The Plays and Poems of William Shakspeare, المجلد 1R. C. and J. Rivington, 1821 |
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الصفحة 4
... particular point on which the bent of each argu- ment turns , or the force of each motive depends . This is * Addison , in the 273d Spectator , has delivered a similar opinion respecting Homer : " There is scarce a speech or action in ...
... particular point on which the bent of each argu- ment turns , or the force of each motive depends . This is * Addison , in the 273d Spectator , has delivered a similar opinion respecting Homer : " There is scarce a speech or action in ...
الصفحة 8
... particular passages : and the speeches copied from Plutarch in Coriolanus✶ may , I think , as well be made an instance of his learning , as those copied from Cicero in Catiline of Ben Jonson's . The man- ners of other nations in ...
... particular passages : and the speeches copied from Plutarch in Coriolanus✶ may , I think , as well be made an instance of his learning , as those copied from Cicero in Catiline of Ben Jonson's . The man- ners of other nations in ...
الصفحة 12
... particular ( which seems to have belonged to the play - house , by having the parts divided with lines , and the actor's names in the margin ) where several of those very passages were added in a written hand , which are since to be ...
... particular ( which seems to have belonged to the play - house , by having the parts divided with lines , and the actor's names in the margin ) where several of those very passages were added in a written hand , which are since to be ...
الصفحة 15
... particular pas- sages , were of his hand . It is very probable what occa- sioned some plays to be supposed Shakspeare's , was only this ; that they were pieces produced by unknown authors , or fitted up for the theatre while it was ...
... particular pas- sages , were of his hand . It is very probable what occa- sioned some plays to be supposed Shakspeare's , was only this ; that they were pieces produced by unknown authors , or fitted up for the theatre while it was ...
الصفحة 16
... particular , the reader would have met with obscurities . The more obsolete or unusual words are explained . Some of the most shining passages are distinguished by commas in the margin ; and where the beauty lay not in particulars , but ...
... particular , the reader would have met with obscurities . The more obsolete or unusual words are explained . Some of the most shining passages are distinguished by commas in the margin ; and where the beauty lay not in particulars , but ...
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acquaintance admirers ancient appears Ben Jonson Cæsar censure character collation comedy conjecture correct corrupted criticism death drama dramatick edition editor emendation English engraving errors favour French genius gentleman Hamlet hath honour imitation instance John Jonson judgment Juliet Julius Cæsar King Henry King Lear labour language late Latin learning letter lines Lond Love's Labour's Lost Lover's Melancholy Macbeth Malone Malone's meaning Merchant of Venice metre modern nature never notes obscure observed old copies opinion original passage perhaps pieces players plays poem poet poet's poetry Pope portrait praise preface prefixed present printed publick published quarto reader reason remarks Romeo and Juliet says scene second folio seems Shak Shakspeare Shakspeare's stage Steevens supposed syllables Theobald thing thou thought tion Titus Andronicus tragedy translation Troilus and Cressida truth verse Winter's Tale words writer written
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الصفحة 236 - tis a common proof, That lowliness is young ambition's ladder, Whereto the climber upward turns his face; But when he once attains the upmost round, He then unto the ladder turns his back, Looks in the clouds, scorning the base degrees By which he did ascend.
الصفحة 476 - For though the Poet's matter Nature be His art doth give the fashion. And that he Who casts to write a living line, must sweat (Such as thine are), and strike the second heat Upon the Muses...
الصفحة 62 - Shakespeare is, above all writers, at least above all modern writers, the poet of nature ; the poet that holds up to his readers a faithful mirror of manners and of life.
الصفحة 449 - I loved the man, and do honour his memory, on this side idolatry, as much as any. He was, indeed, honest, and of. an open and free nature, had an excellent fancy, brave notions, and gentle expressions ; wherein he flowed with that facility, that sometimes it was necessary he should be stopped : Snfflaminandus erat, as Augustus said of Haterius.
الصفحة 484 - WHAT needs my Shakespeare for his honoured bones, The labour of an age in piled stones, Or that his hallowed relics should be hid Under a star-ypointing pyramid? Dear son of memory, great heir of fame, What need'st thou such weak witness of thy name? Thou in our wonder and astonishment Hast built thyself a live-long monument. For whilst to th...
الصفحة xlvi - I behold like a Spanish great galleon and an English man-of-war. Master Coleridge, like the former, was built far higher in learning, solid, but slow in his performances. CVL, with the English man-of-war, lesser in bulk, but lighter in sailing, could turn with all tides, tack about, and take advantage of all winds, by the quickness of his wit and invention.
الصفحة 459 - Taint not thy mind, nor let thy soul contrive Against thy mother aught; leave her to heaven, And to those thorns that in her bosom lodge To prick and sting her.
الصفحة 473 - To draw no envy, Shakespeare, on thy name, Am I thus ample to thy book and fame, While I confess thy writings to be such As neither man nor muse can praise too much.
الصفحة 64 - Shakespeare has no heroes; his scenes are occupied only by men who act and speak as the reader thinks that he should himself have spoken or acted on the same occasion: even where the agency is supernatural, the dialogue is level with life.
الصفحة 454 - And then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. And then the lover, Sighing like furnace, with a woeful ballad Made to his mistress