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ENDLESS AMUSEMENT WILL BE FOUND IN

THE STORY-TELLER;

Or, JOURNAL OF FICTION,

PUBLISHED WEEKLY, WITH ITS

CAMEO GALLERY OF PORTRAITS, GRATIS,

Issued at stated periods. The head of SIR WALTER SCOTT, beautifully embossed in colours, accompanied No. I.; that of LORD BYRON was issued with No. V.-The first five Numbers of THE
STORY-TELLER contained Forty-one Tales, by Authors of the highest rank in Literature, including Lord Byron, Sir Walter Scott, Washington Irving, Professor Wilson, Leigh Hunt, Leitch Ritchie,
H. G. Bell, &c.; together with an Original Tale in each Number. The size of THE STORY-TELLER is equal to that of the ATLAS Newspaper, folded into 36 pages. It relies for its success upon the
great interest of its material, its mechanical capacity, and its extraordinary cheapness. Its contents are equal to that of an octavo volume-its price Sixpence.
An elegant embossed Portrait of T. MOORE, Esq. will be issued in the course of August, and the first four Numbers will be speedily reprinted.
May be had of all Booksellers and Newsmen. Published at 10, Beaufort Buildings, Strand.

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TH

DESCRIBED AND ARRANGED

IN CONFORMITY WITH ITS ORGANIZATION. By the late BARON CUVIER,

Member of the Institute of France, &c. Translated, with large additional descriptions of all the Species hitherto named, and of many not before noticed, and with other original matter, by E. GRIFFITH, F.L.S., C. HAMILTON SMITH, F.L.S., E. PIDGEON, JOHŃ EDWARD GRAY, F.G.S. and others.

"A work which, though professing at its outset to be little more than a translation of Cuvier's Regne Animal, has added materially to the information contained in that valuable authority; and has also illustrated the species by many spirited representations, which need no other recommendation than that they are the joint production of Major C. Hamilton Smith, F.L.S. and the Landseers. The account of the antelopes is distinguished by much original information."-Address to the Linnean Society, by J. E. Bicheno, Esq. Secretary.

THE CLASS MAMMALIA,

complete in twelve parts, with upwards of 200 engravings, forming 5 vols, in extra cloth bds. demy 8vo. 71. 48.; royal svo. 107.168.; ditto coloured, 147. 85.; demy 4to. India proofs, 14. 8s. "This is a valuable, or rather invaluable work. It brings the clear and simple classification of Cuvier very fairly before the English reader, and it presents to the Continental one the results of observations, which have of late been so largely made by our countrymen in those parts of the world to which the learned of other countries have neither so frequent nor so free access; and much of which, in its original form, is widely scattered through as many volumes, chiefly upon other subjects, as would fill a large library."-Athenæum.

THE CLASS OF BIRDS, complete in nine parts, forming 3 vols. demy 8vo. sl. 8s.; royal 8vo. 6. 25.; ditto coloured, 102. 168.; demy svo. India proofs, 10. 168.

"The editors of this superior performance-certainly the best of the kind now in course of publication, beyond all comparison -prosecute their labours with unhalting diligence."-Monthly Magazine. THE CLASS OF REPTILES, complete in 1 vol. demy 8vo. 36s.; royal 8vo. 2. 14s.; royal svo. coloured, 31. 12s.; demy 4to. Indía proofs, 34. 128.

"We have more than once noticed this work in its progress towards completion, and bestowed our meed of praise on its conductors, for the judicious manner in which they have blended interesting illustrations of the habits and nature of animals with the scientific system of Cuvier."-Literary Gazette.

THE CLASS OF INSECTS, complete in seven parts, forming 2 vols, demy 8vo. 4. 4s.; royal 8vo. 61. 65.; royal 8vo. coloured, 81. 8s.: demy 4to. 81. 8s.

"Nothing can be more complete than the method with which Mr. Griffiths treats every subject which he touches. He follows his illustrious guide with the feelings of an enthusiast, and yet with the patience of a philosopher, through the various orders of insects which form the subject of his elaborate and masterly treatise. We have only glanced at those topics which appeared to us to possess some novelty: but we should be doing great injustice to Mr. Griffiths' labours, if we did not add, that we have occasionally found our attention fixed much more eagerly upon his supplemental observations, than upon the minute, often dry, and technical observations of Cuvier."-Monthly Review, July, 1832.

THE RADIATA, FISHES, MOLLUSCA, CRUSTACEA, &c.

will form about ten parts. The work is so arranged, for the convenience of those who may confine their Zoological studies to either of the classes, that each class will make a distinct work, as well as one of the Series of the Animal Kindom.' The conclusion will contain a Tabular View of the System, a copious Index, and a general Terminology of the Science.

The engraved Illustrations of this work are in a superior style of execution, by different artists of distinguished eminence. Most of them are from original drawings made from nature, and several represent species altogether new, or never figured before. A SUPPLEMENTAL VOLUME, just published, contains an ACCOUNT of the FOSSIL REMAINS OF THE ANIMAL KINGDOM. Demy 8vo. 17. 16s.; royal 8vo. 27. 14s.; demy 4to. 37. 125. Whittaker, Treacher and Co. Ave Maria-lane.

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By the Rev. J. PLATTS. 2nd edit, improved.

This work contains popular descriptions of the most interesting and useful objects of science, written in plain and familiar language. The design of the compiler has been to collect a series of reading lessons which should combine both information and amusement, and which should awaken the attention of youth to the study of the natural sciences, by the details of such facts as are most likely to arrest attention and stimulate inquiry. The lessons in the end of the volume consist of a series of reflections on the works of the creation, collected from the best modern writers; the sublime truths of natural theology being thus appropriately subjoined to the description of the universe, lead the youthful mind, by an easy process, from the contemplation of the material world to reverence and admiration of the all-wise and all-powerful Author of its existence.

Printed for Whittaker, Treacher, and Co. Ave Maria-lane. Also, new editions of

Pinnock's Juvenile Reader, 1s. 6d.

Explanatory English Reader, 4s. 6d.
Introduction to English Reader, 3s.
History of the Bible, 3s.
Children's Preceptor, 2s.
Duncan's English Expositor, 1s. 6d.

Just published, 13th edition, stereotyped, 1s. 6d. bound,
HE REV. J.

TEXPOSITOR; OF, ABUNGAN'S ENGLISH

taining an alphabetical collection of all the most useful and clegant words in the English language, divided into syllables and properly accented; together with a short and easy definition of each word, accompanied with initial letters, denoting the different parts of speech to which each word is appropriated. To which are added several useful tables. The whole divided into short and easy lessons, calculated for teaching in classes.

Printed for Whittaker, Treacher, and Co. Ave Maria-lane.

New editions of the following are published:

BY THE KING'S LETTERS PATENT.

