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70. Interior of Henry the Seventh's Chapel, Westminster;' C. WILD.-The perfect truth of this delineation is wonderful: it happened that when we saw the picture, we had just come from the Abbey, and all its wondrous carvings in metal and wood and stone were fresh in our memory. The artist has drawn the stalls of the knights with a precision and beauty equal to aught in the Exhibition. We wish so well, both to the chapel in stone and the chapel in water colours, as to wish the knights' banners away; they narrow a scene already sufficiently narrow, and hide some of the finest gothic sculpture England ever produced. We cannot, however, take leave of this picture without bitter regret: it is, we believe, admitted by his associate brothers, to be one of the finest architectural drawings ever exhibited; and it will be, we fear, the last by this indefatigable artist and excellent man. It was in painting this laborious picture, that Mr. Wild's eyes were first affected and even this drawing has been finished by Mackenzie. The Catalogue, in attributing it wholly to Mr. Wild, does him but justice; Mr. Mackenzie has acknowledged, that, in finishing it, he but perfected the painter's intention.

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83. Scene between Inveroran and King's House, Argyleshire;' COPLEY FIELDING.-The poetical abounds in the works of this painter; in the rudest scene in nature, he can find the rudiments of grandeur. Here a sudden shower falls upon the ridges of the distant hills; the wind seems to be beating the rain into the brae side, and sweeping the water-flags and rushes as if it would remove them from the earth; the cattle scamper wild and look for shelter, which seems not at hand; and the plaided herdsmen follow, cowering and holding their bonnets like Tam O'Shanter when riding against the blast.

84. Pastorella discovered by the Shepherd,' vide Spenser's Faerie Queen, book 6. canto 12, G. BARRETT.-We know not if there be any relationship in blood, but unquestionably there is in genius, between the Barrett of this picture, and the Barrett who flourished in the days of Wilson and Gainsborough. This is not so manifest here, as in other pictures in the gallery; we are not certain, however, that we should have noticed him at present, had it not been for the good sense he has shown, in seeking for a subject in Spenser. The poet is full of such beauties as look well in painting, and Barrett has produced a work which, though not equal to the muse of the poet, is such as we may safely praise.

87. 'Interior of the Choir of Oxford Cathedral;' C. WILD. Though perhaps not equal to the Chapel of Westminster, by the same hand, this is, nevertheless, a very beautiful work; it is difficult, we know, to give massiveness and breadth to the innumerable lines and intricacies of Gothic architecture, but Mr. Wild has succeeded in doing what few can do well.

88. At Wartzburg;' S. PROUT.-Our friend takes delight in names which are anything but descriptive; to be at Wartsburg with Samuel Prout, is to be one of a crowd of devout pilgrims at the door of a religious house: nor can we well divine what is going on, for the exterior of the place seems too dark for devotional exercises, and the patron saint, at the entrance, obtains obeisance but from few.

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92. Fountain's Abbey;' P. DE WINT.-This is a little work, but, like a diamond, though small, it is valuable. The mouldering ruin, once a princely abbey-the deep green woodthe verdure of the fields-and the bright broad sky, are as finely united here as they are in

nature.

97. View on the Downs above Arundel Park, Sussex;' COPLEY FIELDING.-With almost any other painter, this would have been an indifferent picture; the Downs are barren and bare, yet the unfruitful scene has enabled the artist to

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show the mastery of his skill; there is nothing to describe by words, yet the spectator will think this a very fine work.

98. The Charlton Woods, near Greenwich, with Fallow Deer;' ROBSON and HILLS.-Nothing can well surpass the natural beauty of the group of wild deer, which graze on the foreground of this fine picture: the wood, the water, the sky, and the green sward, are all forgotten, beautiful though they be, as we look at the fallow deer-nature cannot be more natural to the eye.

99. Beringer Palace;' S. PROUT.-A piece of rich and grotesque architecture.

100. The Great Hall, Haddon;' D. Cox.-A picture more sparkling perhaps than natural; yet the truth and beauty of the delineation merit much praise.

101. St. Michael's Mount, Cornwall;' H. GASTINEAU. It is no easy matter to paint up to our expectation, in a scene every way so eminent as that of St. Michael's Mount; yet the artist has gone far to satisfy us. We cannot persuade ourselves, that romance has utterly forsaken that far-famed place; it was there where Jack the Giant Killer commenced his career; and were we to visit the Mount, we should expect to find the foundations of the Giant's Castle, and some traces of the deep pit in which the "right valiant Cornishman" caught his too confident enemy.

111. Arethusa, pursued by Alpheus, is transformed by Diana into a Fountain; T. FIELDING. -There is something clever in this: the lady seems dissolving silently down, her limbs take a watery hue, and her long descending hair seems melting and flowing away.

112. 'Vessels in a stiff breeze of Calshott Castle, Hampshire;' CoPLEY FIELDING.-A good sea scene, with agitated water, struggling ships, and startled sea-fowl.

123. Ghent- Morning;' S. AUSTIN.-Our painters are true islanders, they love sea-side scenes; here we have the masts of trading vessels mingling with the architecture of the city, and water uniting itself with both.

125. A Water-mill near Bangor ;' P. DE WINT. We like this picture much: hills rise in the distance, while, in the foreground, a busy stream comes foaming into the buckets of a mill-wheel, and the water, spreading out into a small lake below, affords a cool retreat to some cows, which stand cooling their hoofs and looking landward at their pastures.

133. Fishing Hut at Ventnor, Isle of Wight; W. EVANS. An enterprising fisherman has established his hut in a wild and lonely place, and while he spreads his nets in the bay, his children gambol on the grass; while, from the smoke issuing through the top of the hut, we can guess that something pleasant is in preparation against his return.

[To be continued.]

PUBLIC STATUE OF CANNING.

