Contexts for CriticismMcGraw-Hill Companies,Incorporated, 30/10/2002 - 576 من الصفحات Contexts for Criticism introduces readers to the essential issues of literary interpretation. The text includes three complete works: Keats's "Ode on a Grecian Urn," Melville's Benito Cereno, and Charlotte Perkins Gilman’s The Yellow Wallpaper. These texts - plus Shakespeare's The Tempest - are examined through seven fundamental critical theories: Historical (Author as Context and Culture as Context), Formal, Reader-Response, Mimetic, Intertextual, and Poststructural. |
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الصفحة 260
... writer's sense that , as Emily Dickinson put it , her " life ” has been " shaven and fitted to a frame , ” a confine- ment she ... writing ob- sessively enacts this drama of enclosure and escape . Specifically , what we have called the ...
... writer's sense that , as Emily Dickinson put it , her " life ” has been " shaven and fitted to a frame , ” a confine- ment she ... writing ob- sessively enacts this drama of enclosure and escape . Specifically , what we have called the ...
الصفحة 347
... writing , which has led in turn to Derrida's already notorious reversal of that priority , his counter - privileging of writing and the science of " grammatology . " By such reversals and transpositions , Derrida wants to decenter our ...
... writing , which has led in turn to Derrida's already notorious reversal of that priority , his counter - privileging of writing and the science of " grammatology . " By such reversals and transpositions , Derrida wants to decenter our ...
الصفحة 405
... writing in her journal , the narrator embodies herself as a stylus writing the line , her body being written in the process . Round she goes , drawing the circle of certainty , diagrammatically constructing the binding process of ...
... writing in her journal , the narrator embodies herself as a stylus writing the line , her body being written in the process . Round she goes , drawing the circle of certainty , diagrammatically constructing the binding process of ...
المحتوى
Historical Criticism I Author as Context | 9 |
Hirsch Jr Objective Interpretation | 17 |
Gonzalo in The Tempest | 34 |
حقوق النشر | |
47 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
aesthetic Amasa Delano American analysis argue argument audience beauty Benito Cereno Caliban Captain Delano character Charlotte Perkins Gilman claims Cleanth Brooks coherence concept contemporary context conventions cultural deconstruction discourse Don Benito essay eternity example experience fact feminist fiction formal critics formalists Gilman Gonzalo Grecian Urn human ical idea ideology imagination interpretation interpretive community intertextual irony Keats Keats's kind language linguistic literary criticism literary texts literature Melville Melville's metaphor mimetic moral narrative narrator nature negro Babo Northrop Frye novel object perspective play poem poem's poet poetic poetry political poststructural problem Prospero question reader reader-response reader-response critics reading reality reference represent rhetorical San Dominick scene seems sense Shakespeare simply slave social Spaniard stanza story structuralist structure suggests symbolic Tempest textual theme theory things thought tion truth understand women words writing Yellow Wallpaper