W. D. HOLMES,

CIVIL ENGINEER,

55, St. John's square, Clerkenwell, London, solicits the attention of the public to his recent inventions in METALLIC CONSERVATORIES, HOT HOUSES, and SUMMER-HOUSES, in every order and style of architecture; also to his patent mode of HEATING them and other Buildings, Baths, Stean Kitchens, Ships' Gallies, Ovens, Malt, Corn, and Hop Kilns, Laundry Ironing Stoves, on the principle of the circulation of Hot Water;-the saving of labour (by his improvements) in the manufacture and erection being such as to reduce the cost in plain work one-third, and in ornamental work more than onehalf, besides extending it to purposes never before contemplated. His work may be seen at Messrs. Allen and Rogers' Nursery, Eaton-square, King's-road, Chelsea; Ringwood Hall, Derbyshire; St. Thomas's Hospital, Southwark; the Athenæum Printing Office; the London Mechanics' Institution; Mr. Barry's, Architect, 27, Foley-place; St. Andrew's New Church; Messrs. Hardy and Son's Card Manufactory, Little Trinity-lane; and various other places in town and country.

N.B. Every description of Fountains, and other Water Works; and Engineers, Builders, Gas Companies, and others, supplied with Pipes and every description of Cast and Wrought Iron Work, at country prices.

BEAVER HATS, at 21 SHILLINGS

BEST THAT CAN BE MADE.

Short Mole Fur Naps, in 100 different shapes, to suit contour. The universal patronage bestowed upon my Hats has caused a set of unprincipled pretenders to copy my advertisements, and doorway; it is therefore necessary to caution the public against such shameful infringements. To prove my ability as a hat-maker, I have been in the business eighteen years, during which period I have introduced many important improvements in the manufac ture of Beaver Hats, and was the first person who ever introduced the well-known Light Beaver Hat, weighing four ounces. Since then, copyists have sprung up like mushrooms. This has not been confined to London; it has extended to India, Spain, and Portugal, where Hats have been sent with my name forged in them.-Please to observe my Address-John Perring, Cecil House, 85, Strand, corner of Cecil-street; the only house where my Hats can be purchased as follows: The very best Beaver Hats

1. Pinnock's Child's First Book; or, an Easy in London, 21s.: Second Qualities, 16s.; Best Livery Hats, 168.;

Key to Reading: consisting of Monosyllables only, arranged in such a way as to give the correct sounds of the vowels in their various situations, thus laying the foundation for spelling and reading on unerring principles. 3d.

2. The Mentorian Primer; or, Pinnock's Second Book for Children at an early age: in which considerable pains have been taken to adapt it to their capacities. 6d.

Best Silk Hats, 12s.; Shooting and Fishing Hats, 10s. 6d.; Summer Caps, three ounces weight, 85. 6d.; Travelling and Fancy Caps in every variety.

Youths' Hats and Caps, various.

Observe-Cecil House, 85, Strand, corner of Cecil-street.

3. Pinnock's Explanatory English Spelling THE

Book; comprising numerous Spelling and Reading Lessons, progressively arranged and classed according to the capacity of the learner; a short Catechism on the Arts and Sciences, and the fundamental principles of English Grammar, the Church Catechism, Dr. Watts's Catechism, &c. 18mo. Is. 6d. bound.

4. Pinnock's First Spelling Book for Children; containing a selection of Spelling Lessons only, in natural and appropriate gradation, intended as an introductory assistant to Duncan's English Expositor.' 18mo. Is. bound,

5. The Child's First Meaning Book, on a plan entirely new containing, first, words of one syllable, the meanings of which are well explained by words of one syllable also; and, second, words of one syllable, which are sufficiently explained by easy words of two syllables. Is.

A NEW LIGHT.

JONES'S PATENT PROMETHEANS, for

producing instant Light, without the aid of a bottle or any apparatus, and, unlike any other fire-box, of whatever description, there is no possibility of their getting out of, repair in any climate. This is the most simple and best mode of producing Light ever invented. No bed-room, drawing-room, or countinghouse should be without them: for cigar-smokers they are unequalled; on coach, horseback, or sea, in any current of air, they still retain their fire, and emit, on being burnt, a fragrant perfume; are perfectly innocent and free from danger. JONES'S LUCIFERS, or CHLORATE MATCHES. This is a very simple and cheap mode of producing instant Light, simply by drawing the match through sand-paper, and will never impair by keeping. 1s. per box. May be had of all respectable Chemists, Tobacconists, &c. throughout the kingdom.

S. JONES'S NEW PHILOSOPHICAL PASTILE, for perfuming and disinfecting Dining, Drawing, and Bed-rooms; the most simple and elegant Pastile ever invented, for large parties or crowded apartments; they will be found to emit the most fragrant perfume that can be imagined; they burn with any kind of spirituous perfume, such as Eau de Cologne, Lavender-water, &c. which may be varied at pleasure. The expense of burning is not one penny per hour.

S. JONES'S ETNAS,

for boiling half a pint of water in three minutes.

BACHELOR'S DISPATCH,

for boiling a quart of water, and cooking a steak, chop, or eggs, in nine minutes.

PERIPURIST CONJURORS, and every description of PORTABLE KITCHENS, for ships, boats, gipsy and water parties, from 10s. 6d. to 14 guineas, to cook from one to twenty dishes. Merchants and Captains will find it to their interest to visit the LIGHT HOUSE, 201, STRAND.-N.B. The New Kitchen is kept going on Tuesdays and Fridays, from one to three o'clock.

HE Nobility, Gentry, and Public in general, are respectfully informed that the System of Contracts adopted by RODGERS, of 5, CITY-ROAD (a few doors from Finsbury-square), as anticipated, met with the most complete

success.

A Suit of Clothes made of the best Saxony cloth that can be produced, and of superior workmanship, for £4. 5s. at four suits per year, (the old ones returned,) is unique for economy in this age of retrenchment and competition.

In fact, the advantages of this system for taste and economy in some measure subject the proprietor to suspicion, it being thought impossible to offer such superior advantages, and at the same time to embrace the mathematical system of cutting, which exhibits in such perfection the beauty and symmetry of the human figure.

Let it also be kept in mind, that if the most entire satisfaction is not given, the purchaser has the right given him of returning the goods complained of,-at once a proof that the supply of clothes of the very best quality and workmanship is the real object of the advertiser.

Regimental and Naval Uniforms, Liveries, &c. on equally advantageous terms.

Gentlemen, addressing a line per post to J. Rodgers, Tailor, 5, City-road, Finsbury-square, can be waited upon with patterns, if the distance does not exceed five miles.-Terms, cash.

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OWLAND'S KALYDOR, for the Skin cacious in thoroughly exterminating Eraptions, Tan, Pimples, Freckles, Redness, and all Cutaneous Imperfections-producing a delicate White Neck, Hand, and Arm, and imparting Juvenile Bloom to the Complexion; and affords soothing relief in cases of Sun Burns, Stings of Insects, or any Inflammations. It immediately allays the smarting irritability of the Skin-diffusing a pleasing Coolness truly comfortable and refreshing: affords Soothing relief to Ladies nursing their Ofspring; warranted perfectly innoxious to the most delicate Lady or Infant.

