Making Men: Gender, Literary Authority, and Women's Writing in Caribbean Narrative
Duke University Press, 1999 - 229 من الصفحات
Colonialism left an indelible mark on writers from the Caribbean. Many of the mid-century male writers, on the eve of independence, looked to England for their models. The current generation of authors, many of whom are women, have increasingly looked—and relocated—to the United States. Incorporating postcolonial theory, West Indian literature, feminist theory, and African American literary criticism, Making Men carves out a particular relationship between the Caribbean canon—as represented by C. L. R. James and V. S. Naipaul, among others—and contemporary Caribbean women writers such as Jean Rhys, and Jamaica Kincaid, Paule Marshall, and Michelle Cliff, who now live in the United States.
Discussing the canonical Caribbean narrative as it reflects national identity under the domination of English cultural authority, Belinda Edmondson focuses particularly on the pervasive influence of Victorian sensibilities in the structuring of twentieth-century national identity. She shows that issues of race and English constructions of masculinity not only are central to West Indian identity but also connect Caribbean authorship to the English literary tradition. This perspective on the origins of West Indian literary nationalism then informs Edmondson's search for female subjectivity in current literature by West Indian women immigrants in America. Making Men compares the intellectual exile of men with the economic migration of women, linking the canonical male tradition to the writing of modern West Indian women and exploring how the latter write within and against the historical male paradigm in the continuing process of national definition.
With theoretical claims that invite new discourse on English, Caribbean, and American ideas of exile, migration, race, gender identity, and literary authority, Making Men will be informative reading for those involved with postcolonial theory, African American and women's studies, and Caribbean literature.
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طبعات أخرى - عرض جميع المقتطفات
African American anglophone Caribbean argues authentic Avey Banana Bottom Bita black aesthetics black female black West Indian black women Brathwaite British C. L. R. James Caliban Carib Caribbean narrative Caribbean women Caribbean writers Carlyle chapter Clare Claude McKay Cliff colonial critical critique culture discussion England English canon European Eyre female subjectivity female-authored feminine feminism feminist aesthetics fiction Froude gender gentleman George Lamming idea identity immigrant intellectual island Jamaica Kincaid Jean Rhys Lamming's literary authority literary tradition London Lucy male manhood masculine McKay meaning Middle Passage Miranda modernism modernist mother nationalist Negro peasant Pleasures of Exile political Prospero quoted race racial rape reading relationship revolutionary Rhys's role scholar slave social society status symbol tion University Press V. S. Naipaul Victorian West Indian discourse West Indian literature West Indian novel West Indian writers West Indies white creole Wide Sargasso Sea woman women writers writing York