ON Wednesday last, a bronze statue of George Canning, from the foundry of Mr. Westmacott, was placed on its pedestal in Palace Yard. The figure is colossal, and measures twelve feet high; the head is bare; a loose robe falls from the shoulders as low as the plinth, and the likeness, though not very striking, will probably satisfy the public more than the outline or form of the statue. A statue in bronze, we have always held the belief, can be distinguished as a human figure by the outline alone; even our rude gothic sculptors knew this, and the brass-plate figures which they inserted so frequently in grave-stones, and of which there are some fine specimens in Westminster Abbey, are one and all beautiful in the outline. In truth, a bronze figure is only a dark mass, when viewed at a little distance; a skilful artist, therefore, works in the spirit of his materials, and pro

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duces a shape which will be recognized to be human at least, though seen a league off: it is otherwise with the statue of Canning. The principle to which we have alluded, has been so little heeded, that the back of the figure looks like a cloak spread out in the air; nor is the front view any better a little way off-we can only guess it to be a man, from seeing a head at the top. The pedestal is as little to our liking as the statue; it is a pedestal divided into stories, and, though not large, is clumsy. It is in no insulting spirit that we say, it is less worthy of the eminent artist or the distinguished orator than it ought. The colour too is glowingly green: this, we know, will change by exposure in the open air. The shape and the hue will call forth many sharp remarks we imagine.

The English School. Engraved in Outline upon Steel, with Explanatory Notices by T. Hamilton. No. XXX. & XXXI. London, 1832. €. Tilt.

FROM the regular appearance of this work, we hope the proprietors have met with the encouragement they deserve. The present numbers containDeath's Door,' by Blake; 'Surrender of Calais,' by Bird; 'The Seventh Age,' by Smirke; 'Rotterdam,' by Calcott; Nature blowing Bladders,' by Hilton; Pluto and Proserpine,' by Pitts; Celadon and Amelia,' by Wilson; The Letter of Introduction,' by Wilkie; Thetis and Achilles,' by Banks; Infancy of Jupiter,' by Cristall; Trial of Lord Russell,' by Hayter; The Statue of Newton,' by Roubiliac. Works of various merit, and not very equally engraved-but it would be a little unreasonable to require perfection for eighteenpence!

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MUSIC

KING'S THEATRE.

WE have not lately been more gratified than on Saturday last, at the representation of Il Barbiere.' We rejoiced in the re-appearance of that incomparable musician, singer, and actor, Lablache, in the unequivocal success of Madame Cinti Damoreau, and in the full and brilliant house, which must have gladdened the heart of the manager after his long-deferred hopes and grievous miscalculations.

There was possibly a little selfish exultation on our part at the enthusiastic applause with which Mad. Cinti was received: our still small voice was the only one that sounded a note of rejoicing on her arrival, and it was the first trumpet we could conscientiously blow before any of all the "eminent artists," who have made their several appearances and disappearances this trumpeted season. How often have we anxiously desired to whisper a word of caution in the ear of the manager, when engage. ments have been talked of!—and it is not presumptuously that we now remind him, that every one of our predictions have been fulfilled. The voice of Madame Cinti, though weak, is delightful, throughout the whole compass; her embellishments are always in keeping with the character of her music, and her intonation is perfection! She was encored in Rode's air, (the music lesson in the second act,) which she executed-allowance being made for power of voice-quite equal to Sontag,

The dancers have now their several factions, and the result is, the uproarious applause of all. We are content that it should be so, seeing it is one of the best corps de ballet we ever remember; and this spirit of partizanship tends to fill the house.

On Tuesday we were promised a melange to exhibit Lablache, Cinti, and Tosi; Cinti, however, was taken ill, and instead of the first act of

'Il Barbiere,' we had the second of Olivo e Pasquale,'-the only decent composition in it, the duet in the second act, being omitted. The first act of 'La Somnambule,' in which Brugnoli and Le Compte were called on to repeat their several dances, was followed by the first act of 'L'Esula di Roma,' with Lablache and Tosi substituted for Mariani and De Meric.

Lablache took his farewell benefit on Thursday last he sustained the characters of Don Giovanni and Don Geronimo, in the first acts of the chefs-d'œuvre of Mozart and Cimarosa. In

those seductive scenes with Zerlina, requiring the utmost delicacy, tenderness, and intensity of musical expression, the uncontrollable power of his voice denied him the possibility either of doing justice to Mozart's music, or his own feelings, for he evidently understood the author; and in the finale produced the greatest possible effect. Mad. Cinti Damoreau was delightful, when she was audible; but the florid and sometimes too loudly executed accompaniments, frequently drowned her voice: we cannot forget the Zerlina of Malibran; and we think Cinti might have thrown a little more life into her acting. Mad. De Meric has completely established her claim to the rank of a prima donna; the music of Donna Anna, we have heard executed by a more agreeable voice, but rarely so well expressed. De Begnis played Leporello in his best style, but which is a thousand degrees below that of Lablache. In the first act of II Matrimonio,' Lablache was, of course, the chief attraction, and exerted himself most successfully. After the opera, he came forward to receive the deafening plaudits of a crowded audience. Mad. Cinti sang a very interesting aria between the acts, accompanied on the flute by Tolou, from Paris; a well-executed cadenza, at the end of the song, gained much applause.-Mad. Brugnoli, we regret to say, was suddenly seized with illness, and could not dance in the ballet.

FIFTH PHILHARMONIC CONCERT.

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closed the first act: we believe this was the Yet the Manchester band executed their task
first of his overtures played in London, and successfully-to their greater merit, when it is
for grandeur of thought and originality of in- farther stated, that many of the instruments are
strumentation, the introductory adagio stands in the hands of amateurs; but they assemble
unequalled in our estimation; the majestic pas- regularly once a fortnight, and classical music
sages of the double basses, the tremulando, the is rehearsed under the direction of an able and
forzandos of the horns, the bewailing effect of enthusiastic leader (Mr. J. Z. Herrmann), a
the flutes and oboes, suspending detached melo-practice which cannot but lead to good results.
dies, in imitation of the first violins, are power-
fully contrasted by the tenderly expressive
harmony in the two first bars. Haydn's 'Sin-
fonia, No. 7,' still delights us: how the extra-
vagant modern contrapuntists must feel hum-
bled, when they listen to the simple and elegant
music of this venerable composer. Spohr's
overture, 'Der Berggeist,' terminated the per-
formances. The sudden bursts of the brass in-
struments at the coda were tamely pronounced:
nor are we surprised that performers at the ex-
tremity of the orchestras should be doubtful of
their rentrées, when leaders play, and conductors
beat time, where they cannot be seen.
Loder, from Bath, had the honour of leading,
and our facetious friend, T. Cooke, conducted.