Gentlemen after Shaving, and travelling in sun and dust, will find it allay the irritating and smarting pain, and render the skin smooth and pleasant.

Price 4s. 6d. aud 8s. 6d. per Bottle, duty included. *To prevent imposition, the Name and Address of the Proprietors are ENGRAVED ON THE GOVERNMENT STAMP athixed over the cork of each bottle,

A. ROWLAND and SON, 20, Hatton Garden.
Sold by them and most Perfumers and Medicine Venders,

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PERKINS' newly-discovered System of generating Steam, exemplified by a STEAM GUN, discharging, with one fourth greater power than that of Gunpowder, a Volley of Seventy Balls, against a Target, in four seconds, every successive half hour during the day-elucidating the advantage of this description of Engine as an implement of war.

The newly-discovered System of Evaporation is exhibited by open Boilers in action, and will be found an essential improvement in the manufacture of the following articles: Spirits, Beer, Sugar, Salt, Indigo, Soda, Soap, Perfumery, Confectionery; together with many others depending on ebullition, with continuous circulation.

PRIVATE EDUCATION.

A Married

Lady, residing in a healthy and pleasant situation, two miles west of London, will be happy to RECEIVE into her family FOUR YOUNG LADIES under Seven Years of Age, who will find, under her care, every comfort that home can afford, and every attention maternal vigilance can bestow. The strictest regard will be paid to their moral and religious duties, as well as to their improvement in every branch of polite Education, of which the Advertiser will herself take the entire charge, with the exception of Music, Dancing, and Italian, for which the best Masters will be provided.

References will be given to families of the highest respectability. Cards of address at Messrs. Bowdery and Kirby's, 190, Oxford-street.

LONDON MECHANICS' INSTITUTION.

Scientific Gentlemen are invited to send in Proposals of Terms for LECTURES on the following Subjects:-On the Strength of Materials, Carpentry, Ship-building, Engineering. and on Locomotion by Steam. From two to five Lectures on each branch may be admitted. Address the Secretary, postage free, No. 29, Southampton buildings, Chancery-lane.

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JOHANNES ROGERS PITMAN, A.M. Veneunt apud J. G. et. F. Rivington, in Cameterio Paulino, et Vico dicto Waterloo-place.

PROFESSOR SCHOLEFIELD'S EURIPIDES. This day is published, in 8vo. price 14s. in boards, the 2nd edit. of

EURIPIDIS TRAGGED priores

Ad fidem Manuscriptorum emendatæ et brevibus notis enendationum potissimum rationes reddentibus instructæ. Edidit RICARDUS PORSON, A.M., Græcarum literarum apud Cautabrigienses olim Professor Regius. Recensuit suasque notulas subjecit

JACOBUS SCHOLEFIELD, A.M. Collegii SS. Trinitatis socius et Græcarum literarum Professor Regius. Cantabrigiæ: Veneunt apud J. et J. J. Deighton; et J. G. et F. Rivington; Longman et Soc.; G. Ginger; E. Williamus; Baldwin et Cradock; Whitaker et Soc.; Black et Soc.; Sumpkin et Marshall; Cowie et Soc.; et S. Walker, Londini. Of whom may be had,

Eschyli Tragedia Septem. Cum fragmentis et Indicibus. Recensuit suasque Notulas adjecit J. Scholefield, A.M. 8vo. 10s.

SURREY ZOOLOGICAL GARDEN. This day was published, Part I. royal 4to. price 3s. 6d., proofs on India paper, 6s.

DR. LARDNER'S CABINET CYCLOPÆDIA,

In monthly volumes, small 8vo. 6s. in cloth. Just published, being Vol. 33 of the above, Vol. II. of ISTORY of the WESTERN WORLD,

LLUSTRATIONS of the SURREY Hvolss-United States, concluded. ILLUSTRATIONS, drain

with descriptive letter-press.

By W. H. KEARNEY.

A. Schloss, 103, St. Martin's-lane, Charing-cross.

PICKERING'S ALDINE EDITION of

the BRITISH POETS, Vol. XXI. containing the POEMS of DRYDEN, Vol. I., with his Life, by the Rev. John Mitford. Vol. XXII. will be published on the 31st of

August.

Walton and Cotton's Complete Angler, Parts I. II. and III. imp. 8vo. Edited by Sif Harris Nicolas; with IlJustrations by Stothard and luskipp.

Hume and Smollett's History of England, Vol. VI. demy svo., with Portraits, price only 65.; the cheapest and best edition extant.

William Pickering, Publisher, Chancery-lane.

A SUPPLEMENT TO THE
CATALOGUE OF FIVE THOUSAND BOOKS,
Is just published, Gratis, by applying post paid.

THE FOLLOWING WORKS, CONSIDERABLY REDUCED
IN PRICE,

ARE ON SALE

By M. A. NATTALI, 24, Tavistock-street, Coventgarden, London.

1. PUGIN and LE KEUX'S ARCHITEC

TURAL ANTIQUITIES of Normandy; consisting of Plans, Elevations, Sections, and Views of the Edifices in that Country. Edited by J. Britton, Esq. with Eighty Plates, beautifully executed by the Le Keuxs.

This work, besides serving to illustrate the styles and varieties of the Ancient Buildings of Normandy, tends to exemplify the variations between the early Architecture of that Country and England; and thus furnishes data for the Critical Antiquary, and practical examples for the Architect. Medium 4to, in cloth

Imp. 4to. large paper, in cloth, of which only twenty now remain....

Proofs on India paper, in cloth, of which six were printed, the only copy now left......

31. 38. Published at 61. 6s. 51. 55. Published at 101. 10s.

12. 12. Published at 142. 14s.

2. Stuart and Revett's Antiquities of Athens, greatly improved and extended by additional Notes and ReSearchies of Classic and Professional Travellers, edited by Messrs. KINNARD, COCKERELL, &c. &c. In 4 volumes, royal folio, with about 200 Plates, in cloth boards, 107. 10s.; published at

15. 15s.

** Subscribers desirous of completing their Sets, may be supplied with any odd Parts, price 65. each, on making early application.

3. STUART and REVETT. The Supplementary Volume (forming either the fourth or fifth) to the old edition, comprises the Architectural Researches and Antiquities of Messrs. Kinnard, Cockerell, Donaldson, Jenkins, and Railton; printed on imperial folio, and containing 60 Plates, finely executed, in cloth boards, 31. 128.; published at 64. 128.

