His Infinite Variety: Major Shakespearean Criticism Since JohnsonPaul N. Siegel Books for Libraries Press, 1972 - 432 من الصفحات |
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الصفحة 49
... audience . Thus Falstaff is ( a ) amusing , and ( b ) morally reprehensible ; an Elizabethan audience would applaud his wit , but approve his final dismissal . Victorian critics , however , displayed bitter resentment , not only against ...
... audience . Thus Falstaff is ( a ) amusing , and ( b ) morally reprehensible ; an Elizabethan audience would applaud his wit , but approve his final dismissal . Victorian critics , however , displayed bitter resentment , not only against ...
الصفحة 56
... audience , ready to grasp at every word and each significant gesture . It would be fatal for their purpose if the audience were to become emotionally involved in the thin line of romantic story which holds their performance together ...
... audience , ready to grasp at every word and each significant gesture . It would be fatal for their purpose if the audience were to become emotionally involved in the thin line of romantic story which holds their performance together ...
الصفحة 159
... audience , with the clear purpose of exposing him . When Lucio plucks off the Friar's hood and discovers the Duke , the impudent buffoon also accomplishes his own exposure . He then tries to sneak unobtrusively away , but is arrested ...
... audience , with the clear purpose of exposing him . When Lucio plucks off the Friar's hood and discovers the Duke , the impudent buffoon also accomplishes his own exposure . He then tries to sneak unobtrusively away , but is arrested ...
المحتوى
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 12 |
Contents | 15 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
action Angelo appears audience become Bradley bring called cause character Christian comedy comes comic conventions course critics death divine drama Duke effect Elizabethan evil expression eyes fact Falstaff father feeling figure final follow give Hamlet hand heart heaven Henry hero human Iago idea images imagination impression Isabel Juliet justice keep kind King Lear less light live look Macbeth means Measure Measure for Measure mind moral nature never night once Othello passion perhaps persons picture play poet poetry present Prince reading reason regard Richard romantic Romeo satire says scene seems seen sense Shake Shakespeare shows Shylock side soul speak speech spirit stage story suffering suggests symbolic theme things thou thought tion tragedy tragic Troilus true truth turn University whole young