MUSIC IN THE PROVINCES.

A Mr.

THE CHEVALIER NEUKOMM'S ORATORIO AT
MANCHESTER.

To the Editor of the Athenæum.

THE circumstance of a great musical work having been brought out with credit in a provincial town, and that too without the instrumental assistance usually derived from London, argues such an advance in the art amongst us, that it has seemed to me not altogether unworthy of a notice in your columns; and I furnish this, in the pleasant conviction, that that same delightful art has passed through one stage of its transformation from the state of a costly exotic, nourished and possessed as a luxury by the few, to that of a household delight and public recreation of the many who compose the middle class.

of a style of writing almost unknown, and alto-
gether disregarded since the days of Haydn's
canzonets. The lovers of something better than
the "Buy a Brooms" will always turn with
pleasure to the spirited and characteristic
music with which he has clothed the exquisite
lyrics of his friend, Barry Cornwall. In parti-
cular, the Manchester people will recollect with
pride, that expressly for one of their meetings
he set to befitting music that magnificent hymn
by Milman, The Chariot-the Chariot.'

This splendid composition opened the Con-
cert on Tuesday evening. The words are taken
in duet for soprano and alto, supported by a full
chorus, and accompanied by a band of brass in-
struments with organ obligato. To describe ade-
quately, by musical phrases, the awful sum-
mons, on the hearing of which, are

I have just returned from hearing the Chevalier Neukomm's Oratorio of Mount Sinai, perIT is said of Beethoven, that he never com- formed at Manchester. To him the musical posed a piece of music, without previously pic-public of England is indebted for the revival turing in his mind a scene from nature, or some connected story of dramatic incident and interest. True, or not, we have no defined notion what his compositions are intended to describe, except in the Pastorale Sinfonia, performed at this Concert. This production is the most perfect specimen of orchestral, descriptive, imitative, and characteristic music ever composed; yet, how much more intelligible would it be, if the meaning of each movement were to be inserted in the programme, to fix the attention at once on the design of the author. Such illustrations cannot be objected to, since Beethoven thought it necessary to publish them with his music. Bereft of association, and speaking of it merely as an ordinary sinfonia, we should say it is rather long; but previous hints of the author's intentions, render us capable of tracing a variety of lovely and finely-depicted scenes. The depths of the stone-covered monuments stirr'd ;Madame de Meric, Miss Bruce, and Monsieur the majesty of the judgment-where the AlBegrez, sang Pria di partir,' from 'Idomeneo.' mighty is enthroned in his glory to pronounce It was rather a severe test for Miss Bruce's sentence on the dead of all ages;- -the pleadtalent; in fact, the concerted music of Mozartings of faith for mercy in "that day of wrath," requires great judgment, in addition to vocal skill; but we are bound to add, that she succeeded beyond our hopes, certainly beyond reasonable expectation. Miss Shirreff also joined in a quartet, 'Andio ramingo,' from the same opera. J. B. Cramer, with his brother, Messrs. Moralt, Lindley, and Dragonetti, played a quintet of his own composition. The scena, from 'Clemenza di Tito," "Non piu di fiori," sung by Madame De Meric, and accompanied on the Corno di Bassetto, by Willman, was a rich treat; the allegro was played rather too slow, and lost something of its character! Cherubini's overture, Les Deux Journées,'

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is no easy task: but the master has attempted it
fearlessly, and succeeded.

The Oratorio of Mount Sinai has, I believe,
been performed at the Classical Harmonists'
Society, in London, and I shall not therefore at-
tempt an analysis of a work which other and
abler listeners than myself have examined,
judged, and admired. Yet I cannot pass with-
out making honourable mention of the manner
in which it was performed. It is a rare, if not an
unprecedented circumstance, that an orchestra,
totally unassisted by any stranger strength,
should do justice to, or even attempt to produce
a work so complicated as the one in question.

Though comparisons are proverbially disliked, I cannot help attempting to characterize the three great oratorios produced by Spohr, Ries, and Neukomm, in the course of the last few years, I should say, that the 'Last Judg ment' was excellent for the sweetness of its melody and the richness of its harmonic combinations-the 'Triumph of Faith' striking by its wild dramatic fancy and fire-and the 'Mount Sinai' eminent for a uniform dignity of style.

This brief notice of the arts in the provinces will, I trust, be interesting to many of your muYours, &c.,

sical readers.

Liverpool,
April 26, 1832.

H. F. C.

The Favourite Airs in Meyerbeer's Opera, 'Robert le Diable.' Arranged for the Pianoforte by Adolphe Adam. Books I. & II. Chappell. WE shall reserve our remarks on the general excellence of this music, until we hear it under the author's direction at the King's Theatre. These arrangements are good, and contain all the necessary harmony for effect, without being difficult. We do not find, however, in these books, the waltz in A minor, which struck us as being one of the most original and characteristic movements in the opera.

THEATRICALS

ADELPHI THEATRE.

THE third volume of Mr. Mathews's 'Comic Annual,' was published on Wednesday. We have much pleasure in announcing, that it is, upon the whole, even more amusing than either of its predecessors-excellent as they were. We anticipate for it a great sale. It would be strange, indeed, if an entertainment, which lasts for nearly four hours, and is delivered by one person, did not present some trifling flaws for those to peck at, who are inclined to do so. The undisputed perfection of many of its parts, must, of itself, lay the others open to cavil-but it is only by comparison with himself, that Mr. Mathews can be found fault with, and thus blame becomes involuntary praise. The worst that he does, would make the reputation of any body else. In his peculiar talent, he has been, is, and will, no doubt, remain unrivalled-nay, more-unapproached. If we were to suggest any improvement in his entertainments, we should be inclined to say, that the introductory descrip tions of Characters which he is about to personate are superfluous. The moment he assumes a partial disguise, the man, or woman, as the case may be, whom he purports to represent, is before us in propria persona. We feel, at once, that we have seen the individual before, though we cannot recollect where. It is scarcely worth while to select particular points for praise, when we can conscientiously recommend allbut if we must do so, we should mention, Mr. Bachelor Winks-Mr. Anthony Sillylynx and his Hibernian Housekeeper-Bob Tenterhook, the Yorkshire Genius-Sir Griffith Jenkins, the Welch Fox-hunter-the Melancholy BarberMrs. Oberflachlich, the Dutch Original-the dialogue between Mrs. Hogsback and Mary Briggles-Tom Piper, an old Sailor-(a sketch as true to nature, as nature is to herself)-and Mr. and Mrs. Masculine. In giving the above as the prominent characters, we believe we have given about nine-tenths of the whole. There is no doubt about our being right so far-the only question is, whether we are not wrong in