4. Britton and Pugin's Public Buildings of London; consisting of One Hundred and Forty-four Engravings in outline, beautifully executed by J. Le Keux, T. Rotie, C. Gladwin, &c., from Drawings and Measurements by A. Pugin, G. Cattermole, and other eminent Artists. The Historical and Descriptive Accounts are by J. Britton, F.S.A., Joseph Gwilt, F.S.A., J. P. Papworth, &c.'

Two vols, demy 8vo.cloth..............2l. 12s. 6d. Published at 5l. 5s. Two vols. imperial svo. large 4l. 4s. od. Published at 81. 85.

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India paper, (of which very 71. 78. od. Published at 147. 14s. few remain,) cloth

5. Neale and Le Keux's Views of the Collegiate and Parochial Churches of Great Britain, with Historical and Architectural Descriptions, Ninety-six Plates. Two vols, royal 8vo. in cloth.... ...2. 10s. Published at 51. Two vols. royal 4to. Proofs on India with Britton's Cathedrals,) in cloth......

51. Os. Published at 107.

6. Parkinson's Introduction to the Study of Fossil Organic Remains. Ten Plates, 8vo. cloth, 128.

7. Montagu's Testacea Britannica; or, the Natural History of British Shells, Marine, Land, and Fresh Water. With 18 Plates, coloured by Sowerby. 2 vols. in one, 4to. cloth, 21. 28.; published at 41. 4s.

8. Dr. Turton's Bivalve Shells of the British Islands, systematically arranged, with 20 Plates coloured by Sowerby. 4to. cloth, price 27.; published at 46.

9. Watt's Bibliotheca Britannica; or, General Index to British and Foreign Literature. 4 vols. 4to. in cloth, 64. 65.; published at 11. 115.

Odd Parts to complete Sets, at 10s. 6d. each.

10. Dibdin's Library Companion. In 1 large vol. 8vo. (800 pages). Price 14s. boards; published at 14. ss. 11. Hakewill and Turner's Picturesque Tour of Italy, embellished with 63 Plates, by the first artists. Royal 4to. cloth 4l. Os. Od. Published at 71. 10s. Imperial 4to. Proofs, cloth.. 5l. 15s. 6d. Published at 10l. 16s. 12. Sir Wm. Dugdale's Life, Diary, and Correspondence. Edited by Wm. Hamper, Esq. Portraits and Autographs. Royal 4to. cloth, 14. 48.; published at 24. 25. Only a few Copies left.

13. Lord Clarendon and the Earl of Rochester's Diary and Correspondence. Edited by S. W. Singer, Esq. 10 Plates. 2 vols. 4to. boards. 27. 12s. 6d.; published at 57. 58. 14. Dyer's Privileges of the University of Cambridge. 2 vols. 8vo. boards, 10s.; published at 21. 25.

15. Captain Clapperton's Second Expedition into the Interior of Africa, with a Portrait and Maps. 4to. bds. 16s.; published at 21. 25.

On Sept. 1, Spain and Portugal, Vol. IV. On Oct. 1, Treatise on Chemistry, in 1 vol. London: Longman and Co.; and John Taylor. This day is published, price 2s. 6d. THE SECOND PART of LANDSCAPE

TILLUSTRATIONS to the PROSE and POETICAL WORKS

of SIR WALTER SCOTT:-containing

Four beautifully engraved Views, and a Portrait of Mysie Happer' (Monastery), by Prentis; with descriptive Letter-press. Chapman and Hall, 186, Strand; Moon and Co. Pall Mall; and J. Fraser, Regent-street.

SECOND EDITION OF MONTGOMERY'S NEW POEM.

Post 8vo. price ss. 6d. boards,

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a series of splendid Historical Plates to illustrate the POETICAL WORKS of LORD BYRON; beautifully engraved from Drawings and Paintings by the most celebrated Artists, and adapted, by their size and excellence, to bind up with, and em bellish every edition of Lord Byron's Works. A limited number of Proofs have been taken on royal quarto: Price, on plain paper, 6s.; India, 75. 6d.; India before the letters, 10s. 6d.

"It was with no ordinary satisfaction that, on examining the first part of this Gallery,' we found it not only to realize, but to exceed our utmost expectations, combining high genius in the way of design, with unrivalled beauty of execution. It consiste of five engravings, all executed in the most finished style of art. One plate alone is worth more than twice the very moderate sum charged for the whole number. This Gallery' is an indispensable accompaniment to every edition of the noble Poet's works." -Caledonian Mercury.

Published by Smith, Elder, and Co. Cornhill.

CONSTABLE'S MISCELLANY.

In 18mo. 3s. 6d. in cloth, the 75th volume of the Miscellany, being the First of

BOOK of BUTTERFLIES, MOTHS, THE SPHINXES; containing, in addition to descriptive

letter-press, 120 Engravings, coloured from nature. By Captain THOMAS BROWN, F.R.S. F.L.S. M.W.S. &c. To be completed in 2 vols. Whittaker, Treacher, and Co. Ave Maria-lane, London; Waugh and Innes, Edinburgh; and J. Cumming, Dublin.

HISTORIES FOR SCHOOLS. Published by Whittaker, Treacher, and Co. Ave Maria-lane, in 12mo. the 22nd edition, 65. bound and lettered,

PINNOCK'S improved Edition of GOLD

SMITH'S HISTORY of ENGLAND, with a Dictionary, Biographical, Historical, &c.; explaining every difficulty, úxing the proper sound and meaning of the words, and rendering every part easy to be understood; with a Continuation of the History, from the Peace of Amiens up to the Year 1831. To which are added several new chapters, copious notes throughout, and threa interesting and comprehensive genealogical tables of the sovereignt of England; with portraits of all the sovereigns and the junior branches of the present Royal Family, and coloured map, containing the ancient and modern divisions, &c. and many other valuable improvements.

2. Pinnock's Edition of Goldsmith's History of Greece, on the plan of the History of England,' with maps and frontispiece. In 12mo. 56. 6d. bound and lettered.

3. Pinnock's Edition of Goldsmith's History of Rome, with maps and plates. In 12mo. 5s. 6d, bound and lettered.

4. The History of France and Normandy, from the Accession of Clovis to the Battle of Waterloo. By W.C. Taylor, A.M. In 12mo. with a map, 6s. bound and lettered.

5. The Historical Miscellany. By W. C. Taylor, of Trinity College, Dublin. In 12mo. 45. 6d. bound and

lettered.

"This is an instructive volume for the youthful student, la tended as a supplement to Pinnock's Grecian, Roman, and English Histories. The first half of the volume is occupied with the pri meval and classical periods; in which the author has particularly directed his attention to those branches of history on which school-books are frequently deficient, although directly illustrative of the general course of study. Among these topics may be lastanced, the histories of the Persians and the Carthagenians, the antagonists and rivals of Greece and Rome. In the modern division especial attention is paid to the feudal system and the crusades, and afterwards to the English Empire in India, and British com merce in general. Then follows a series of British biography, and, in conclusion, a view of the British constitution. Prefixed to the volume is a union map, exhibiting, in one sheet, the ancient divisions of the world in red, and the modern in black-an ingenious and very useful plan."-Gentleman's Magazine.

