Yale University Press, 10/09/1974 - 246 من الصفحات
In none of Ben Jonson’s plays is Renaissance heroic humanism converted to comic reality more obviously and successfully than in The Alchemist. Here the aspiration of the Renaissance to control and remake the world is imaged as a great swindle, alchemy. Jonson parodies philosophers, scientists, the new Protestantism, the great Renaissance merchant adventurers, and the ages’ ideals of military valor and impassioned love. His characters are comic versions of the ways in which the Renaissance sought power, knowledge, and pleasure—they are also a remarkably realistic cross section, ranging from servant through knight, of London’s life. One of the most popular of Jonson’s plays during his lifetime and a favorite throughout the seventeenth century, The Alchemist, was first produced in 1610.
In his introduction, Alvin B. Kernan skillfully conveys the vitality and ultimate power of this difficult play. The glosses and explanatory notes clarify Jonson’s language, with all its references to classical and alchemical literature and the contemporary London underworld. In Appendix I, Mr. Kernan discusses Jonson’s use of alchemy and provides a glossary of alchemical terms. Appendix II includes a discussion of the text, sources, and stage history of the play.
ما يقوله الناس - كتابة مراجعة
LibraryThing Reviewمعاينة المستخدمين - jonfaith - LibraryThing
A wench is a rare bait, with which a man No sooner's taken, but he straight firks mad. Funny that firk, it means many things: to both expel and to fuck as well as become or carry. I felt only the ... قراءة التقييم بأكمله
LibraryThing Reviewمعاينة المستخدمين - DanielSTJ - LibraryThing
This was an underwhelming play. While it started well, the play did not continue in that fashion. For the amount of effort that is required to read a play that is this old, I do not think it is worth the effort for most readers-- just my opinion. قراءة التقييم بأكمله
Text Sources and Stage History