omitting any. The best songs are 'The Fox Chase,' and 'The Hackney Coach.' The Monopolologue is a decided improvement upon all previous ones. It is called The Eddystone Lighthouse; and, though it cannot be denied, that the subject is an "out of the way" one, it is most happily chosen. There are but five characters represented, yet these, from the peculiarity of the situation, seem almost a crowd. We have Donald M Quaigh, a Scotch sailor, and Adam Child, (aged 90); "Two Light-keepers, whose turn it is to be relieved," and whose being relieved, we should regret, if they were not replaced by Bat Owlet, a ci-devant cobbler, who is miserable himself, and delights in making every body else so, and Tom Merryweather, a jolly sailor of the Dreadnought school, who can stand any quantity of wet, either inside or out. We ought not to forget Sally Grogrum, an esteemed bum-boat woman, who comes to the lighthouse with supplies; in short, we ought not to forget any portion of this admirable entertainment; and if we were allowed time and space, we doubt whether we should-such is the strong impression made on us. Mr. Mathews, at starting, expresses a modest hope, that his audience will find "him and his table, as green as ever." In the present instance, we have found them both so. And our only regret, in closing a notice of this unequalled artist is, that his freshness cannot remain annually renewable, like that of his cloth. No matter he is an honour to his cloth, whether we speak of him as an actor or as a man. May he enjoy all that he can wish, while his exertions continue, and all that he can want afterwards.

The present entertainment is written, we understand, by Mr. Peake. It does him infinite credit. Report says, that this credit should be shared with Mr. Charles Mathews: we know not how this is; but this we know, Mr. Peake is clever enough to spare a portion of the credit given to him, and Mr. Charles Mathews is clever enough to obtain his portion of credit, let him work side by side with whom he may.

FRENCH PLAYS.-HAYMARKET.

Whenever our personal opinion respecting the merit of any performer is more favourable than that of our "pensive public," we are not accustomed to make a secret of it; but when, on the other hand, the many-headed monster passes a vote of approval, we find no pleasure in entering our protest on the journal of the house. So let it be with Mons. Arnal. He has many staunch admirers, and to them, and to their good keeping, we leave him. Besides, he is now departed-theatrically dead-dramatically defunct -and, as "de mortuis nil nisi bonum" is an apophthegm, generous if not just, we will say of him that he was an actor gifted by nature with that enviable and endless flow of spirits, which seems to be an heir-loom in every French family; and which, happily for them, even l'abolition entière de la loi de descente could scarcely affect in that laughter-loving and laughter-moving people. M. Arnal is also an industrious and a zealous member of the sock; and, if we could only add--but we will not attempt to add, lest we should make a mistake and subtract. After scrambling through a mountain-pass, with incessant annoyances, and only momentary beauties to reward our toil, how delightful it is to break suddenly upon the undeviating perfection of an Italian landscape! Up to Wednesday we are free to confess that we were in the mountain-pass, but then our eyes rested on Madame Albert, and fastidiousness itself (we dont mean ourself) was silent. We remember this lady's début at the Nouveautés in Paris, and we remember also our promise to a friend sitting with us, that she should one day become a brilliant ornament of her profession. We thank her for keeping our word.

Although born and bred amidst the contagion of those acquired defects by which the French too often mar their native genius, Madame Albert has had the boldness to think and act for herself. Her quick perception has enabled her to distinguish at once between a genuine and a false taste; and, while seizing upon every adorning art in which her countrywomen excel, she has not suffered herself to be allured even by them from the true path of nature.

through Warsaw." The lover took the hint, and fought bravely in the ranks of his countrymen, till their cause had become hopeless; and then the lady became his bride.-The 4th regiment, which so gloriously distinguished itself during the Polish struggle, was Constantine's favourite. When the Poles were beating the Russians in the streets of Warsaw, at the breaking out of the revolution, this singular being called out, with pride, to his countrymen, "Do you see the effects We have more than once seen a French actress of my drilling? But you will be more surprised in the very climax of a deep feeling, before she when you see my fourth regiment fighting could consent to give that feeling its due ex- against you." This celebrated regiment, alpression, stay to adjust some faux pli of her dress. through repeatedly cut to pieces, was always at It is true, the interruption was but momentary, its full complement, from the accession of vobut its effect, or rather defect, was lasting.lunteers. A young officer being asked, whether Madame Albert has reformed this altogether; he did not belong to the Glorious Fourth, "Yes," she is nature's child, and does not seem to be he replied; "but of the third edition." ashamed of the connexion. We might indeed call her nature's Grand-child; for her person is little enough, and her mind large enough to justify the use of the term in its double sense. We have left ourselves little room to speak of the two pieces, in which our favourite appeared on Wednesday. In the first, Isaure,' she gave evidence of a mind capable of appreciating, and a talent capable of developing the truest and most touching pathos. Her early scenes were tenderness and devotion themselves. In those which succeeded, her growing anguish gradually deepened into despair; and, at the close, her madness and death were appalling. We have seen nothing like Madame Albert for many a long year; and we wish that some of our aspirantes could be prevailed upon to think more of her; so should they, one day, assuredly, be justified in thinking more of themselves.

In the second, La Fiancée du Fleuve,' Mad. Albert was as naïve as joyous, and as arch as she had before been sad, harrowing and terrific. She sang some not very easy airs, so as to do credit to her master, Blangini; and so also as to make us wish that her companion, Mons. Paulin, would sing better, or not at all. She was more than once encored; and in the couplet which she sings to her lover in the cave, she, in pronouncing the words, Gardez vos yeux,' put her fairy form into an attitude of such exquisite grace and beauty, that a simultaneous burst of applause rang through the house.