London: J. HOLMES, Took's Court, Chancery Lane. Published every Saturday at the ATHENAEUM OFFICE, No.2, CATHERINE STREET, Strand, by J. LECTION; and sold by all Booksellers and Newsvenders in Town and Country; G.G. BENNIS, No. 55, Rue Neuve St. Augustin, Paris; Messi. PRATT & BARRY, Brussels; PERTHES & BESSER, Hamburg; F. FLEISCHER, Leipzig; GRAY & BOWEN, Boston, America.➡ Price 4d.; or in Monthly Parts (in a wrapper.) Advertisements, and Communications for the Editor (post paid) to be forwarded to the Office as above.

No. 250.

Journal of English and Foreign Literature, Science, and the Fine Arts.

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This Journal is published every Saturday Morning, and is despatched by the early Coaches to Birmingham, Manchester, Liverpool, Dublin, Glasgow, Edinburgh, and other large Towns, and reaches Liverpool for distribution on Sunday Morning, twelve hours before papers sent by the post. For the convenience of persons residing in remote places, the weekly numbers are issued in Monthly Parts, stitched in a wrapper, and forwarded with the Magazines to all parts of the World.

REVIEWS

a

stainless mirror, to receive and reflect every, he, taking them up again, and holding them to object in its utmost purity."

But we are afraid the majority of our readers are not so much interested in the character of this great man as we are ourselves. Goethe is, in truth, little known in works have been well translated, and these this country, but by hearsay; few of his have had but a limited circulation. We shall, ing matter, and only inform the admirers of therefore, pass for the present to more amus

media.

GÖTHE aus näherm persönlichen Umgange
dargestellt Goethe represented from an
intimate and personal Intercourse:
Posthumous Work. By Johannes Falk.
WE heretofore made mention of the publica-
tion of this work, and promised our readers
some farther account of it so soon as it should
come to hand. We now keep this promise,
at the same time confessing that our expec-Faust,' that they will find in this little vo-
tations have been greatly disappointed. From
the acute and observing mind of Falk, who
lume a very interesting commentary on the
for several years enjoyed the intimacy of principal portion of this modern divina com-
Goethe, and lived in daily intercourse with
him, we expected a work more abounding in
anecdote and personal observations. The
fact appears to be, that Falk, as a friend and
admirer of Goethe, thought it necessary to
favour the world with a new defence of the
author of Faust,' against renewed accusa-
tions of the immoral tendency of his writings,
and of personal indifference to the political
fate of his country; and he has therefore
adduced only such facts as, in his judgment,
tended to illustrate the peculiar disposition
of Goethe.

"It is, no doubt," says Falk, "a peculiar distinction of his genius, that he, as it were, loses himself, and, to a certain degree, dreamingly transmutes himself into the object of his immediate contemplation, whether this happens to be a human being, an animal, a bird, or a plant. Nor can it be denied that Goethe's greatness, both as a naturalist and a poet-his style, his sentiments, his impersonations, his originality, and, I would almost say, the whole weakness as well as strength of his moral nature-may be explained by this intense attention to physical phenomena. Often I have heard him, when he wished to abandon himself to such an investigation, request his friends not to obtrude on him the thoughts of others on the same subject, as it was a strict, undeviating maxim with him, to repel in such a mood of mind every extraneous influence. It was not till after he had tried his whole strength on a subject-when, as it were, he had placed himself opposite to it, and conversed with it alone, that he would enter on the opinions of others; indeed, it delighted him to know what long before him others had thought, done, or written, on the same subject. He would then candidly rectify his views in some particulars; but would also rejoice like a child, when he found that, by his own unbiassed efforts, he had gained a new view of its phenomena.*** Our old German magician (to speak figuratively,) has understood and explained much of the language of birds and flowers. His 'Metamorphoses of Plants,' and ' Doctrine of Colours,' are beautiful monuments of his calm spirit of inquiry: they are filled with the inspired glances of a seer, reaching far forward into coming centuries of science: so, on the other hand, his biographical sketches of Wieland and Voss, two characters so different from his own, sufficiently display, not only his art, but his own beautiful mind, which was able, like a clear

The following is a pleasant specimen of Goethe's mode of life and conversational powers, as well as of his views of nature :

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"One summer's day, in the year 1809, I found him in his garden. He sat by a little table, on which stood a long-necked bottle, containing a lively serpent, which he kept feeding with a He said that it already knew him, as it always quill, and made it an object of daily observation. approached its head towards the edge of the bottle, when it saw him approach. What beautiful intelligent eyes!' he continued. With such a head, it ought to have had many other advantages; but the clumsy writhing body would admit of no more. Nature has withheld hands and feet from this oblong organization, although its head and eyes would have deserved them both. The skeletons of many marine animals distinctly show that Nature, in composing them, already thought of a superior species of terrestrial animals. Very often, in the adverse element, she contents herself with a fish's tail, where she would fain have added a pair of hind legs-indeed, where a sketch of them may be traced in the skeletons.'

'How

"By the side of the bottle lay a few cocoons with caterpillars, which Goethe expected would shortly appear, as one could feel them move in the hand. He took them up, looked at them very attentively, and then told his boy to take them into the house, as they would hardly come out so late in the day. It was then four o'clock. At this moment Madame von Goethe entered the garden. Goethe took the cocoons again from the boy, and replaced them on the table. beautifully the fig-tree has got into blossom and leaves!' she called from afar, as she approached us; then, after the usual compliments having passed between her and me, she asked if I had seen and admired the tree closely. Pray let us not forget,' she added, addressing her husband, ' to secure it against the winter.' Goethe smiled, and said, 'Pray, let her show you the fig-tree immediately, else we shall have no peace the whole evening. But it is really a fine tree, and deserves to be taken care of. What is the name of the foreign plant,' resumed the lady, which was lately sent to us from Jena ?'

You mean, perhaps, the large hellebore ?'Exactly: it is thriving wonderfully.'-'I am glad of it. In the end we may be able to make a second Anticyra of this place.'-' Here are the cocoons too: have you not noticed anything yet?'

