Contexts for CriticismDonald Keesey Mayfield Publishing Company, 1998 - 594 من الصفحات In this introduction to literary criticism, the major critical theories of literary interpretation-- historical, formal, reader-response, mimetic, intertextual, poststructural, and new historical-- are presented in separate chapters that include detailed introductions, theoretical essays that explain and argue the value of each theory, and applications essays in which the theories are applied to the same three literary works: William Shakespeare' s The Tempest, Kate Chopin' s The Awakening, and William Wordsworth' s Ode: Intimations of Immortality. Wordsworth' s and Chopin' s works are included in the book. |
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الصفحة 21
... represent several different meanings ( that is why public norms alone are insufficient in textual interpretation ) . But to say that a text might represent several structures of meaning does not imply that it does in fact represent all ...
... represent several different meanings ( that is why public norms alone are insufficient in textual interpretation ) . But to say that a text might represent several structures of meaning does not imply that it does in fact represent all ...
الصفحة 22
... represent the word as langue , with all its rich meaning - possibilities . But under one of the sub- headings , in an illustrative sentence , those same let- ters represent the words as parole , as a particular , selective actualization ...
... represent the word as langue , with all its rich meaning - possibilities . But under one of the sub- headings , in an illustrative sentence , those same let- ters represent the words as parole , as a particular , selective actualization ...
الصفحة 23
... represents the au- thor's verbal meaning or it represents no determinate verbal meaning at all . Sometimes , of course , it is im- possible to detect that the author has bungled , and in that case , even though his text does not represent ...
... represents the au- thor's verbal meaning or it represents no determinate verbal meaning at all . Sometimes , of course , it is im- possible to detect that the author has bungled , and in that case , even though his text does not represent ...
المحتوى
General Introduction | 1 |
Author as Context | 9 |
Hirsch Jr Objective Interpretation 725 | 17 |
حقوق النشر | |
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طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
Adèle aesthetic answer Aphrodite argue Arobin audience Awakening become Caliban called character Chopin claim coherence complex concept context conventions cultural deconstruction defined discourse Edna Edna's essay example experience fact feel feminist fiction formal formalist genre Grand Isle human ideology interpretation interpretive community intertextual Kate Chopin Kenneth Burke kind language Lebrun linguistic literary criticism literature look Madame Ratignolle Mademoiselle Reisz meaning ment metaphor metonymy mimetic mind moral narrative nature never Northrop Frye novel object particular perspective play poem poem's poet poetic poetry political Pontellier poststructural poststructuralist Press problem Prospero question reader reader-response reader-response critics reading reality relation response rhetorical Robert seems self-ownership sense Shakespeare simply social speak stanza structuralist structure suggests symbolic Tempest textual theme theory things thought tion truth ture University W. K. Wimsatt woman women words Wordsworth writing