In conclusion, we thank Monsieur Laporte, for bringing us this finished artiste, and feel pleasure in paying him the just compliment of saying, that he is every way worthy to act with

her.

MISCELLANEA

From the genial showers that have occurred
in the course of the week, and the total absence

of frosts, the early wall-fruit may now be consi-
dered as secure, as well as many of the standard
plums. The pear blossom is unprecedented in
number, and in the size and beauty of the corol-
las. The grass and grain crops are also very
promising. Autumn wheats are very luxuriant,
there having been no weather in early spring to
'throw them out,' on soils of even tolerable
condition. The spring crops tiller' very vi-
gorously; and we have seldom seen a finer 'stool
of grass,' either on upland or meadow. The
progress, till of late, has been rather slow; but
it has been very gradual and very sure.

6

Anecdotes of the late Polish War.-At the commencement of the war, four brothers entered the army together, while the fifth remained at home, to superintend the management of the estate. The ladies of the neighbourhood, hearing this, sent the stay-at-home a distaff, as a token of his reception among the sisterhood.-A Gallician lady, being solicited in marriage by a young man of rank and fortune, said, "I believe I could be happy with you; but the way to my heart lies

The Press in Germany.-Notwithstanding the decision of the diet at Frankfort, against the liberty of the press in Germany, the grand duke of Baden, faithful to his constitutional oath, seems determined to disobey its arbitrary mandate, and to carry into immediate execution the law for the establishment of the liberty of the press in his country, lately passed by the States. A journal, edited by three deputies of the lower chamber, appears at Freiberg, under the title of 'Der Freisinnige.' It is written with great good sense and moderation; but as it is entirely exempt from censorship, it causes no little uneasiness to the despotic governments.

Censorship in Prussia.-Either German writers have lately become bolder, or the Prussian go vernment is growing more timid, since we find that the numbers of prohibited works in that country, amounted, in 1828, to no more than 4; in 1829, to 1; in 1830, also to 4; but, last year, to nearly 40.

American Freedom of the Press. It is stated by Mrs. Trollope, in her amusing work on America, that every deputy postmaster is required to make a return to the Secretary of State of the titles of all newspapers received at his office for distribution. The political character of each paper being known, a ready index to the political feeling of any particular part is thus at once obtained; and how far its use might be extended we leave to the curious to inquire.

Russian Periodicals. It would seem that the

year 1830 has, in Russia, been as fatal to periodicals as the cholera was to the people; since no less than nine of the scanty number which spread their dim light over that vast empire, ceased to exist. A few others, however, have sprung up in their stead in the course of last year.

West Indies.-A History of the European Colonies in the West Indies, under the modest title of An Essay, &c. by C. E. Meinicke,' has appeared at Weimar, in one volume; and is highly spoken of by the German reviewers.

Conversazion's Lexicon.-This celebrated work, one of the best encyclopædias ever published, is now translating into English (in the United States), French, Italian, and Magyar (Hungarian); each translation being, of course, adapted, curtailed, or enlarged, according to the wants of the respective nations for which it is designed. It will be hereafter a curiosity to compare the historical portion of the Austrian editions with those of the French and American.

Belgian Ingenuity. It is stated in a Belgian journal, that the manufacturers of Belgium have hit on the following scheme to get at our improved methods of manufacture: a number having associated, by subscription, for this purpose, and each made a note of what he is specially desirous to be informed of, the whole of the queries are to be entrusted to some intelligent artisan, who is to visit this country, and obtain the answers to the various questions propounded.

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Characteristics of Women, Moral, Poetical, and Historical, by Mrs. Jameson.

Mr. Roby, author of the Traditions of Lancashire, has issued proposals for publishing Traditions of the County of York.

Mr. Andrew Picken has in the press the Emigrant's Companion to the Canadas, compiled from official and original documents, furnished by John Galt, Esq. and others; and the object of the work is to present in a condensed form the most correct and complete information for the use of Settlers, Emigrants, and Tourists. The Annals of Kendal, comprising the Antiquities of the Roman Station, Concangium, the History and Description of Kendal Castle, the Church, &c., with Biographical Sketches of eminent Personages connected with the Town, by Cornelius Nicholson.

A new and improved edition of Kidd's Guide to the "Lions" of London, with Engravings by Bonner. The Excursion, Part 2.

A Trip to Brighton, with Engravings by Cruikshank. The Fifth and concluding volume of Our Village, by Miss Mitford.

Truth versus Tactics; or, an Exposé of certain Pyrotechnic Proceedings of the Council of the Royal Society, by Sir James South.

An Account of British Birds, for Young Persons, by R. A. Slaney, Esq. M.P.

Just subscribed. - Robertson's Conversations on Surgery, 8vo. 6s.-The Byron Gallery, Part 1, royal Svo. 4s. 6d.; 4to. 6s. G.; 4to India proofs, 7s. 6d; before letters, 10s. 6d.-Missions in Labrador, 18mo. 35. -Forster's Facts on Epidemie, 8vo. 5s. 6d.-Aldis's Nature and Cure of Glandular Diseases, 8vo. 5s.Cloquet's Surgical Pathology, 12mo. 8s. 6d.-Coxe's Lectures on the Evidence from Miracles, 12mo. 4s. 6d. -Thomson's Life of Dr. W. Cullen, Vol. I. 8vo. 12s.--Gorton's Population Returns for 1831, 8vo. 6s.- Buds and Blossoms, or, Stories of Real Children, 18mo. 2s.Parmeter's Village Lectures, 12mo. 3s. Gd.-My Station and its Duties, 18mo. 2s. 6d.-The Democrat, a Novel, 3 vols. 17. 11s. 6d.-Washington Irving's New Sketch Book, The Alhambra, 2 vols. 8vo. 17. 4s.— Hogg's Queer Book, Svo. 8s.- Klosterheim, or, the Masque,75.-Cunningham's (Allan) Maid of Elvar, a Poem, small 8vo. 6s.-Roscoe's Novelist's Library, Vol. XI., (Tristram Shandy, Vol. I.,) 12mo. 6s.-Valpy's Classical Library, Vol. XXIX., (Plutarch, Vol. VII.,) 12mo. 4s. 6d. Joplin's Analysis of the Currency Question, 8vo. 8s. 6d. -Cardwell on the Coinage of the Greeks and Romans, Svo. 8s. 6d. Blunt's Hilsean Lecture for 1831, small Svo. Gs.6d.-Mackay's Shipwreck of the Juno, 12mo. 3s. Surenne's Petit Cours de Français, 18mo. 48.; Key to Ditto., 18mo. Is. 6d. Newland on Irish Tithes, 12mo. 3s. An Offering of Sympathy to Bereaved Parents, 18mo. 2s. 6d.-Skurray's Shepherd's Garland, 8vo. 7s. 6d. Stonard's Evidences of the Christian Religion, 8vo. 75. 6d. Hansard's Debates, Vol. VII., (4th Vol. of the Sessions 1831,) 8vo. I. 10s.-Three Nights in a Lifetime, and Irish Hainlach, Domestic Tales, small 8vo. 10s. 6d.