-'I had laid them aside for you. Look,' added

his ear, how it knocks, and jumps, and struggles unto life! I would call these transmutations wonderful, if the wonderful in nature were not that which occurs every moment. Be this as it may, our friend here must also see the sight. The insect will be out in a day or two, and it will be as fine a one as you have ever seen. I invite you to be here in the garden to-morrow afternoon, if you desire to see something more remarkable than the most remarkable things Kotzebue saw in The Most Remarkable Year of his Life, in his distant trip to Tobolsk. In the meantime, let us place the box in which our fair sylphide is still dressing herself in some sunny window of the summer-house. There you hinder thee in this corner from finishing thy stand, my good, pretty child! No one shall toilet.'-'But,' resumed the lady, glancing at the serpent, how can you bear such an ugly creature about you, and even like to feed it with your own hands. It makes me shudder to look at it!'-'Don't say a word!' answered Goethe ;-(who although calm by nature, had no turning to me, he continued, 'Yes, if the serobjection to this kind of lively prattle ;)-then, pent would do her the favour to spin, and to become a pretty butterfly, there would be nothing said about its horrible appearance. But, dear child, we cannot all be butterflies and fig-trees full of blossom and fruit. Poor snake! they neglect thee: they should look more kindly on thee. How it lifts up its head, and looks at me, as if it knew that I was pleading its cause!' *** Having said this, he began to lay aside his pencil and the paper on which he had been drawing all the while some fantastic landscape, without interrupting himself in his discourse."

templative mood: sometimes, when teazed But he was not always in this quiet conby trivial annoyances, he would break out into a strain of invective as severe as it was humorous. Our author gives an entertaining instance of this. One day he found Goethe in the garden, after he had just received the refusal of an actor to play that evening, when all the parts had been arranged :—

"Such insults,' he said, in great rage, (filling another glass of wine, and making me sit down,) 'I must submit to from people who, when they get in at one gate of Weimar, already look for the other by which to make their exit. I have been these fifty years a favourite author of the nation you are pleased to call the German; have for these twenty or thirty years been acting privy-councillor, and must yet allow such fellows to overtop me. The deuce take it! To be obliged, at my time of life, to play a principal part in such a tragi-comedy! You will tell me that theatrical affairs are, after all, nothing but rubbish-for you have looked pretty well behind the curtain-and that I should act wisely to throw up the concern at once. But I answer you, that the battery which a general has to defend is also mere rubbish, yet he cannot give it up without also giving up his honour. You must not therefore think him particularly fond of rubbish, nor me either.'

"But just posterity,' said I-'Let me hear nothing of posterity,' said Goethe, interrupting

me hastily; 'nor of the public, nor of the justice they may one day render to my efforts. I curse the Tasso, because they say it will descend to posterity; I curse Iphigenia;-in a word, I curse everything which this public like in me. I know that they belong to the day, and the day to them; but I won't live for the day. That is the reason why I will have nothing to do with that Kotzebue, because I am determined not to lose even an hour with people who cannot sympathize with me, nor I with them. If ever I should succeed in getting up a work-but I am too old for that-which should make the Germans curse me for some fifty or a hundred years to come, and make them abuse me at all times and in all places, that would be my great delight. It must be something splendid which should produce such an effect with a public so callous as this. There is at least some character in hatred; and if we did but begin once again to show a character, be it in whatever it may, there would be some chance of our again becoming a people. But most of us neither understand how to love or to hate. They don't like me! The faint word! I don't like them either! I have never been able to please them. Above all, if, after my death, my Walpurgis bag should be reopened, and all the Stygian sprites, which I have shut up therein, should break forth to teaze them as they have been teazing me; or if, in the continuation of " Faust," they should hit upon the part where I let the Devil himself find mercy and pardon before God, they will never forgive me the offence. For these thirty years they have been plaguing themselves with the broomsticks on the Brocken, and the cat's conversation in the witch's kitchen, and have never succeeded in allegorizing this dramatic humorous nonsense. Even the ingenious Madame de Staël blamed me for having made the Devil too tame, in the scene with God the Father: what would she say if she were to meet him again in a higher grade, even in heaven!-On my asking what he meant by the Walpurgis bag, of which I had just heard for the first time, he replied, with the assumed gravity of a judge of Avernus, It is a kind of infernal bag, sack, cavity, or by whatever name you may choose to denominate it, originally destined for the reception of witch-scenes in Faust. But, by degrees, as hell itself, which at first had but one chamber, received the additions of the limbos and the purgatory, its destination was extended. Every paper which falls into this bag, falls into hell, from which, as you know, there is no redemption. Indeed, I have a great mind to-day to throw myself into it: and, believe me, I should not get back again. There is a fire burning there, which, if it once got vent, would consume friends and foes. at least, would not advise any one to come too near it. I am afraid of it myself.'"

I,

Falk, however, gives us, as a specimen of the contents of this mysterious bag (of which it is hoped we shall soon see the whole), an abstract of a suppressed scene of Faust, in which the doctor, having been induced by his "infernal" friend to pay a visit to the emperor, tires his majesty by his learned disquisitions on sublime things; but is relieved by the Devil, who imperceptibly takes his place and shape, and continues the conversation from the point where Faust has stopped. But he talks in a very different key, à tort et à travers, till the "lord of Christendom" declares he never met with such a genius in all his life. If the scene be but half so good as that between Mephistopheles and the Student, it must be capital.

We conclude with the following anecdote, although Goethe plays but a secondary part in it :

"Goethe was, for a time, manager of an amateur theatre at Weimar. Once, when the 'Jealous Husband' was to be performed, the gentleman who was to act the lover was suddenly taken ill. A Saxon captain good-naturedly offered to undertake the part, although he confessed that he had but little experience in such matters. He went through the rehearsals very decently, and there was little doubt but that, with the help of a good prompter, all would go on well. But when the poor captain actually appeared before the audience, he seemed to lose all memory; still he contrived to halt on till the jealous husband was to rush in and stab him. At this unlucky moment he forgot the catchword, and continued hemming for several minutes, while the furious husband was standing between the side scenes with the uplifted dagger, ready to strike. The captain was about to begin his part afresh, catchwords and all, when, on the advice of Goethe, the husband rushed in, and, by one desperate lunge, thought to silence him. Not so-the captain stood like a wall. It was to no purpose that his adversary entreated him, in a low voice, to fall and die; I have not got the catchword,' was the invariable reply. At last Goethe, quite out of patience, called from behind the scenes: 'Stab him in the back if he won't fall-we must get rid of him at all events.' Upon this, the husband, who had also lost his presence of mind, cried, with a voice of thunder, Die, villain!' and gave him, at the same time, such a blow in the side, that the captain, unprepared for this attack in his flank, actually fell down from the shock; upon which Goethe, fearing his resuscitation, instantly sent in four stout servants with orders to carry him off, dead or alive, by

main force."

The Natural Son. London: Simpkin & Marshall.

