle Mademoiselle Reisz meaning ment metaphor metonymy mimetic mind moral narrative nature never Northrop Frye novel object particular perspective play poem poem's poet poetic poetry political Pontellier poststructural poststructuralist Press problem Prospero question reader reader-response reader-response critics reading reality relation response rhetorical Robert seems self-ownership sense Shakespeare simply social speak stanza structuralist structure suggests symbolic Tempest textual theme theory things thought tion truth ture University W. K. Wimsatt woman women words Wordsworth writing