TO CORRESPONDENTS Espanol. The work has not been published: political reasons induced the parties to suppress it for a time. The only extracts that have ever appeared were those in the Athenæum.

Thanks to P.R.-L.-F.A.-Gamma-C.X. We are greatly obliged to W. B.; but must decline. Correspondents will hereafter be pleased to direct to No. 2, CATHERINE STREET. The increasing business of this publication requiring a larger office, the proprietors have taken the premises No. 2, in the same street, and had them fitted up with special reference to the convenience of the Newsmen.

ADVERTISEMENTS

Sale by Auction.

IMPORTANT SALE.

The KING of SPAIN'S magnificent Vases of Oriental Porcelain, splendid Japan Cabinets, Florentine Mosaic Tables, and a Collection of Pictures of the first class and highest quality.

MR. STANLEY has the honour of announc

ing to the Nobility and Gentry, Connoisseurs and Amateurs of the Fine Arts and of Vertù, that he will SELL BY AUCTION, at his New Gallery in Maddox-street, Hanover-square, on Wednesday, May 9, and following day, a singularly beautiful and truly VALUABLE COLLECTION of PICTURES of the highest classes, consisting of the Works of the most eminent ITALIAN, SPANISH, DUTCH, and FLEMISH Masters, remarkable for the tasteful selection of Subjects, and the admirable purity of their condition. Also, the superb Assemblage of Twenty MAGNIFICENT VASES of ORIENTAL PORCELAIN, manufactured expressly for the KING of SPAIN, and bearing the Royal Arms; SPLENDID CABINETS of the finest Japan: rich FLORENTINE MOSAIC TABLES; a few choice BRONZES; and other Articles of a costly description highly interesting to dillettanti. May be viewed, and Catalogues may be had at the Gallery and Ofices in Maddox-street, and of Mr. Stanley, Auctioneer, 21, Old Bond-street.

PORTRAITS OF A FEW OF THE ANTIQUARIES.

RASER'S MAGAZINE

For MAY.-Price 2s. 6d.

Contents:- Boswell's Life of Johnson-The Martyrs - The Great Plague in the 14th Century-The Reports of the Commissioners on Common Law Reform-Miss Fauny Kemble's 'Francis the First,' and Mr. Sheridan Knowles's Hunchback'-On Parties, No. 1, by an Independent Pittite-Voyages and Travels. Captain Basil Hill and the Lauders-Gallery of Literary Characters. No. XXIV. A few of the AS Ses. (With full-length Portraits) -Sheil versus the Tithes-The Altrive Tales-Dorf JuysteinA Speech by way of Rider to a late Debate-Epistles to the Literati. No.IV.-Letter of Viscount Duncannon, M.P., to Archibald Jobbery, Esq. Ex-M.P.

Janies Fraser, 215, Regent-street, London; John Anderson, jun. Edinburgh; W. R. M'Phun, Glasgow; and Grant and Bolton, Dabiin.

THE

Conduit-street.

HE METROPOLITAN MAGAZINE. By THOMAS CAMPBELL, Esq. For MAY, contains, among others, the following interesting articles:-The Cherubs, a Poem, by Thomas Campbell, Esq.West India Question: late Orders in Council-Public Opinion: Newspapers-The Lords and the Reform Bill-Dennis Ready; a Tale of the Kingdom of Kerry, by Simon O'Driscoll, Esq.-The Waggoner-Clavering's Autobiography, containing Opinions, Characters, &c. of his Contemporaries-Lanherne and Mawgan, in Cornwall, by John Lander, the African Traveler-The Funds and their Management-Popular Historical Errors: the Iron Mask-The Pachia of many Tales; No. 8, by the Author of The King's Own'-Reveries and Recollections of a Self-taught Landscape Painter-Dialogues of the Deck, No. 3: Jack in Parliament, by the Author of Tales of a Tar,' &c. &c.

Saunders and Otley, Conduit-street.

This day is published, No. I. of THE EXTRACTOR and POLAR STAR,

its new form, has astounded the trade? It is no ephemeral, trashy production, but a complete library of useful and entertaining knowledge. It is pre-eminently the work to inform and delight every intelligent family and man of reading.

The Enlarged Series is published every Saturday Morning, price 64. containing nearly a hundred columns of closely-printed matter (with new type), stitched in a wrapper. It is also punlished in Monthly Parts with the Magazines, price 25. Part I. will be published on the 1st of June.

Office, 1, Newcastle-street, Strand; and sold by Simpkin and Marshall; and by all Booksellers and Newsmen throughout the Kingdom.

ELEGANT LITERARY PRESENTS.
Just published,

FLOWERS OF FABLE, culled from the

lected for the instruction of Youth, and carefully pruned of ail objectionable Matter Embellished with 150 engravings on wood. Price 5s. Vizetelly, Branston & Co. Fleet-street; Who have just published New Editions of THE YOUNG LADY'S BOOK:

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which possesses the hitherto unattempted novelty of concentrating, in one volume, all that is interesting, either as an exercise, a recreation, or a pursuit, and forms a complete repertoriumi of all those accomplishments which grace the sex, and constitute the perfection of the female character.