THIS is a singular work: amid much that is prosaic and impertinent, there is not a little true, free, vigorous poetry: amid many rambling and incoherent things, there are passages of beauty and feeling worthy of famous names. Savage, in one of his happier moods, sang of The Bastard,' and claimed for him a glory "like a comet's blaze"; in like manner our author claims for his 'Natural Son' a kind of meteoric splendour, and certainly regards him as something more ecstatic than if he had sprung, through permission of mother church, from the sober hero had not the good fortune to come quite bed of marriage. If he meant that, as his regularly into the world, he had a right to act irregularly when he was in it, there can be no doubt that he has fulfilled his meaning to the letter. The Natural Son' is a sad lad-wilful and wild-fond of roaming, and flirting, and gazing on curling love-locks and other tempting and picturesque matters, all of which are described in the rhyming chronicle of his historian: we shall now present Selwyn, the hero of the narrative, to the reader, and follow him a little on his way in this weary world :

Our hero roused his energy of mind,

And buoyant trod the London road along;On either side the elm and ivy twined, And the wild thrush poured forth its plaintive song: The setting sun in gorgeous hues declined, Leaving a wake of glory, radiant long; The distant village pealed its vesper bell, When Selwyn turned to take a last farewell. The clear vibration from the distant chime, Floating o'er fallow land, and mead, and floodThe deep enchantment of that twilight timePressed on his heart, attuning into rhyme The stilly sounds that swept the wave and wood

The sadness of his melancholy mood; And the soft cadence of that prayer-bell Had fastened on his spirit like a spell.

On his way to London he dines at an inn, and being something at a loss for an adventure, he looks at a romantic bar-maid, who had a taste for sweet music and wandering travellers: he sees at once that he can diffuse her beauties over a dozen stanzas: her looks are thus recorded:

And then she gather'd up her silk attire,

And placed the lights upon the polished table;
Her well-turned form the sculptor might admire,
And choose it for a model: soft as sable
Was the black lash that veiled her glance of fire,

Flashing forbidden beams; would I were able
To trace those subtle shades, half-love-half-hope-
Deep, fond, and melting as an antelope,-
Roaming, with its young mate, the desert wide:-
The soft, voluptuous swimming of the eyes-
The small white hand-the lip like scarlet dyed-
The circling breast, formed to engender sighs
In man's stern being: have ye seen a bride,
Led to the altar, in her virgin dyes,
When her becoming blushes, like a star made
Light for her lover's heart? so beamed the bar-maid.

He arrives in London: he had run away from the University, because some one had upbraided him with his birth; and having nothing in his pocket, he enters into the police, and acquits himself so as to gain what he calls the grim approbation of Sir Richard Birnie. He sees many touching sights, and some merry ones: whatever he sees he draws. Here is one of his sad pictures: those who know London will perceive how mournfully correct the portrait is.

One bitter night he paced near Whitehall Stair;
The bridge looked lone and tenantless; the lamps
Cast o'er the murky stream a fitful glare,
Paling the gathered gloom; the vapoury damps
Condensed upon his brow; whilst lonely there,
In dirt bedabbled drapery, that stamps
The carnal sinner, some poor straggler roved-

Heart-struck and faint-a victim that had loved.
It was a bitter night-a bleak March night-
Rainy and raw-the fog crept to the bone:
In the dim haze, she faded from his sight,

Leaning her head in anguish on the stone
Of the cold granite block: her brow-how white-
How marble pale! why droops she there alone
Sad and forlorn? moaning as one in dread,-
Her clouded eyes fixed on the river-bed.

It is not always his misfortune to find

A desperate lady by a purling brook: he sees one whose hopes are high and beauty great, and takes a sitting of her in one of her most alluring moments: we must admit a bit of the picture :

His mansion stood adjoining Belgrave Square,

Ruled by his widowed sister-Lady Freeling;
Her autumn checks defied the test of care,
For scarce a wrinkle o'er her brows was stealing:-
And she had one fair girl, famed for her hair,
For whom she felt some slight maternal feeling;
And had her tutored in the paths of grace,
For virtue lends a lustre to the face.
And Circe was she called-a wayward child,
That sought lone haunts, to list the seamew's call:
She read a language in the forest wild,

And heard sweet music in the waterfall;
And prized rude scenes, where savage nature smiled,
Rock-girt in solitude: the splendid hall
Of modern luxury she heeded not:
The main, the mountain, and the shell strewn grot,
Took captive her young heart: she loitered hours,
Seeking companionship with voiceless things;
And loved to sketch the wilder sort of flowers-
To braid her hair with the blue heron's wings-
Or watch the sun-god, in his golden bowers,
Fade like a gorgeous spirit, when he flings
A cloud around him, as he sinks to rest,
Pavilioned in the chambers of the west.
Broad lands had Circe, bounding Tenby-bay,
And rich domains-her uncle's free donation;
A gothic ruin, with stern turrets gray,

And some good rooms for modern habitation;
And there, with lyre and song, she wiled away.
Whole months, and made an annual migration:
Her passions were as boundless as the sea,
And she herself-was like its billows, free.

Now it is the pleasure of the poet to make this young lady acquainted with the secret of the parentage of our friend with the number on his neck: she tells him, as he is rendering her some small service in the Park, that he is the son

of Lord Glengyle; and she afterwards sends him a note, commanding him to cast away his police livery, and ask for the situation of secretary to her uncle, Sir Joseph Orme: with all this he complies-is installed in this new vocation-and has many opportunities of seeing and admiring his young mistress. It is also his good fortune to render her some requital for her kindness: one sultry day, in a sea-coast excursion near her uncle's country seat, it is her pleasure to bathe:She came alone, at the fresh day-light hour, To the cool bathing-house; and cast aside Her shawl and mantle, as an opening flower Expands upon the sun its beauties wide: She looked a lily in her water-bower,

As her bare breast was mirrored in the tide; Enriching the clear gulf with gleams of light, As the moon melts along the waste of night.

From her small feet the sandals she unbound,

And drew from her straight limbs the silken hose,
Unveiling the blue veins that, vine-like, wound
Over her graphic instep, white as snows
On Alpine tops: her hair dishevelled round
Floated in downy folds: graceful she rose,

An Aphrodite-unadorned as Truth-
Beauty the only mantle of her youth.

She paused an instant on the fountain's verge,
And with her foot the glassy surface stirred,
Moving in lustre through the rippling surge;
Then plunging, timid as a fawn or bird,"
Dipped her bright brow, and breathless did emerge,
Quick starting at some rustling sound she heard:
It might have been the breeze the casement shook,
Or the far murmurs of the mountain brook.

While she is indulging in this summer luxury, the sky darkened, the thunder muttered, and a sudden storm came on-not much to the disquietude of the lady, it

seems:

Circe, half naked, watched the tempest scowl,
Her spirit mingling with the element;
The roar of the roused sea-the screaming fowl-
The enormous mass, battling magnificent;
And the pent whirlwind's wild terrific howl,

When the electric fire the fragments rent,-
Like choral music struck the mental strings
That vibrated her rapt imaginings.

And flushed she sat, the Naiad of the place!
With an immortal beauty in her mien;
Her soaring mind was glowing in her face,
For her tranced soul had with the tempest been-
Had striven with the lightning in its race,

A winged meteor. Had she mused unseen,
It mattered not; but her dismantled form
Had roused a spirit wilder than the storm.

