Contexts for CriticismMcGraw-Hill Companies,Incorporated, 30/10/2002 - 538 من الصفحات Contexts for Criticism introduces readers to the essential issues of literary interpretation. The text includes three complete works: Keats's "Ode on a Grecian Urn," Melville's Benito Cereno, and Charlotte Perkins Gilman’s The Yellow Wallpaper. These texts - plus Shakespeare's The Tempest - are examined through seven fundamental critical theories: Historical (Author as Context and Culture as Context), Formal, Reader-Response, Mimetic, Intertextual, and Poststructural. |
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الصفحة 54
... tion , would not be satisfying , even though Keats imagines that it would be : More happy love ! more happy , happy love ! For ever warm and still to be enjoy'd , For ever panting , and for ever young . For readers to say that such a ...
... tion , would not be satisfying , even though Keats imagines that it would be : More happy love ! more happy , happy love ! For ever warm and still to be enjoy'd , For ever panting , and for ever young . For readers to say that such a ...
الصفحة 168
... tion ... always involves an attempt to apprehend the theme of a work using such thematic concepts as come closest to being perennial thematic concepts . " 33 Olsen defines perennial themes in opposition to top- ical ones , such that ...
... tion ... always involves an attempt to apprehend the theme of a work using such thematic concepts as come closest to being perennial thematic concepts . " 33 Olsen defines perennial themes in opposition to top- ical ones , such that ...
الصفحة 296
... tion that there is a rich logical coherence and seman- tic solidarity here . The point , however , is that the lines do not carry an obvious meaning ; they cannot be naturalized as an intimation of oppression with- out the help of a ...
... tion that there is a rich logical coherence and seman- tic solidarity here . The point , however , is that the lines do not carry an obvious meaning ; they cannot be naturalized as an intimation of oppression with- out the help of a ...
المحتوى
Historical Criticism I Author as Context | 9 |
Hirsch Jr Objective Interpretation | 17 |
Gonzalo in The Tempest | 34 |
حقوق النشر | |
47 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
aesthetic Amasa Delano American analysis argue argument audience beauty Benito Cereno Caliban Captain Delano character Charlotte Perkins Gilman claims Cleanth Brooks coherence concept contemporary context conventions cultural deconstruction discourse Don Benito essay eternity example experience fact feminist fiction formal critics formalists Gilman Gonzalo Grecian Urn human ical idea ideology imagination interpretation interpretive community intertextual irony Keats Keats's kind language linguistic literary criticism literary texts literature Melville Melville's metaphor mimetic moral narrative narrator nature negro Babo Northrop Frye novel object perspective play poem poem's poet poetic poetry political poststructural problem Prospero question reader reader-response reader-response critics reading reality reference represent rhetorical San Dominick scene seems sense Shakespeare simply slave social Spaniard stanza story structuralist structure suggests symbolic Tempest textual theme theory things thought tion truth understand women words writing Yellow Wallpaper