"Twenty years ago, "" says the Literary Gazette, "all the talents in England could not have produced such a work." Price One Guinea, richly bound in embroidered crimson silk, and embellished with upwards of 700 engravings. BOOK:

THE BOY'S OWN BO devised for youth, em

bracing the sports and exercises of out-door enjoyment,-the pastimes of a winter's fire-side,-and the recreations of science, -copiously detailed in nearly 500 closely-printed pages, embellished with upwards of 300 engravings. Price 8. 6d. in ornamental boards; and 10. 6d. handsomely bound in arabesque embossed morocco, with gilt edges.

SOCIETY FOR THE DIFFUSION OF USEFUL

KNOWLEDGE. Published this day, price 1s. plain, or 1s. 6d. coloured, No. 22, of a Series of Maps, Modern and Ancient, published under the Superintendence of this Society, containing,

1. THE ENVIRONS of LONDON.

2. THE ENVIRONS of PARIS. These two very useful Maps are nearly 15 inches by 12 in size, and extend to from 9 to 12 miles from the centre of each metropolis. The 22 Numbers already published contain 11 Ancient and 11 Modern Maps,-the Ancient series being nearly completed. They are compiled from the very best authorities, beth official and private. The scale varies according to the acknowledged importance of the respective counties and districts. The Ancient Maps agree exactly in scale with the corresponding Modern, and are compiled under the most rigorous scrutiny, The whole are engraved in the best manner on steel; and their cheapness is unexampled in any country.

Baldwin and Cradock, Paternoster-row.

18mo. 78.

ACRED LYRICS; being an Attempt to

SAC

furnish Materials towards a new-selected Version of the whole Book of Psalms.

By ALFRED BARTHOLOMEW.

"We think Mr. Bartholomew has been successful in his 'Sacred Lyrics'-an unusual circumstance."-Gentleman's Mag. "When it is considered that few of the most successful writers of sacred poetry ever produced more than from three to eighteen really beautiful hymns, it seems most injudicious that the Psalmody authorized by the church should be a monopoly. In many in stances, where we find the old translations low and flat, we are presented in Mr. Bartholomew's version with beauties. We mnch wish that a psalter principally composed of the best of Sternhold and Hopkins, Tate and Brady, Addison, Cowper, Merrick, Watts, Wesley and Newton, were completed from the present version; great freshness and power of talent, and much originality of rythmical measure, would thus be concentrated in our national psalmo y."-Lady's Magazine.

"On the whole, we may recommend this version to the notice of the religious world; it includes almost every kind of metre, is generally heat, and is, in some instances, very effective."— Weekly Dispatch.

Rivingtons, St. Paul's Church-yard, and Waterloo-place.

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BSERVATIONS on PROLAPSUS, or
Falling Down of the Lower Bowel. With Cases and Plates.
By FREDERICK SALMON, F.R.C.S.

The design of this Work is to prove that many cases of Prolapsus may be removed or materially mitigated, without any description of operation, and to simplify the latter in those instances wherein necessity requires its performance. Price 5s, 6d. By the same Author,

A Practical Treatise on Contraction of the Rectum; showing the Connection of this Disease with Affectious of the Womb, and of the Bladder, Fistula, Piles, &c. 3rd edit. Price 12s. Whittaker and Co. 15, Ave Maria-lane, St. Paul's. ABRIDGED INTO ENGLISH FOR SCHOOLS AND COLLEGES BY THE REV. J. SEAGER.

IGER on the GREEK IDIOMS.

"But when they have made real advances in Greek prose, read over with them the whole of Vigerus. Yon should make them read Vigerus in this way twice every year, for five or six or seven years."-Dr. Parr. 2. Hoogeveen

7s. 6d. boards.

on the Greek Particles,

Hoogeveen's work on Particles has always been considered a valuable aid in the study of the Greek language; and Mr. Seager has compressed and translated it in a manner which we could not desire to be better."-Spectator.

3. Bos on the Greek Ellipses. 9s. 6d. bds.

"We have no hesitation in reconimending this book to the teachers of Greek, as the best dictionary of Elliptical expressions to which they can resort."-Edinburgh Literary Journal,

4. Hermann on the Greek Metres. 8s. 6d.

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LIV

By Dr. HICKIE,

Head Master of Hawkshead Grammar School, Small 8vo. 8s. 6d. boards. Printed by A. J. Valpy, M.A., and sold by all Booksellers. On the same plan, Mr. Valpy has lately published, 1. Cicero's Select Orations, from the Text of Jo. Casp. Orellius. Small 8vo. 7s. 6d, boards.

2. Herodotus. Containing the continuous History alone of the Persian Wars. By the Rev. C. W. Stocker, D.D. 2 vols. smail svo. 185.

3. Euripides.-Hecuba, Medea, Phoenissæ, and Orestes. By the Rev. J. R. Major, Trin. Coll. Camb, and Head Master of King's College School, London. 38. each Play,

4. Sophocles.-Edipus Tyrannus, Epidus Coloneus, Antigone, and Trachiniæ. By the Rev. J. Brasse, D.D., late Fellow of Trin. Coll. Camb. 5s. each.

5. Thucydides. By the Rev. S. T. Bloom

field, D.D. 3 vols. 11. 78. boards.

6. Xenophon.-Anabasis. By F. C. Belfour,

M.A, Oxon. F.R.A.S. LL.D. ss. 6d. boards.

7. Xenophon.-Cyropædia. By E.H.Barker,

Esq. 9s. 6d. boards.

8. Demosthenes. - Oratio Phillippica I.; Olynthiaca I. II. et II.; de Pace: Eschines contra Demos thenem; Demosthenes de Corona. By the same. 8s. 6d. bds.

9. Eschylus.-Prometheus. By G. Burges,

M.A. Trin. Coll. Camb. 58.

10. Cicero.-De Officiis: Text of Heusinger.

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MR. LEIGH HUNT.

THOUGH the publication of books by sub

scription is no longer the mode, as it was in the days of Pope and Dryden, when those eminent men resorted to it, and when Prior, who had been an ambassador, did not scruple to let it be turned to his account by his friends,-and though there are many reasons why the revival of the custom is not desirable, especially in these days of universal penmanship, yet occasions have now and then occurred, when in this, as in other instances, delicacy has vindicated the most delicate of its privileges, and converted what was objectionable in ordinary to a means of showing its sense of claims out of the common path.