The spirit which her loveliness had roused was captain of a band of smugglers; and the lady contributed by her voice, as well as by her looks, to his enchantment: she sung a song that proved too much for him :

The Smuggler's Escape.

The sky grew dark, the dim moon waned,
The sea rose with the blast;

The canvas broad the cutter strained,

Loud creaked the quivering mast.

A flint-lock flashed along the gale,
It roused the watch on shore;--
The rovers furled their gleaming sail,
And plied the muffled oar-

A rock beneath, stood the Rover-chief,
Away from his ocean band;
That signal shot soon brought relief,
For the boat was ably manned.
A beacon light blazed o'er the dark,
From the cliffs the guard emerge;
The Smuggler saw his own wild bark,
Like a sea-bird on the surge.
Within the deadly carbine's reach,
The long black boat lay to-
Then bounding down the dusky beach
Rushed the leader of the crew;
He sprang-he almost touched the wave,
When a foeman crossed the sand,
The crew strained every nerve to save-
They were struggling hand to hand.
The coast guard hurried on either side

When blood from the heart was spilt;
The Smuggler sprang knee-deep in the tide,
With his sabre stained to the hilt;
Shots poured around-slugs plashed the foam
As the seaboat dashed afar;

Three cheers for the reckless hearts that roam The deep by the midnight star.

The smuggler starts from his lurking place and seizes her: of course, she screams-her screams bring her attendant, who screams also: the united oratory of both brings the secretary, who happens, we know not how, to be most opportunely at hand; and as he had been taught how to handle such desperadoes during his service in the police, he goes roundly to work with the seaman: the struggle is well given :

Locked in close grip, as serfs their prowess try,

Straining and coiling, knee to knee they stood, Savagely wrestling for the mastery

Equal in strength-and seeming bent on blood; Dilated nostril and dark troubled eye,

Fierce as the leopard circled by the flood;

And red they waxed with wrath, and pent their breath
Like foes who struggled in the strife of death.

Selwyn, though tall and sinewy, was more slim-
Firm in his tread-athletic in his air;

The Smuggler had more brawn and bulk of limb,
Rough as an Afric lion in its lair,
Roused by the hunter's spear; with aspect grim-
Swarthy complexion, and black clotted hair:
From his swoln veins, tense nerves, and quivering

knees,

A sculptor might have modelled Hercules.
Fiercely they strove, and grappled hand to hand,
Well matched in muscle, and in courage too;
The ocean roamer made a desperate stand,
And from his shaggy jacket, cursing drew
A short spring dirk, for trading contraband
The safest weapon; but his heels up flew
Ere he could raise an arm for human slaughter,
He slipped-and Selwyn reeled him in the water,-
Then seized a table, and, with giant's might,

Tore off the leg as he a twig would break,
And his breath mustered to renew the fight;
When the foiled Tarquin deemed it best to take
Advantage of a mode that offered flight:

He sprang the casement-down the cliff and brake,
And pausing on the shingles, whistled shrill,
To call his lurking comrades from the hill.

With these verses the canto concludes: another is promised soon; we hope it will have all the merits of the present with none of its defects. We have quoted such stanzas as seemed superior to their companions; and our readers will see that they are worthy of notice for their vigour and freedom. Had we desired to be severe, the poem overflows with passages such as a stern and fierce critic loves to pour out his bitterness upon. But we desire to be gentle with an undisciplined glad that no name is to the work; because mind and an unregulated taste. We are we are sure the author will, if he lives, write much better; and he could not be otherwise than ashamed of some of the verses of the "Natural Son.'

Irish Minstrelsy, or, Bardic Remains of Ireland, with Poetical Translations. Collected and edited by J. Hardiman, Esq.,

M.R.I.A. London: Robins.

WE have been, for some time, anxious to notice these very interesting and valuable volumes, which, though published in London some months past, are practically as much unknown as if they had appeared in Siberia; but the pressure of novelty confined us within limits too narrow to admit of bestowing on theBardic Remains' the attention they merit, and we deemed delay a less evil than an inadequate notice. The native literature of Ireland is less known to the people of this country, and to a large portion of the Irish themselves, than the literature of the Magyars, the Frisians, or any other of the tribes honoured by the patronage of Dr. Bowring; in that country, nationality has been too often and too long regarded as criminal by the dominant party, and the songs of the bards studiously discouraged and proscribed. Irish

music has been more fortunate than Irish poetry; while the affecting melodies of the sister isle have been known and valued in every European country, the original words to which they were sung have "been buried in oblivion," and the few who spoke of them as valuable, treated with ridicule and contempt. The chief cause of this anomaly is, that the history of Irish minstrelsy is also the history of the Irish nation: in Ireland, as in all the Celtic nations, the bards formed a distinct class in the social economy, and possessed a definite rank in the state; music and poetry were cultivated, not as refined amusements, but as instruments of government, and hence both attained a high degree of perfection, long before any other arts of social life had arrived at maturity. When the Anglo-Normans came to colonize Ireland, they entered a country where all the habits and customs differed essentially from their own; and where the amalgamation of the settlers and natives was prevented by a concurrence of circumstances, whose effects are still visible. The bards, thus stripped of their influence, naturally directed all their efforts to re-establish the independence of Ireland; the duty of insurrection was the general subject of their strains, incitement to vengeance the constant theme of their song. On the other hand, the local government, aware that the minstrels were the chief leaders of "agitation," persecuted them without mercy: in all the treaties made between the Irish chieftains and the princes of the house of Tudor, it is expressly stipulated that no protection should be given to poets and rhymers.

The great civil war of 1641, a war in all its circumstances wholly unparalleled in the annals of mankind, was fatal to the race of Irish bards. In the preceding century it was a maxim generally acknowledged, that a civilized nation had a right to the lands of a people that had not attained an eminent rank in the arts of social life; that the absence of civilization was a fair pretext for withholding the rights of humanity. On this axiom the Spaniards acted in Peru, the Portuguese in India, and the English in Ireland; the test of civilized invaders, a test that had at all events the merit manners was accordance with those of the of being easily applied; and when swords and muskets were the instruments of argument, the comparison was of course settled in favour of those who possessed the strongest powder and the sharpest steel. But the war of 1641 the children of song:" the army that Crombrought a new and more fearful enemy to well led to Ireland was composed of the wildest fanatics in the parliamentary ranks— men whom he was anxious to remove from England, knowing that they would be the most virulent opponents to his future usurpation! It is useless to tell how by the disunion of the royalists-the treachery of Ormondthe foolish jealousies of the lords of the Paleand the notorious insincerity of the unhappy Charles, this handful of enthusiasts became victorious. Their character, as enemies of Irish literature, and indeed of literature of any kind, is the only matter with which we are concerned. Unexpected success changes the nature of enthusiasm; in its place there arises a stern spiritual pride, mingled with hypocrisy, far more formidable, because far more permanent, than the heat of violent fanaticism. The Cromwellian invaders had

been compared by their preachers to the

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