The uninterrupted literary labour of many years, with the exhaustion it is calculated to produce,-exertion, still continued, in a state of health always too much drawn upon, and sometimes threatening to be fatal,-domestic dificulties with which every man of spirit and feeling may sympathize,-and the common cause of the world of letters, (for it is the particular wish, both of those who differ, and of those who agree with them, that all other considerations connected with his literary efforts, should be left out of the question,)-all these reasons, and all which they can imply to delicate understandings, bave induced some of the friends of Mr. Leigh Hunt to take upon them one of the justest of offices, and endeavour to expedite for him what it might take many more suxious months, and many another illness, to accomplish. In a word, they would put him in advance of his difficulties.

It is proposed, for this purpose, that the Poetical Works of

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Mr. Leigh Hunt, now first brought together, and selected by him. self, (with corrections and emendations, the result of his experience,) and accompanied by notes, and a new general preface, should be printed in one very handsome volume, octavo, price a guinea, and published by subscription. A selection from his Prose Writings would have accompanied them, but these are in the hands of a bookseller, who will not give up the copyright, and who is about to bring them forth.

In this edition will be printed a NEW POEM by the Author, in Two Cantos, the first of any length he has written for many years.

Several of the friends of literature, having been made acquainted with the pressing difhculties under which a man of genius is unhappily sinking, are anxious to unite in one common purpose of justice and benevolence towards him, that they may testify their respect of intellectual exertion, and rescue the cause of letters from an unworthy reproach. They approve of the an nexed plan, proposed with a view to a general subscription. They invite every friend of genius in the community to join with them in promoting its success; so as to secure, by their united exertions, a solid testimony to Mr. Leigh Hunt, of their desire to see a man of letters, of his standing and reputation, not only rescued from the immediate danger of necessity, but put in possession of such a security of means, as would no longer leave him to the chance of repeated illnesses, and all the auxieties they produce, in a man of sensibility and a father.

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fOLLOWING SUBSCRIBERS'

RECEIVED.

W. Maclure

W. H. L. Merle

Dr. Sadler, T. C., Dublin

Kelly

A. N. Rowan

Rev. R. M. Caunter

P. G. Patmore

R. Milnes

James Marshall

Thomas Chitty

J. How

W. S. Williams

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NAMES HAVE BEEN

G. G. Osborne

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H. B.

E. Conan

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Mrs. Mary Campbell

Thomas Metcalfe

R. Rothwell

J. J. Masquerier
Dr. Hall

W. Merle

James Losh, sen,
W. Lowndes

W. Lambe

J. H. Reynolds
T. W. White
Henry Weekes

J. Theakstone

H. Theakstone

B. P. Dowling

W. Tait

J. Hunter

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Richard Taylor, F.3.A. Roger Lee

T. M. Alsager

Mrs. H. Tanner

John Scott

T. F. Beard

Charles Phillips

D. Maclean

R. Godson, M.P.

A. Hayward

W. Whateley

W. H. Maule

Mrs. J. D. Collier
Henry Colburn
Major Clerke.

Subscribers' names will be received by Mr. Tilt, 86, Fleet-street; Mr. Effingham Wilson, Royal Exchange; Messrs. Colburn and Bentley, New Burlington-street; Ridgways, Piccadilly; and all other Booksellers in Town and Country. Also at the Offices of the several Newspapers; and at Mr. Edward Moxon's, 64, New Bond-street, by whom the volume will be published in the course of this month.

NEW NOVELS.-NOW READY,

W OMAN'S

LOV E.

"It has the style, manner, and power, of Madame de Genlis, the writer of beautiful sentiment par excellence. It is a romantic tale; but our partiality to it arises from its deep knowledge of all the mysteries of the heart. The authoress is most learned in the whole doctrine of emotion, more particularly female emotion. There are in these volumes passages of analytical examination into the heart and its agitations, worthy of our best and most elegant writers."-Spectator.

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POPULAR MODERN WORKS of FIC

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Apply to P. East, 5, Tavistock-street, Covent garden; who has several Circulating Libraries for Sale, from ed. to as. per Volume.

MISS EDGEWORTH.

THE First Volume of the New Edition of

Miss EDGEWORTH'S TALES and NOVELS, in Monthly Volumes, price 5s. each, with superb Engravings, corresponding, in size and appearance, with the Waverley Novels,' and 'Lord Byron's Life and Works,' was published on the 1st of May. Baldwin and Cradock, London.

LIBRARY BOOKS AT HALF PRICE,
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FROM the extensive scale on which this

Library is conducted, (fifty copies of one work having been frequently provided for the use of the Subscribers,) those who are desirous of adding to their collections from the current literature, may generally obtain New Books, a short time after publication, at one half their published prices, on application at the Library. A Catalogue of such Works at present on Sale is now ready, and will be forwarded as a single sheet per post, or delivered (gratis) to order. Also the Terms of Subscription to this extensive and valuable Library, from whence the Nobility and Gentry in Town and Country are supplied.

This day is published, in 12mo. price 9s. in boards, dedicated, by permission, to his Grace the Lord Primate of Ireland, the 2nd edition, improved, of

PASTORALIA; a MANUAL of HELPS

for the PAROCHIAL CLERGY of the United Church of England and Ireland, Containing a Scriptural View of the Clerical Duties-Pravers for the Use of the Cle gy-Scheme of Pastoral Visitation-Outlines of Sermons-and Books for the Use of the Clergy. By the Rev. HENRY THOMPSON, M. A.

of St. John's College, Cambridge, Curate of Wrington, Somerset, and formerly Assistant Minister of St. George's, Camberwell. Printed for J. G. and F. Rivington, St. Paul's Churchyard, and Waterloo-place, Pall Mall.

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Vol. III.

On July 2, Mackintosh's History of England, Published April 2, History of Spain and Portugal, Vol. I.

London: Longman and Co.; and John Taylor.

This day is published, handsomely printed, with 17 Plates, engraved from Greek Gems, &c. crown 8vo. 188. THE AGAMEMNON of ÆSCHYLUS,

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CAUTION.-To prevent imposition, and by authority of the Hon. Commissioners of Stamps, the Name and Address of the Proprie tors are engraved on the Government Stamp, affixed on the cork of each genuine bottle.

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